Natural Law in the Spiritual World, Henry Drummond [best big ereader .txt] 📗

Christ has condensed the whole truth into one memorable sentence, "As the branch cannot bear fruit of itself except it abide in the vine, no more can ye except ye abide in Me." And on the positive side, "He that abideth in Me the same bringeth forth much fruit."

FOOTNOTES:

[81] _Vide_ Karl Semper's "The Natural Conditions of Existence as they affect Animal Life;" Wallace's "Tropical Nature;" Weismann's "Studies in the Theory of Descent;" Darwin's "Animals and Plants under Domestication."

[82] "Principles of Biology," p. 57.

[83] Ps. cxlii. 4, 5.

[84] The "Unseen Universe," 6th Ed., p. 100.


CONFORMITY TO TYPE.


"'So careful of the type?' but no.
From scarped cliff and quarried stone
She cries, 'A thousand types are gone:
I care for nothing, all shall go.

'Thou makest thine appeal to me;
I bring to life, I bring to death:
The spirit does but mean thy breath:
I know no more.' And he, shall he,

Man, her last work, who seem'd so fair,
Such splendid purpose in his eyes,
Who roll'd the psalm to wintry skies,
Who built him fanes of fruitless prayer,

Who trusted God was love indeed
And love Creation's final law--
Tho' Nature, red in tooth and claw
With ravine, shriek'd against his creed--

Who loved, who suffer'd countless ills,
Who battled for the True, the Just,
Be blown about the desert dust
Or seal'd within the iron hills?" --_In Memoriam._

"Until Christ be formed in you."--_Paul._

"The one end to which, in all living beings, the formative impulse
is tending--the one scheme which the Archaeus of the old speculators
strives to carry out, seems to be to mould the offspring into the
likeness of the parent. It is the first great law of reproduction,
that the offspring tends to resemble its parent or parents more
closely than anything else."--_Huxley._


If a botanist be asked the difference between an oak, a palm-tree and a lichen, he will declare that they are separated from one another by the broadest line known to classification. Without taking into account the outward differences of size and form, the variety of flower and fruit, the peculiarities of leaf and branch, he sees even in their general architecture types of structure as distinct as Norman, Gothic and Egyptian. But if the first young germs of these three plants are placed before him and he is called upon to define the difference, he finds it impossible. He cannot even say which is which. Examined under the highest powers of the microscope they yield no clue. Analyzed by the chemist with all the appliances of his laboratory they keep their secret.

The same experiment can be tried with the embryos of animals. Take the ovule of the worm, the eagle, the elephant, and of man himself. Let the most skilled observer apply the most searching tests to distinguish one from the other and he will fail. But there is something more surprising still. Compare next the two sets of germs, the vegetable and the animal. And there is still no shade of difference. Oak and palm, worm and man all start in life together. No matter into what strangely different forms they may afterward develop, no matter whether they are to live on sea or land, creep or fly, swim or walk, think or vegetate, in the embryo as it first meets the eye of Science they are indistinguishable. The apple which fell in Newton's garden, Newton's dog Diamond, and Newton himself, began life at the same point.[85]

If we analyze this material point at which all life starts, we shall find it to consist of a clear structureless jelly-like substance resembling albumen or white of egg. It is made of Carbon, Hydrogen, Oxygen and Nitrogen. Its name is protoplasm. And it is not only the structural unit with which all living bodies start in life, but with which they are subsequently built up. "Protoplasm," says Huxley, "simple or nucleated, is the formal basis of all life. It is the clay of the Potter." "Beast and fowl, reptile and fish, mollusk, worm and polype are all composed of structural units of the same character, namely, masses of protoplasm with a nucleus."[86]

What then determines the difference between different animals? What makes one little speck of protoplasm grow into Newton's dog Diamond, and another, exactly the same, into Newton himself? It is a mysterious something which has entered into this protoplasm. No eye can see it. No science can define it. There is a different something for Newton's dog and a different something for Newton; so that though both use the same matter they build it up in these widely different ways. Protoplasm being the clay, this something is the Potter. And as there is only one clay and yet all these curious forms are developed out of it, it follows necessarily that the difference lies in the potters. There must in short be as many potters as there are forms. There is the potter who segments the worm, and the potter who builds up the form of the dog, and the potter who moulds the man. To understand unmistakably that it is really the potter who does the work, let us follow for a moment a description of the process by a trained eye-witness. The observer is Mr. Huxley. Through the tube of his microscope he is watching the development, out of a speck of protoplasm, of one of the commonest animals: "Strange possibilities," he says, "lie dormant in that semi-fluid globule. Let a moderate supply of warmth reach its watery cradle and the plastic matter undergoes changes so rapid and yet so steady and purposelike in their succession that one can only compare them to those operated by a skilled modeler upon a formless lump of clay. As with an invisible trowel the mass is divided and subdivided into smaller and smaller portions, until it is reduced to an aggregation of granules not too large to build withal the finest fabrics of the nascent organism. And, then, it is as if a delicate finger traced out the line to be occupied by the spinal column, and moulded the contour of the body; pinching up the head at one end, the tail at the other, and fashioning flank and limb into due proportions in so artistic a way, that, after watching the process hour by hour, one is almost involuntarily possessed by the notion, that some more subtle aid to vision than an achromatic would show the hidden artist, with his plan before him, striving with skillful manipulation to perfect his work."[87]

Besides the fact, so luminously brought out here, that the artist is distinct from the "semi-fluid globule" of protoplasm in which he works, there is this other essential point to notice, that in all his "skillful manipulation" the artist is not working at random, but according to law. He has "his plan before him." In the zoological laboratory of Nature it is not as in a workshop where a skilled artisan can turn his hand to anything--where the same potter one day moulds a dog, the next a bird, and the next a man. In Nature one potter is set apart to make each. It is a more complete system of division of labor. One artist makes all the dogs, another makes all the birds, a third makes all the men. Moreover, each artist confines himself exclusively to working out his own plan. He appears to have his own plan somehow stamped upon himself, and his work is rigidly to reproduce himself.

The Scientific Law by which this takes place is the Law of Conformity to Type. It is contained, to a large extent, in the ordinary Law of Inheritance; or it may be considered as simply another way of stating what Darwin calls the Laws of Unity of Type. Darwin defines it thus: "By Unity of Type is meant that fundamental agreement in structure which we see in organic beings of the same class, and which is quite independent of their habits of life."[88] According to this law every living thing that comes into the world is compelled to stamp upon its offspring the image of itself. The dog, according to its type, produces a dog; the bird a bird.

The artist who operates upon matter in this subtle way and carries out this law is Life. There are a great many different kinds of Life. If one might give the broader meaning to the words of the apostle: "All life is not the same life. There is one kind of life of men, another life of beasts, another of fishes, and another of birds." There is the Life, or the Artist, or the Potter who segments the worm, the potter who forms the dog, the potter who moulds the man.[89]

What goes on then in the animal kingdom is this--the Bird-Life seizes upon the bird-germ and builds it up into a bird, the image of itself. The Reptile Life seizes upon another germinal speck, assimilates surrounding matter, and fashions it into a reptile. The Reptile-Life thus simply makes an incarnation of itself. The visible bird is simply an incarnation of the invisible Bird-Life.

Now we are nearing the point where the spiritual analogy appears. It is a very wonderful analogy, so wonderful that one almost hesitates to put it into words. Yet Nature is reverent; and it is her voice to which we listen. These lower phenomena of life, she says, are but an allegory. There is another kind of Life of which Science as yet has taken little cognizance. It obeys the same laws. It builds up an organism into its own form. It is the Christ-Life. As the Bird-Life builds up a bird, the image of itself, so the Christ-Life builds up a Christ, the image of Himself, in the inward nature of man. When a man becomes a Christian the natural process is this: The Living Christ enters into his soul. Development begins. The quickening Life seizes upon the soul, assimilates surrounding elements, and begins to fashion it. According to the great Law of Conformity to Type this fashioning takes a specific form. It is that of the Artist who fashions. And all through Life this wonderful, mystical, glorious, yet perfectly definite process, goes on "until Christ be