Phantasmagoria and Other Poems, Lewis Carroll [life changing books to read TXT] 📗

sounds perhaps like fibs:
But still it's true as true can be -
As sure as your name's Tibbs," said he.
I said "My name's NOT Tibbs."

"NOT Tibbs!" he cried--his tone became
A shade or two less hearty -
"Why, no," said I. "My proper name
Is Tibbets--" "Tibbets?" "Aye, the same."
"Why, then YOU'RE NOT THE PARTY!"

With that he struck the board a blow
That shivered half the glasses.
"Why couldn't you have told me so
Three quarters of an hour ago,
You prince of all the asses?

"To walk four miles through mud and rain,
To spend the night in smoking,
And then to find that it's in vain -
And I've to do it all again -
It's really TOO provoking!

"Don't talk!" he cried, as I began
To mutter some excuse.
"Who can have patience with a man
That's got no more discretion than
An idiotic goose?

"To keep me waiting here, instead
Of telling me at once
That this was not the house!" he said.
"There, that'll do--be off to bed!
Don't gape like that, you dunce!"

"It's very fine to throw the blame
On ME in such a fashion!
Why didn't you enquire my name
The very minute that you came?"
I answered in a passion.

"Of course it worries you a bit
To come so far on foot -
But how was _I_ to blame for it?"
"Well, well!" said he. "I must admit
That isn't badly put.

"And certainly you've given me
The best of wine and victual -
Excuse my violence," said he,
"But accidents like this, you see,
They put one out a little.

"'Twas MY fault after all, I find -
Shake hands, old Turnip-top!"
The name was hardly to my mind,
But, as no doubt he meant it kind,
I let the matter drop.

"Good-night, old Turnip-top, good-night!
When I am gone, perhaps
They'll send you some inferior Sprite,
Who'll keep you in a constant fright
And spoil your soundest naps.

"Tell him you'll stand no sort of trick;
Then, if he leers and chuckles,
You just be handy with a stick
(Mind that it's pretty hard and thick)
And rap him on the knuckles!

"Then carelessly remark 'Old coon!
Perhaps you're not aware
That, if you don't behave, you'll soon
Be chuckling to another tune -
And so you'd best take care!'

"That's the right way to cure a Sprite
Of such like goings-on -
But gracious me! It's getting light!
Good-night, old Turnip-top, good-night!"
A nod, and he was gone.


CANTO VII--Sad Souvenaunce


"What's this?" I pondered. "Have I slept?
Or can I have been drinking?"
But soon a gentler feeling crept
Upon me, and I sat and wept
An hour or so, like winking.

"No need for Bones to hurry so!"
I sobbed. "In fact, I doubt
If it was worth his while to go -
And who is Tibbs, I'd like to know,
To make such work about?

"If Tibbs is anything like me,
It's POSSIBLE," I said,
"He won't be over-pleased to be
Dropped in upon at half-past three,
After he's snug in bed.

"And if Bones plagues him anyhow -
Squeaking and all the rest of it,
As he was doing here just now -
_I_ prophesy there'll be a row,
And Tibbs will have the best of it!"

Then, as my tears could never bring
The friendly Phantom back,
It seemed to me the proper thing
To mix another glass, and sing
The following Coronach.

'AND ART THOU GONE, BELOVED GHOST?
BEST OF FAMILIARS!
NAY THEN, FAREWELL, MY DUCKLING ROAST,
FAREWELL, FAREWELL, MY TEA AND TOAST,
MY MEERSCHAUM AND CIGARS!

THE HUES OF LIFE ARE DULL AND GRAY,
THE SWEETS OF LIFE INSIPID,
WHEN thou, MY CHARMER, ART AWAY -
OLD BRICK, OR RATHER, LET ME SAY,
OLD PARALLELEPIPED!'

Instead of singing Verse the Third,
I ceased--abruptly, rather:
But, after such a splendid word
I felt that it would be absurd
To try it any farther.

So with a yawn I went my way
To seek the welcome downy,
And slept, and dreamed till break of day
Of Poltergeist and Fetch and Fay
And Leprechaun and Brownie!

For year I've not been visited
By any kind of Sprite;
Yet still they echo in my head,
Those parting words, so kindly said,
"Old Turnip-top, good-night!"


ECHOES


Lady Clara Vere de Vere
Was eight years old, she said:
Every ringlet, lightly shaken, ran itself in golden thread.

She took her little porringer:
Of me she shall not win renown:
For the baseness of its nature shall have strength to drag her
down.

"Sisters and brothers, little Maid?
There stands the Inspector at thy door:
Like a dog, he hunts for boys who know not two and two are four."

"Kind words are more than coronets,"
She said, and wondering looked at me:
"It is the dead unhappy night, and I must hurry home to tea."


A SEA DIRGE


There are certain things--as, a spider, a ghost,
The income-tax, gout, an umbrella for three -
That I hate, but the thing that I hate the most
Is a thing they call the Sea.

Pour some salt water over the floor -
Ugly I'm sure you'll allow it to be:
Suppose it extended a mile or more,
THAT'S very like the Sea.

Beat a dog till it howls outright -
Cruel, but all very well for a spree:
Suppose that he did so day and night,
THAT would be like the Sea.

I had a vision of nursery-maids;
Tens of thousands passed by me -
All leading children with wooden spades,
And this was by the Sea.

Who invented those spades of wood?
Who was it cut them out of the tree?
None, I think, but an idiot could -
Or one that loved the Sea.

It is pleasant and dreamy, no doubt, to float
With 'thoughts as boundless, and souls as free':
But, suppose you are very unwell in the boat,
How do you like the Sea?

There is an insect that people avoid
(Whence is derived the verb 'to flee').
Where have you been by it most annoyed?
In lodgings by the Sea.

If you like your coffee with sand for dregs,
A decided hint of salt in your tea,
And a fishy taste in the very eggs -
By all means choose the Sea.

And if, with these dainties to drink and eat,
You prefer not a vestige of grass or tree,
And a chronic state of wet in your feet,
Then--I recommend the Sea.

For _I_ have friends who dwell by the coast -
Pleasant friends they are to me!
It is when I am with them I wonder most
That anyone likes the Sea.

They take me a walk: though tired and stiff,
To climb the heights I madly agree;
And, after a tumble or so from the cliff,
They kindly suggest the Sea.

I try the rocks, and I think it cool
That they laugh with such an excess of glee,
As I heavily slip into every pool
That skirts the cold cold Sea.


Ye Carpette Knyghte


I have a horse--a ryghte good horse -
Ne doe Y envye those
Who scoure ye playne yn headye course
Tyll soddayne on theyre nose
They lyghte wyth unexpected force
Yt ys--a horse of clothes.

I have a saddel--"Say'st thou soe?
Wyth styrruppes, Knyghte, to boote?"
I sayde not that--I answere "Noe" -
Yt lacketh such, I woote:
Yt ys a mutton-saddel, loe!
Parte of ye fleecye brute.

I have a bytte--a ryghte good bytte -
As shall bee seene yn tyme.
Ye jawe of horse yt wyll not fytte;
Yts use ys more sublyme.
Fayre Syr, how deemest thou of yt?
Yt ys--thys bytte of rhyme.


HIAWATHA'S PHOTOGRAPHING


[In an age of imitation, I can claim no special merit for this slight attempt at doing what is known to be so easy. Any fairly practised writer, with the slightest ear for rhythm, could compose, for hours together, in the easy running metre of 'The Song of Hiawatha.' Having, then, distinctly stated that I challenge no attention in the following little poem to its merely verbal jingle, I must beg the candid reader to confine his criticism to its treatment of the subject.]


From his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly put it all together.
In its case it lay compactly,
Folded into nearly nothing;

But he opened out the hinges,
Pushed and pulled the joints and hinges,
Till it looked all squares and oblongs,
Like a complicated figure
In the Second Book of Euclid.

This he perched upon a tripod -
Crouched beneath its dusky cover -
Stretched his hand, enforcing silence -
Said, "Be motionless, I beg you!"
Mystic, awful was the process.

All the family in order
Sat before him for their pictures:
Each in turn, as he was taken,
Volunteered his own suggestions,
His ingenious suggestions.

First the Governor, the Father:
He suggested velvet curtains
Looped about a massy pillar;
And the corner of a table,
Of a rosewood dining-table.
He would hold a scroll of something,
Hold it firmly in his left-hand;
He would keep his right-hand buried
(Like Napoleon) in his waistcoat;
He would contemplate the distance
With a look of pensive meaning,
As of ducks that die ill tempests.

Grand, heroic was the notion:
Yet the picture failed entirely:
Failed, because he moved a little,
Moved, because he couldn't help it.

Next, his better half took courage;
SHE would have her picture taken.
She came dressed beyond description,
Dressed in jewels and in satin
Far too gorgeous for an empress.
Gracefully she sat down sideways,
With a simper scarcely human,
Holding in her hand a bouquet
Rather larger than a cabbage.
All the while that she was sitting,
Still the lady chattered, chattered,
Like a monkey in the forest.
"Am I sitting still?" she asked him.
"Is my face enough in profile?
Shall I hold the bouquet higher?
Will it came into the picture?"
And the picture failed completely.

Next the Son, the Stunning-Cantab:
He suggested curves of beauty,
Curves pervading all his figure,
Which the eye might follow onward,
Till they centered in the breast-pin,
Centered in the golden breast-pin.
He had learnt it all from Ruskin
(Author of 'The Stones of Venice,'
'Seven Lamps of Architecture,'
'Modern Painters,' and some others);
And perhaps he had not fully
Understood his author's meaning;
But, whatever was the reason,
All was fruitless, as the picture
Ended in an utter failure.

Next to him the eldest daughter:
She suggested very little,
Only asked if he would take her
With her look of 'passive beauty.'

Her idea of passive beauty
Was a squinting of the left-eye,
Was a drooping of the right-eye,
Was a smile that went up sideways
To the corner of the nostrils.

Hiawatha, when she asked him,
Took no notice of the question,
Looked as if he hadn't heard it;
But, when pointedly appealed to,
Smiled in his peculiar manner,
Coughed and said it 'didn't matter,'
Bit his lip and changed the subject.

Nor in this was he mistaken,
As the picture failed completely.

So in turn the other sisters.

Last, the youngest son was taken:
Very rough and thick his hair was,
Very round and red his face was,
Very dusty was his jacket,
Very fidgety his manner.
And his overbearing sisters
Called him names he disapproved of:
Called him Johnny, 'Daddy's