The Complete Poems of Paul Laurence Dunbar, Paul Laurence Dunbar [best reads of all time .txt] 📗
- Author: Paul Laurence Dunbar
Book online «The Complete Poems of Paul Laurence Dunbar, Paul Laurence Dunbar [best reads of all time .txt] 📗». Author Paul Laurence Dunbar
We ride no rapids mad,
While life is all a tempered dream
And every joy half sad.
NIGHT
Silence, and whirling worlds afar
Through all encircling skies.
What floods come o'er the spirit's bar,
What wondrous thoughts arise.
The earth, a mantle falls away,
And, winged, we leave the sod;
Where shines in its eternal sway
The majesty of God.
AT LOAFING-HOLT
Since I left the city's heat
For this sylvan, cool retreat,
High upon the hill-side here
Where the air is clean and clear,
I have lost the urban ways.
Mine are calm and tranquil days,
Sloping lawns of green are mine,
Clustered treasures of the vine;
Long forgotten plants I know,
Where the best wild berries grow,
Where the greens and grasses sprout,
When the elders blossom out.
Now I am grown weather-wise
With the lore of winds and skies.
Mine the song whose soft refrain
Is the sigh of summer rain.
Seek you where the woods are cool,
Would you know the shady pool
Where, throughout the lazy day,
Speckled beauties drowse or play?
Would you find in rest or peace
Sorrow's permanent release?--
Leave the city, grim and gray,
Come with me, ah, come away.
Do you fear the winter chill,
Deeps of snow upon the hill?
'Tis a mantle, kind and warm,
Shielding tender shoots from harm.
Do you dread the ice-clad streams,--
They are mirrors for your dreams.
Here's a rouse, when summer's past
To the raging winter's blast.
Let him roar and let him rout,
We are armored for the bout.
How the logs are glowing, see!
Who sings louder, they or he?
Could the city be more gay?
Burn your bridges! Come away!
WHEN A FELLER'S ITCHIN' TO BE SPANKED
W'en us fellers stomp around, makin' lots o' noise,
Gramma says, "There's certain times come to little boys
W'en they need a shingle or the soft side of a plank;"
She says "we're a-itchin' for a right good spank."
An' she says, "Now thes you wait,
It's a-comin'--soon or late,
W'en a feller's itchin' fer a spank."
W'en a feller's out o' school, you know how he feels,
Gramma says we wriggle 'roun' like a lot o' eels.
W'y it's like a man that's thes home from out o' jail.
What's the use o' scoldin' if we pull Tray's tail?
Gramma says, tho', "Thes you wait,
It's a-comin'--soon or late,
You'se the boys that's itchin' to be spanked."
Cats is funny creatures an' I like to make 'em yowl,
Gramma alwus looks at me with a awful scowl
An' she says, "Young gentlemen, mamma should be thanked
Ef you'd get your knickerbockers right well spanked."
An' she says, "Now thes you wait,
It's a-comin'--soon or late,"
When a feller's itchin' to be spanked.
Ef you fin' the days is gettin' awful hot in school
An' you know a swimmin' place where it's nice and cool,
Er you know a cat-fish hole brimmin' full o' fish,
Whose a-goin' to set around school and wish?
'Tain't no use to hide your bait,
It's a-comin,--soon or late,
Wen a feller's itchin' to be spanked.
Ol' folks know most ever'thing 'bout the world, I guess,
Gramma does, we wish she knowed thes a little less,
But I alwus kind o' think it 'ud be as well
Ef they wouldn't alwus have to up an' tell;
We kids wish 'at they'd thes wait,
It's a-comin'--soon or late,
Wen a feller's itchin' to be spanked.
THE RIVER OF RUIN
Along by the river of ruin
They dally--the thoughtless ones,
They dance and they dream
By the side of the stream,
As long as the river runs.
It seems all so pleasant and cheery--
No thought of the morrow is theirs,
And their faces are bright
With the sun of delight,
And they dream of no night-brooding cares.
The women wear garlanded tresses,
The men have rings on their hands,
And they sing in their glee,
For they think they are free--
They that know not the treacherous sands.
Ah, but this be a venturesome journey,
Forever those sands are ashift,
And a step to one side
Means a grasp of the tide,
And the current is fearful and swift.
For once in the river of ruin,
What boots it, to do or to dare,
For down we must go
In the turbulent flow,
To the desolate sea of Despair.
TO HER
Your presence like a benison to me
Wakes my sick soul to dreamful ecstasy,
I fancy that some old Arabian night
Saw you my houri and my heart's delight.
And wandering forth beneath the passionate moon,
Your love-strung zither and my soul in tune,
We knew the joy, the haunting of the pain
That like a flame thrills through me now again.
To-night we sit where sweet the spice winds blow,
A wind the northland lacks and ne'er shall know,
With clasped hands and spirits all aglow
As in Arabia in the long ago.
A LOVE LETTER
Oh, I des received a letter f'om de sweetest little gal;
Oh, my; oh, my.
She's my lovely little sweetheart an' her name is Sal:
Oh, my; oh, my.
She writes me dat she loves me an' she loves me true,
She wonders ef I'll tell huh dat I loves huh, too;
An' my heaht's so full o' music dat I do' know what to do;
Oh, my; oh, my.
I got a man to read it an' he read it fine;
Oh, my; oh, my.
Dey ain' no use denying dat her love is mine;
Oh, my; oh, my.
But hyeah's de t'ing dat's puttin' me in such a awful plight,
I t'ink of huh at mornin' an' I dream of huh at night;
But how's I gwine to cou't huh w'en I do' know how to write?
Oh, my; oh, my.
My heaht is bubblin' ovah wid de t'ings I want to say;
Oh, my; oh, my.
An' dey's lots of folks to copy what I tell 'em fu' de pay;
Oh, my; oh, my.
But dey's t'ings dat I's a-t'inkin' dat is only fu' huh ears,
An' I couldn't lu'n to write 'em ef I took a dozen years;
So to go down daih an' tell huh is de only way, it 'pears;
Oh, my; oh, my.
AFTER MANY DAYS
I've always been a faithful man
An' tried to live for duty,
But the stringent mode of life
Has somewhat lost its beauty.
The story of the generous bread
He sent upon the waters,
Which after many days returns
To trusting sons and daughters,
Had oft impressed me, so I want
My soul influenced by it,
And bought a loaf of bread and sought
A stream where I could try it.
I cast my bread upon the waves
And fancied then to await it;
It had not floated far away
When a fish came up and ate it.
And if I want both fish and bread,
And surely both I'm wanting,
About the only way I see
Is for me to go fishing.
LIZA MAY
Little brown face full of smiles,
And a baby's guileless wiles,
Liza May, Liza May.
Eyes a-peeping thro' the fence
With an interest intense,
Liza May.
Ah, the gate is just ajar,
And the meadow is not far,
Liza May, Liza May.
And the road feels very sweet,
To your little toddling feet,
Liza May.
Ah, you roguish runaway,
What will toiling mother say,
Liza May, Liza May?
What care you who smile to greet
Everyone you chance to meet,
Liza May?
Soft the mill-race sings its song,
Just a little way along,
Liza May, Liza May.
But the song is full of guile,
Turn, ah turn, your steps the while,
Liza May.
You have caught the gleam and glow
Where the darkling waters flow,
Liza May, Liza May.
Flash of ripple, bend of bough,
Where are all the angels now?
Liza May.
Now a mother's eyes intense
Gazing o'er a shabby fence,
Liza May, Liza May.
Then a mother's anguished face
Peering all around the place,
Liza May.
Hear the agonizing call
For a mother's all in all,
Liza May, Liza May.
Hear a mother's maddened prayer
While life is all a tempered dream
And every joy half sad.
NIGHT
Silence, and whirling worlds afar
Through all encircling skies.
What floods come o'er the spirit's bar,
What wondrous thoughts arise.
The earth, a mantle falls away,
And, winged, we leave the sod;
Where shines in its eternal sway
The majesty of God.
AT LOAFING-HOLT
Since I left the city's heat
For this sylvan, cool retreat,
High upon the hill-side here
Where the air is clean and clear,
I have lost the urban ways.
Mine are calm and tranquil days,
Sloping lawns of green are mine,
Clustered treasures of the vine;
Long forgotten plants I know,
Where the best wild berries grow,
Where the greens and grasses sprout,
When the elders blossom out.
Now I am grown weather-wise
With the lore of winds and skies.
Mine the song whose soft refrain
Is the sigh of summer rain.
Seek you where the woods are cool,
Would you know the shady pool
Where, throughout the lazy day,
Speckled beauties drowse or play?
Would you find in rest or peace
Sorrow's permanent release?--
Leave the city, grim and gray,
Come with me, ah, come away.
Do you fear the winter chill,
Deeps of snow upon the hill?
'Tis a mantle, kind and warm,
Shielding tender shoots from harm.
Do you dread the ice-clad streams,--
They are mirrors for your dreams.
Here's a rouse, when summer's past
To the raging winter's blast.
Let him roar and let him rout,
We are armored for the bout.
How the logs are glowing, see!
Who sings louder, they or he?
Could the city be more gay?
Burn your bridges! Come away!
WHEN A FELLER'S ITCHIN' TO BE SPANKED
W'en us fellers stomp around, makin' lots o' noise,
Gramma says, "There's certain times come to little boys
W'en they need a shingle or the soft side of a plank;"
She says "we're a-itchin' for a right good spank."
An' she says, "Now thes you wait,
It's a-comin'--soon or late,
W'en a feller's itchin' fer a spank."
W'en a feller's out o' school, you know how he feels,
Gramma says we wriggle 'roun' like a lot o' eels.
W'y it's like a man that's thes home from out o' jail.
What's the use o' scoldin' if we pull Tray's tail?
Gramma says, tho', "Thes you wait,
It's a-comin'--soon or late,
You'se the boys that's itchin' to be spanked."
Cats is funny creatures an' I like to make 'em yowl,
Gramma alwus looks at me with a awful scowl
An' she says, "Young gentlemen, mamma should be thanked
Ef you'd get your knickerbockers right well spanked."
An' she says, "Now thes you wait,
It's a-comin'--soon or late,"
When a feller's itchin' to be spanked.
Ef you fin' the days is gettin' awful hot in school
An' you know a swimmin' place where it's nice and cool,
Er you know a cat-fish hole brimmin' full o' fish,
Whose a-goin' to set around school and wish?
'Tain't no use to hide your bait,
It's a-comin,--soon or late,
Wen a feller's itchin' to be spanked.
Ol' folks know most ever'thing 'bout the world, I guess,
Gramma does, we wish she knowed thes a little less,
But I alwus kind o' think it 'ud be as well
Ef they wouldn't alwus have to up an' tell;
We kids wish 'at they'd thes wait,
It's a-comin'--soon or late,
Wen a feller's itchin' to be spanked.
THE RIVER OF RUIN
Along by the river of ruin
They dally--the thoughtless ones,
They dance and they dream
By the side of the stream,
As long as the river runs.
It seems all so pleasant and cheery--
No thought of the morrow is theirs,
And their faces are bright
With the sun of delight,
And they dream of no night-brooding cares.
The women wear garlanded tresses,
The men have rings on their hands,
And they sing in their glee,
For they think they are free--
They that know not the treacherous sands.
Ah, but this be a venturesome journey,
Forever those sands are ashift,
And a step to one side
Means a grasp of the tide,
And the current is fearful and swift.
For once in the river of ruin,
What boots it, to do or to dare,
For down we must go
In the turbulent flow,
To the desolate sea of Despair.
TO HER
Your presence like a benison to me
Wakes my sick soul to dreamful ecstasy,
I fancy that some old Arabian night
Saw you my houri and my heart's delight.
And wandering forth beneath the passionate moon,
Your love-strung zither and my soul in tune,
We knew the joy, the haunting of the pain
That like a flame thrills through me now again.
To-night we sit where sweet the spice winds blow,
A wind the northland lacks and ne'er shall know,
With clasped hands and spirits all aglow
As in Arabia in the long ago.
A LOVE LETTER
Oh, I des received a letter f'om de sweetest little gal;
Oh, my; oh, my.
She's my lovely little sweetheart an' her name is Sal:
Oh, my; oh, my.
She writes me dat she loves me an' she loves me true,
She wonders ef I'll tell huh dat I loves huh, too;
An' my heaht's so full o' music dat I do' know what to do;
Oh, my; oh, my.
I got a man to read it an' he read it fine;
Oh, my; oh, my.
Dey ain' no use denying dat her love is mine;
Oh, my; oh, my.
But hyeah's de t'ing dat's puttin' me in such a awful plight,
I t'ink of huh at mornin' an' I dream of huh at night;
But how's I gwine to cou't huh w'en I do' know how to write?
Oh, my; oh, my.
My heaht is bubblin' ovah wid de t'ings I want to say;
Oh, my; oh, my.
An' dey's lots of folks to copy what I tell 'em fu' de pay;
Oh, my; oh, my.
But dey's t'ings dat I's a-t'inkin' dat is only fu' huh ears,
An' I couldn't lu'n to write 'em ef I took a dozen years;
So to go down daih an' tell huh is de only way, it 'pears;
Oh, my; oh, my.
AFTER MANY DAYS
I've always been a faithful man
An' tried to live for duty,
But the stringent mode of life
Has somewhat lost its beauty.
The story of the generous bread
He sent upon the waters,
Which after many days returns
To trusting sons and daughters,
Had oft impressed me, so I want
My soul influenced by it,
And bought a loaf of bread and sought
A stream where I could try it.
I cast my bread upon the waves
And fancied then to await it;
It had not floated far away
When a fish came up and ate it.
And if I want both fish and bread,
And surely both I'm wanting,
About the only way I see
Is for me to go fishing.
LIZA MAY
Little brown face full of smiles,
And a baby's guileless wiles,
Liza May, Liza May.
Eyes a-peeping thro' the fence
With an interest intense,
Liza May.
Ah, the gate is just ajar,
And the meadow is not far,
Liza May, Liza May.
And the road feels very sweet,
To your little toddling feet,
Liza May.
Ah, you roguish runaway,
What will toiling mother say,
Liza May, Liza May?
What care you who smile to greet
Everyone you chance to meet,
Liza May?
Soft the mill-race sings its song,
Just a little way along,
Liza May, Liza May.
But the song is full of guile,
Turn, ah turn, your steps the while,
Liza May.
You have caught the gleam and glow
Where the darkling waters flow,
Liza May, Liza May.
Flash of ripple, bend of bough,
Where are all the angels now?
Liza May.
Now a mother's eyes intense
Gazing o'er a shabby fence,
Liza May, Liza May.
Then a mother's anguished face
Peering all around the place,
Liza May.
Hear the agonizing call
For a mother's all in all,
Liza May, Liza May.
Hear a mother's maddened prayer
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