A Study of Poetry, Bliss Perry [books to read to improve english .txt] 📗

>LYLY, JOHN.

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MARSHALL, HENRY R.

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MAYOR, J. B.

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Melodies of English Verse. Boston and New York, 1910.

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Essentials of Poetry. Boston and New York, 1912.

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A New Study of English Poetry. New York, 1919.

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Rhythm and Harmony in Poetry and Music. New York, 1895.

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English Lyrical Poetry. New Haven, 1912.

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Lyric Poetry. New York, 1913.

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INDEX

Abercrombie, Lascelles Accent Adams, F. P., free verse parody by Aesthetics, and poetry Alden, R. M.

Introduction to Poetry Aldington, Richard Alexander, Hartley B.

Poetry and the Individual Alliteration Andrews, C. E.

Writing and Reading of Verse Angellier, Auguste Anglo-Saxon lyrical verse Aristotle

Poetics

definition of Tragedy Arnold, Matthew

“The Strayed Reveller” Artistic imagination Artistic production

the impulse to Asbury, Samuel Assonance

Babbitt, Irving

New Laokoon Ballad, the Baumgarten, A. G. Beauty Beddoes, Thomas Lovell Blake, William Blunt, Wilfrid

sonnet on Gibraltar Boethius

De Consolatione Philosophiae Bosanquet, Bernard

History of AEsthetic Bradley, A. C. Bridges, Robert Brooke, Stopford Brownell, Baker Browning, Robert

The Ring and the Book Bryant, F. E. Burns, Robert Butcher, S. H.

Aristotle’s Theory of Poetry and Fine Art Bynner, Witter Byron

“ottava rima”

Calverley, C. S.

parody of Browning Campion, Thomas Carlyle, Thomas Chase, W. M. Chaucer, Geoffrey Chaucerian stanza, the Child, F. J.

English and Scottish Popular Ballads Chinese lyrics Chopin, Fr�d�ric Church music Clark, A. C.

Prose Rhythm in English Cleghorn, Sarah N.

“Come, Captain Age” Colcord, Lincoln Coleridge, S. T.

Biographia Literaria

Kubla Khan

Christabel Colvin, Sidney, “The Fine Arts,” Content and form Coquelin, E. H. A. Corson, Hiram Counsel upon the Reading of Books Courthope, W. J., History of English Poetry Cowley, Abraham, Pindaric ode in English Cranmer-Byng, L., The Lute of Jade Creative imagination Croce, B. Croll, Morris W.

Dances and poetry Daniel, Samuel Debussy, Claude Dickens, Charles Dickinson, Emily Dolmetsch, Arnold Drama

lyrical element in

dramatic monologue Drinkwater, John Dryden, John Duran, Carolus

Ear, the, appeal to Eastman, Max, Enjoyment of Poetry Elizabethan lyric, the Elton, Oliver W. Emerson, R. W. Enjoyment of Verse Erskine, John Euphuism “Eye-minded” or “ear-minded,”

Fairchild, A. H. R., Making of Poetry Feeling, and imagination

conveyed by words Feet, in verse Feminine rhymes Figures of speech Fine arts

“form” and “signficance” in

the man in Firkins, O. W. FitzGerald, Edward Fletcher, John Gould Form, in the arts Fort, Paul Free verse

four types of French song in England Fromentin, E. Frost, Robert Futurist poets

Gardiner, J. H. Gates, Lewis E. Genius and inspiration Giovanitti, Arturo Gluck, C. W., opera Goethe Goodell, T. D. Gosse, Edmund, definition of the ode Graphic arts and the lyric Gray, Thomas Greek poetry Gummere, F. B., Handbook of Poetics

Hamilton, Sir W. R., quaternions Hamlet Hardy, Thomas Hawthorne, Nathaniel

Wonder-Book

Scarlet Letter Hearn, Lafcadio Hebrew lyric, the Hebrew poetry Henley, W. E. Herford, C. H. Hexameters

English Holmes, Edmond, What is Poetry? Holmes, Justice Oliver Wendell Horace Horatian ode, English Hudson, W. H. Hugo, Victor

Images, verbal

selection and control of

visual

auditory

tactile

motor Imagination, or imaginations

the poet’s

and feeling

creative and artistic

poetic

lyric Imagist poets Imagist verse In Memoriam stanza, the Individualism in poetry Ingersoll, Robert G. Inspiration

James, Henry James, William

an illustration from Japanese lyrics Japanese prints Johnson, Samuel Jonson, Ben

Keats, John Kipling, Rudyard

La Farge, John, Considerations on Painting Lamb, Charles Landor, Walter Savage Lang, Andrew Lanier, Sidney, musical theory of verse

Poem Outlines Latin poets Lee-Hamilton, Eugene Legouis, Emile, _D�fense de la Po�sie Fran�aise Leighton, Sir Frederick Lessing, Laokoon Lewis, C. M. Lindsay, Vachel

“The Congo,” “Literary” language Locke, John Lockwood, Laura E. Lopere, Frederic A. Lowell, Amy Lowes, J. L. Lyric, the field of

classification

definitions

general characteristics

objects of the lyric vision

imagination

expression

relationships and types of

lyrical element in drama

and narrative

and graphic arts

Japanese and Chinese

decay and survival

Hebrew

Greek and Roman

of Western Europe

the Elizabethan

the Romantic

present status of

objections to Macaulay, T. B. Marinetti, F. T. Marquis, Don Masculine rhymes Masefield, John Masters, Edgar Lee Matthews, Brander Meredith, George Metre, and rhythm Midsummer Night’s Dream Mill, John Stuart Millet, J. F. Milton, John Monroe, Harriet Moody, William Vaughn Moore, J. Robert Morris, William Moving picture Murray, Gilbert Music and poetry

Narrative poetry Neilson, W. A. Newbolt, Sir Henry Nonsense-verse

Ode, the Omond, T. S. Orpheus and Eurydice, myth of

Page, Walter H. Palgrave, F. T. “Parallelogram of Forces, The” Pattern-instinct, the Patterson, W. M., Rhythm of Prose Pattison, Mark Peacock, Thomas Love Persian carpet theory of painting Pindaric ode, English Plato Play-instinct, the Poe, Edgar Allan “Poet, the”

and other men

his imagination

his words Poetry

some potencies of

nature of

and aesthetics

an art

the province of

imagist

Hebrew

Greek

and music

three main types

and dances

of alien races

See also Lyric. Polyphonic prose Pope, Alexander Pound, Louise Prosody and enjoyment Puttenham, George, Arte of English Poesie

Quantity

Racial differences Raleigh, Prof. Walter Raymond, G. L. Real effects Reed, E. B., English Lyrical Poetry Renan, Ernest Rhyme, as a form of rhythm Rhys, Ernest Rhythm, and metre

nature of

measurement of

of prose

rhyme and Ribot, Th., Essay on the Creative Imagination Ripley, W. Z. Robinson, Edwin Arlington Romantic lyric, the Royce, Josiah Ruskin, John Russell, C. E., “Swinburne and Music,”

Saintsbury, George, History of English Prose Rhythm Santayana, George Schelling, F. E. Scherer, Edmond Scott, Sir Walter Sea, a quiet, in the arts Shackford, M. H. Shakspere, William Shelley, Percy Bysshe Sherman, Stuart P. Sidney, Sir Philip Significance, in the arts Size of poetic thoughts Smith, L. W. Snell, Ada F. Sonnet, the

Petrarchan

Shaksperean South, Robert Space-arts Spaced prose Spectra hoax, the Spencer, Herbert Spenser, Edmund, the “poet’s poet” Spenserian stanza, the Stanza Stanzaic law Stedman, E. C. Stevenson, R. L. Stewart, J. A., The Myths of Plato Story, W. W. Stress, in verse “Stressers,” Subjectivity and the lyric Swinburne, A. S. Syllabic principle of versification

Taine, H. A. Tasso Taylor, Henry Osborn Teasdale, Sara Technique Tennyson, Alfred Thinking without words Thompson, Francis Thoreau, H. D. Time-arts “Timers” Tolman, A. H. Tolstoy Tone-color Tone-feeling Tynan, Katharine, “Planting Bulbs”

Verbal images Voice-waves, photographs of

Walton, Isaac Watts, G. F. Watts-Dunton, Theodore Wells, Carolyn Whistler, James Whitefield, George Whitman, Walt Whitmore, C. E. Whitney, W. D. Whittling Wilkinson, Florence, New Voices Words, the poet’s

how they convey feeling

as current coin

an imperfect medium

unpoetic

embodiment of poetic feeling

sound-values and meaning-values Wordsworth, William Wyatt, Edith

 

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