The poetical works of George MacDonald in two volumes - Volume 2, George MacDonald [8 ebook reader TXT] 📗

shining amain and they're at it again praising and praising such low songs raising that no one can hear them but the sun so near them and the sheep that bite them but do not fright them are the quietest sheep awake or asleep with the merriest bleat and the little lambs are the merriest lambs forgetting to eat for the frolic in their feet and the lambs and their dams are the whitest sheep with the woolliest wool for the swallow to pull when he makes his nest for her he loves best and they shine like snow in the grasses that grow by the singing river that sings for ever and the sheep and the lambs are merry for ever because the river sings and they drink it and the lambs and their dams would any one think it are bright and white because of their diet which gladdens them quiet for what they bite is buttercups yellow and daisies white and grass as green as the river can make it with wind as mellow to kiss it and shake it as never was known but here in the hollows beside the river where all the swallows are the merriest fellows and the nests they make with the clay they cake in the sunshine bake till they are like bone and as dry in the wind as a marble stone dried in the wind the sweetest wind that blows by the river flowing for ever and who shall find whence comes the wind that blows on the hollows and over the shallows where dip the swallows and comes and goes and the sweet life blows into the river that sings as it flows and the sweet life blows into the sheep awake or asleep with the woolliest wool and the trailingest tails and never fails gentle and cool to wave the wool and to toss the grass as the lambs and the sheep over it pass and tug and bite with their teeth so white and then with the sweep of their trailing tails smooth it again and it grows amain and amain it grows and the wind that blows tosses the swallows over the hollows and over the shallows and blows the sweet life and the joy so rife into the swallows that skim the shallows and have the yellowest children and the wind that blows is the life of the river that flows for ever and washes the grasses still as it passes and feeds the daisies the little white praises and buttercups sunny with butter and honey that whiten the sheep awake or asleep that nibble and bite and grow whiter than white and merry and quiet on such good diet watered by the river and tossed for ever by the wind that tosses the wool and the grasses and the swallow that crosses with all the swallows over the shallows dipping their wings to gather the water and bake the cake for the wind to make as hard as a bone and as dry as a stone and who shall find whence comes the wind that blows from behind and ripples the river that flows for ever and still as it passes waves the grasses and cools the daisies the white sun praises that feed the sheep awake or asleep and give them their wool for the swallows to pull a little away to mix with the clay that cakes to a nest for those they love best and all the yellow children soon to go trying their wings at the flying over the hollows and over the shallows with all the swallows that do not know whence the wind doth blow that comes from behind a blowing wind.


A THREEFOLD CORD:

Poems by Three Friends.


TO

GREVILLE MATHESON MACDONALD.

First, most, to thee, my son, I give this book
In which a friend's and brother's verses blend
With mine; for not son only-brother, friend, Art thou, through sonship which no veil can brook Between the eyes that in each other look,
Or any shadow 'twixt the hearts that tend
Still nearer, with divine approach, to end In love eternal that cannot be shook
When all the shakable shall cease to be.
With growing hope I greet the coming day When from thy journey done I welcome thee Who sharest in the names of all the three,
And take thee to the two, and humbly say,
Let this man be the fourth with us, I pray.

CASA CORAGGIO:
May, 1883.


A THREEFOLD CHORD.


THE HAUNTED HOUSE :

Suggested by a drawing of Thomas Moran, the American painter.

This must be the very night! The moon knows it!-and the trees! They stand straight upright, Each a sentinel drawn up, As if they dared not know Which way the wind might blow! The very pool, with dead gray eye, Dully expectant, feels it nigh, And begins to curdle and freeze! And the dark night, With its fringe of light, Holds the secret in its cup!

II. What can it be, to make The poplars cease to shiver and shake, And up in the dismal air Stand straight and stiff as the human hair When the human soul is dizzy with dread- All but those two that strain Aside in a frenzy of speechless pain, Though never a wind sends out a breath To tunnel the foggy rheum of death? What can it be has power to scare The full-grown moon to the idiot stare Of a blasted eye in the midnight air? Something has gone wrong; A scream will come tearing out ere long!

III. Still as death, Although I listen with bated breath! Yet something is coming, I know-is coming! With an inward soundless humming Somewhere in me, or if in the air I cannot tell, but it is there! Marching on to an unheard drumming Something is coming-coming- Growing and coming! And the moon is aware, Aghast in the air At the thing that is only coming With an inward soundless humming And an unheard spectral drumming!

IV. Nothing to see and nothing to hear! Only across the inner sky The wing of a shadowy thought flits by, Vague and featureless, faceless, drear- Only a thinness to catch the eye: Is it a dim foreboding unborn, Or a buried memory, wasted and worn As the fading frost of a wintry sigh? Anon I shall have it!-anon!-it draws nigh! A night when-a something it was took place That drove the blood from that scared moon-face! Hark! was that the cry of a goat, Or the gurgle of water in a throat? Hush! there is nothing to see or hear, Only a silent something is near; No knock, no footsteps three or four, Only a presence outside the door! See! the moon is remembering!-what? The wail of a mother-left, lie-alone brat? Or a raven sharpening its beak to peck? Or a cold blue knife and a warm white neck? Or only a heart that burst and ceased For a man that went away released? I know not-know not, but something is coming Somehow back with an inward humming!

V. Ha! look there! look at that house, Forsaken of all things, beetle and mouse! Mark how it looks! It must have a soul! It looks, it looks, though it cannot stir! See the ribs of it, how they stare! Its blind eyes yet have a seeing air! It knows it has a soul! Haggard it hangs o'er the slimy pool, And gapes wide open as corpses gape: It is the very murderer! The ghost has modelled himself to the shape Of this drear house all sodden with woe Where the deed was done, long, long ago, And filled with himself his new body full- To haunt for ever his ghastly crime, And see it come and go- Brooding around it like motionless time, With a mouth that gapes, and eyes that yawn Blear and blintering and full of the moon, Like one aghast at a hellish dawn!- The deed! the deed! it is coming soon!

VI. For, ever and always, when round the tune Grinds on the barrel of organ-Time, The deed is done. And it comes anon: True to the roll of the clock-faced moon, True to the ring of the spheric chime, True to the cosmic rhythm and rime, Every point, as it first fell out, Will come and go in the fearsome bout. See! palsied with horror from garret to core, The house cannot shut its gaping door; Its burst eye stares as if trying to see, And it leans as if settling heavily, Settling heavy with sickness dull:
It also is hearing the soundless humming Of the wheel that is turning-the thing that is coming! On the naked rafters of its brain, Gaunt and wintred, see the train Of gossiping, scandal-mongering crows That watch, all silent, with necks a-strain, Wickedly knowing, with heads awry And the sharpened gleam of a cunning eye- Watch, through the cracks of the ruined skull, How the evil business goes!- Beyond the eyes of the cherubim, Beyond the ears of the seraphim, Outside, forsaken, in the dim Phantom-haunted chaos grim He stands, with the deed going on in him!

VII. O winds, winds, that lurk and peep Under the edge of the moony fringe! O winds, winds, up and sweep, Up and blow and billow the air, Billow the air with blow and swinge, Rend me this ghastly house of groans! Rend and scatter the skeleton's bones Over the deserts and mountains bare! Blast and hurl and shiver aside Nailed sticks and mortared stones! Clear the phantom, with torrent and tide, Out of the moon and out of my brain, That the light may fall shadowless in again!

VIII. But, alas, then the ghost O'er mountain and coast Would go roaming, roaming! and never was swine That, grubbing and talking with snork and whine On Gadarene mountains, had taken him in But would rush to the lake to unhouse the sin! For any charnel This ghost is too carnal; There is no volcano, burnt out and cold, Whose very ashes are gray and old, But would cast him forth in reviving flame To blister the sky with a smudge of shame!

IX. Is there no help? none anywhere Under the earth or above the air?- Come, sad woman, whose tender throat Has a red-lipped mouth that can sing no note! Child, whose midwife, the third grim Fate, Shears in hand, thy coming did wait! Father, with blood-bedabbled hair! Mother, all withered with love's despair! Come, broken heart, whatever thou be, Hasten to help this misery! Thou wast only murdered, or left forlorn: He is a horror, a hate, a scorn! Come, if out of the holiest blue That the sapphire throne shines through; For pity come, though thy fair feet stand Next to the elder-band; Fling thy harp on the hyaline, Hurry thee down the spheres divine; Come, and drive those ravens away; Cover his eyes from the pitiless moon, Shadow his brain from her stinging spray; Droop around him, a tent of love, An odour of grace, a fanning dove; Walk through the house with the healing tune Of gentle footsteps; banish the shape Remorse calls up thyself to ape; Comfort him, dear, with pardon sweet; Cool his heart from its burning heat With the water of life that laves the feet Of the throne of God, and the holy street!

X. O God, he is but a living blot, Yet he lives by thee-for if thou wast not, They would vanish together, self-forgot, He and