The Hundred Best English Poems, - [children's books read aloud .TXT] 📗
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What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?
What pipes and timbrels? What wild ecstasy?
2.
Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal—yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal—yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!
3.
Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy'd,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue.
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy'd,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue.
4.
Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e'er return.
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e'er return.
5.
O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
'Beauty is truth, truth beauty,'—that is all
Ye know on earth, and all ye need to know.
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
'Beauty is truth, truth beauty,'—that is all
Ye know on earth, and all ye need to know.
42. To Autumn.
1.
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells.
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells.
2.
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep,
Drows'd with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep,
Drows'd with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.
3.
Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,—
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.
Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,—
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.
43. Ode on Melancholy.
1.
No, no, go not to Lethe, neither twist
Wolf's-bane, tight-rooted, for its poisonous wine;
Nor suffer thy pale forehead to be kiss'd
By nightshade, ruby grape of Proserpine;
Make not your rosary of yew-berries,
Nor let the beetle, nor the death-moth be
Your mournful Psyche, nor the downy owl
A partner in your sorrow's mysteries;
For shade to shade will come too drowsily,
And drown the wakeful anguish of the soul.
Wolf's-bane, tight-rooted, for its poisonous wine;
Nor suffer thy pale forehead to be kiss'd
By nightshade, ruby grape of Proserpine;
Make not your rosary of yew-berries,
Nor let the beetle, nor the death-moth be
Your mournful Psyche, nor the downy owl
A partner in your sorrow's mysteries;
For shade to shade will come too drowsily,
And drown the wakeful anguish of the soul.
2.
But when the melancholy fit shall fall
Sudden from heaven like a weeping cloud,
That fosters the droop-headed flowers all,
And hides the green hill in an April shroud;
Then glut thy sorrow on a morning rose,
Or on the rainbow of the salt sand-wave,
Or on the wealth of globed peonies;
Or if thy mistress some rich anger shows,
Emprison her soft hand, and let her rave,
And feed deep, deep upon her peerless eyes.
Sudden from heaven like a weeping cloud,
That fosters the droop-headed flowers all,
And hides the green hill in an April shroud;
Then glut thy sorrow on a morning rose,
Or on the rainbow of the salt sand-wave,
Or on the wealth of globed peonies;
Or if thy mistress some rich anger shows,
Emprison her soft hand, and let her rave,
And feed deep, deep upon her peerless eyes.
3.
She dwells with Beauty—Beauty that must die;
And Joy, whose hand is ever at his lips
Bidding adieu; and aching Pleasure nigh,
Turning to poison while the bee-mouth sips:
Ay, in the very temple of Delight
Veil'd Melancholy has her sovran shrine,
Though seen of none save him whose strenuous tongue
Can burst Joy's grape against his palate fine;
His soul shall taste the sadness of her might,
And be among her cloudy trophies hung.
And Joy, whose hand is ever at his lips
Bidding adieu; and aching Pleasure nigh,
Turning to poison while the bee-mouth sips:
Ay, in the very temple of Delight
Veil'd Melancholy has her sovran shrine,
Though seen of none save him whose strenuous tongue
Can burst Joy's grape against his palate fine;
His soul shall taste the sadness of her might,
And be among her cloudy trophies hung.
44. La Belle Dame sans Merci.
1.
Ah, what can ail thee, wretched wight,
Alone and palely loitering;
The sedge is wither'd from the lake,
And no birds sing.
Alone and palely loitering;
The sedge is wither'd from the lake,
And no birds sing.
2.
Ah, what can ail thee, wretched wight,
So haggard and so woe-begone?
The squirrel's granary is full,
And the harvest's done.
So haggard and so woe-begone?
The squirrel's granary is full,
And the harvest's done.
3.
I see a lily on thy brow,
With anguish moist and fever dew;
And on thy cheek a fading rose
Fast withereth too.
With anguish moist and fever dew;
And on thy cheek a fading rose
Fast withereth too.
4.
I met a lady in the meads
Full beautiful, a faery's child;
Her hair was long, her foot was light,
And her eyes were wild.
Full beautiful, a faery's child;
Her hair was long, her foot was light,
And her eyes were wild.
5.
I set her on my pacing steed,
And nothing else saw all day long;
For sideways would she lean, and sing
A faery's song.
And nothing else saw all day long;
For sideways would she lean, and sing
A faery's song.
6.
I made a garland for her head,
And bracelets too, and fragrant zone;
She look'd at me as she did love,
And made sweet moan.
And bracelets too, and fragrant zone;
She look'd at me as she did love,
And made sweet moan.
7.
She found me roots of relish sweet,
And honey wild, and manna dew;
And sure in language strange she said,
I love thee true.
And honey wild, and manna dew;
And sure in language strange she said,
I love thee true.
8.
She took me to her elfin grot,
And there she gaz'd and sighed deep,
And there I shut her wild sad eyes—
So kiss'd to sleep.
And there she gaz'd and sighed deep,
And there I shut her wild sad eyes—
So kiss'd to sleep.
9.
And there we slumber'd on the moss,
And there I dream'd, ah woe betide,
The latest dream I ever dream'd
On the cold hill-side.
And there I dream'd, ah woe betide,
The latest dream I ever dream'd
On the cold hill-side.
10.
I saw pale kings, and princes too,
Pale warriors, death-pale were they all;
Who cry'd—"La belle Dame sans merci
Hath thee in thrall!"
Pale warriors, death-pale were they all;
Who cry'd—"La belle Dame sans merci
Hath thee in thrall!"
11.
I saw their starv'd lips in the gloam
With horrid warning gaped wide,
And I awoke, and found me here
On the cold hill-side.
With horrid warning gaped wide,
And I awoke, and found me here
On the cold hill-side.
12.
And this is why I sojourn here
Alone and palely loitering,
Though the sedge is wither'd from the lake,
And no birds sing.
Alone and palely loitering,
Though the sedge is wither'd from the lake,
And no birds sing.
45. Sonnet.
When I have fears that I may cease to be
Before my pen has glean'd my teeming brain,
Before high-piled books, in charactery,
Hold like rich garners the full ripen'd grain;
When I behold, upon the night's starr'd face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour,
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love;—then on the shore
Of the wide world I stand alone, and think
Till love and fame to nothingness do sink.
Before my pen has glean'd my teeming brain,
Before high-piled books, in charactery,
Hold like rich garners the full ripen'd grain;
When I behold, upon the night's starr'd face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour,
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love;—then on the shore
Of the wide world I stand alone, and think
Till love and fame to nothingness do sink.
Buxton Forman's Text.
CHARLES LAMB.
CHARLES LAMB.
46. The Old Familiar Faces.
Where are they gone, the old familiar faces?
I had a mother, but she died, and left me,
Died prematurely in a day of horrors—
All, all are gone, the old familiar faces.
I had a mother, but she died, and left me,
Died prematurely in a day of horrors—
All, all are gone, the old familiar faces.
I have had playmates, I have had companions,
In my days of childhood, in my joyful school days—
All, all are gone, the old familiar faces.
In my days of childhood, in my joyful school days—
All, all are gone, the old familiar faces.
I have been laughing, I have been carousing,
Drinking late, sitting late, with my bosom cronies—
All, all are gone, the old familiar faces.
Drinking late, sitting late, with my bosom cronies—
All, all are gone, the old familiar faces.
I lov'd a love once, fairest among women;
Clos'd are her doors on me, I must not see her—
All, all are gone, the old familiar faces.
Clos'd are her doors on me, I must not see her—
All, all are gone, the old familiar faces.
I have a friend, a kinder friend has no man.
Like an ingrate, I left my friend abruptly;
Left him, to muse on the old familiar faces.
Like an ingrate, I left my friend abruptly;
Left him, to muse on the old familiar faces.
Ghost-like, I pac'd round the haunts of my childhood.
Earth seem'd a desert I was bound to traverse,
Seeking to find the old familiar faces.
Earth seem'd a desert I was bound to traverse,
Seeking to find the old familiar faces.
Friend of my bosom, thou more than a brother!
Why were not thou born in my father's dwelling?
So might we talk of the old familiar faces.
Why were not thou born in my father's dwelling?
So might we talk of the old familiar faces.
For some they have died, and some they have left me,
And some are taken from me; all are departed;
All, all are gone, the old familiar faces.
And some are taken from me; all are departed;
All, all are gone, the old familiar faces.
1798 Edition.
WALTER SAVAGE LANDOR.
WALTER SAVAGE LANDOR.
47. The Maid's Lament.
I loved him not; and yet now he is gone
I feel I am alone.
I check'd him while he spoke; yet could he speak,
Alas! I would not check.
For reasons not to love him once I sought,
And wearied all my thought
To vex myself and him: I now would give
My love, could he but live
Who lately lived for me, and when he found
'Twas vain, in holy ground
He hid his face amid the shades of death.
I waste for him my breath
Who wasted his for me: but mine returns,
And this lorn bosom burns
With stifling heat, heaving it up in sleep,
And waking me to weep
Tears that had melted his soft heart: for years
Wept he as bitter tears.
Merciful God! such was his latest prayer,
These may she never share!
Quieter is his breath, his breast more cold,
Than daisies in the mould,
Where children spell, athwart the churchyard gate,
His name and life's brief date.
Pray for him, gentle souls, whoe'er you be,
And oh! pray too for me!
I feel I am alone.
I check'd him while he spoke; yet could he speak,
Alas! I would not check.
For reasons not to love him once I sought,
And wearied all my thought
To vex myself and him: I now would give
My love, could he but live
Who lately lived for me, and when he found
'Twas vain, in holy ground
He hid his face amid the shades of death.
I waste for him my breath
Who wasted his for me: but mine returns,
And this lorn bosom burns
With stifling heat, heaving it up in sleep,
And waking me to weep
Tears that had melted his soft heart: for years
Wept he as bitter tears.
Merciful God! such was his latest prayer,
These may she never share!
Quieter is his breath, his breast more cold,
Than daisies in the mould,
Where children spell, athwart the churchyard gate,
His name and life's brief date.
Pray for him, gentle souls, whoe'er you be,
And oh! pray too for me!
1868 Edition.
RICHARD LOVELACE.
RICHARD LOVELACE.
48. To Lucasta. Going to the Wars.
Tell me not, (sweet,) I am unkind,
That from the nunnery
Of thy chaste breast and quiet mind
To war and arms I fly.
That from the nunnery
Of thy chaste breast and quiet mind
To war and arms I fly.
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