Hypatia, Charles Kingsley [ebook reader for manga txt] 📗

in heavy chains of gold, and made gentle for the occasion by narcotics, paced sedately down the slope, obedient to their beautiful guides; while behind them, the unwieldy bulk of two double-horned rhinoceroses, from the far south, was overtopped by the long slender necks and large soft eyes of a pair of giraffes, such as had not been seen in Alexandria for more than fifty years.

A cry arose of ‘Orestes! Orestes! Health to the illustrious Prefect! Thanks for his bounty!’ And a hired voice or two among the crowd cried, ‘Hail to Orestes! Hail, Emperor of Africa!’ .... But there was no response.

‘The rose is still in the bud,’ simpered Orestes to Hypatia. He rose, beckoned and bowed the crowd into silence; and then, after a short pantomimic exhibition of rapturous gratitude and humility, pointed triumphantly to the palm avenue, among the shadows of which appeared the wonder of the day—the huge tusks and trunk of the white elephant himself.

There it was at last! Not a doubt of it! A real elephant, and yet as white as snow. Sight never seen before in Alexandria—never to be seen again! ‘Oh, thrice blest men of Macedonia!’ shouted some worthy on high, ‘the gods are bountiful to you this day!’ And all mouths and eyes confirmed the opinion, as they opened wider and yet wider to drink in the inexhaustible joy and glory.

On he paced solemnly, while the whole theatre resounded to his heavy tread, and the Fauns and Dryads fled in terror. A choir of nymphs swung round him hand in hand, and sang, as they danced along, the conquering might of Beauty, the tamer of beasts and men and deities. Skirmishing parties of little winged cupids spread themselves over the orchestra, from left to right, and pelted the spectators with perfumed comfits, shot among them from their tiny bows arrows of fragrant sandal-wood, or swung smoking censers, which loaded the air with intoxicating odours.

The procession came on down the slope, and the elephant approached the spectators; his tusks were wreathed with roses and myrtles; his ears were pierced with splendid earrings, a jewelled frontlet hung between his eyes; Eros himself, a lovely winged boy, sat on his neck, and guided him with the point of a golden arrow. But what precious thing was it which that shell-formed car upon his back contained? The goddess! Pelagia Aphrodite herself?

Yes; whiter than the snow-white elephant—more rosy than the pink- tipped shell in which she lay, among crimson cushions and silver gauze, there shone the goddess, thrilling all hearts with those delicious smiles, and glances of the bashful playful eyes, and grateful wavings of her tiny hand, as the whole theatre rose with one accord, and ten thousand eyes were concentrated on the unequalled loveliness beneath them.

Twice the procession passed round the whole circumference of the orchestra, and then returning from the foot of the slope towards the central group around Hephaestus, deployed right and left in front of the stage. The lions and tigers were led away into the side passages; the youths and maidens combined themselves with the gentler animals into groups lessening gradually from the centre to the wings, and stood expectant, while the elephant came forward, and knelt behind the platform destined for the goddess.

The valves of the shell closed. The Graces unloosed the fastenings of the car. The elephant turned his trunk over his back, and, guided by the hands of the girls, grasped the shell, and lifting it high in air, deposited it on the steps at the back of the platform.

Hephaestus limped forward, and, with his most uncouth gestures, signified the delight which he had in bestowing such a sight upon his faithful artisans of Alexandria, and the unspeakable enjoyment which they were to expect from the mystic dance of the goddess; and then retired, leaving the Graces to advance in front of the platform, and with their arms twined round each other, begin Hypatia’s song of invocation.

As the first strophe died away, the valves of the shell reopened, and discovered Aphrodite crouching on one knee within. She raised her head, and gazed around the vast circle of seats. A mild surprise was on her countenance, which quickened into delightful wonder, and bashfulness struggling with the sense of new enjoyment and new powers. She glanced downward at herself; and smiled, astonished at her own loveliness; then upward at the sky; and seemed ready, with an awful joy, to spring up into the boundless void. Her whole figure dilated; she seemed to drink in strength from every object which met her in the great universe around; and slowly, from among the shells and seaweeds, she rose to her full height, the mystic cestus glittering round her waist, in deep festoons of emeralds and pearls, and stepped forward upon the marble sea-floor, wringing the dripping perfume from her locks, as Aphrodite rose of old.

For the first minute the crowd was too breathless with pleasure to think of applause. But the goddess seemed to require due homage; and when she folded her arms across her bosom, and stood motionless for an instant, as if to demand the worship of the universe, every tongue was loosed, and a thunder-clap of ‘Aphrodite!’ rang out across the roofs of Alexandria, and startled Cyril in his chamber at the Serapeium, and weary muleteers on distant sand-hills, and dozing mariners far out at sea.

And then began a miracle of art, such as was only possible among a people of the free and exquisite physical training, and the delicate aesthetic perception of those old Greeks, even in their most fallen days. A dance, in which every motion was a word, and rest as eloquent as motion; in which every attitude was a fresh motive for a sculptor of the purest school, and the highest physical activity was manifested, not as in the coarser comic pantomimes, in fantastic bounds and unnatural distortions, but in perpetual delicate modulations of a stately and self-restraining grace. The artist was for the moment transformed into the goddess. The theatre, and Alexandria, and the gorgeous pageant beyond, had vanished from her imagination, and therefore from the imagination of the spectators, under the constraining inspiration of her art, and they and she alike saw nothing but the lonely sea around Cytherea, and the goddess hovering above its emerald mirror, saying forth on sea, and air, and shore, beauty, and joy, and love….

Philammon’s eyes were bursting from his head with shame and horror: and yet he could not hate her; not even despise her. He would have done so, had there been the faintest trace of human feeling in her countenance to prove that some germ of moral sense lingered within: but even the faint blush and the downcast eye with which she had entered the theatre were gone; and the only expression on her face was that of intense enjoyment of her own activity and skill, and satisfied vanity, as of a petted child …. Was she accountable? A reasonable soul, capable of right or wrong at all? He hoped not …. He would trust not …. And still Pelagia danced on; and for a whole age of agony, he could see nothing in heaven or earth but the bewildering maze of those white feet, as they twinkled over their white image in the marble mirror …. At last it was over. Every limb suddenly collapsed, and she stood drooping in soft self- satisfied fatigue, awaiting the burst of applause which rang through Philammon’s ears, proclaiming to heaven and earth, as with a mighty trumpet-blast, his sister’s shame.

The elephant rose, and moved forward to the side of the slabs. His back was covered with crimson cushions, on which it seemed Aphrodite was to return without her shell. She folded her arms across her bosom, and stood smiling, as the elephant gently wreathed his trunk around her waist, and lifted her slowly from the slab, in act to place her on his back….

The little feet, clinging half fearfully together, had Just risen from the marble-The elephant started, dropped his delicate burden heavily on the slab, looked down, raised his forefoot, and throwing his trunk into the air, gave a shrill scream of terror and disgust….

The foot was red with blood—the young boy’s blood—which was soaking and bubbling up through the fresh sand where the elephant had trodden, in a round, dark, purple spot….

Philammon could bear no more. Another moment and he had hurled down through the dense mass of spectators, clearing rank after rank of seats by the sheer strength of madness, leaped the balustrade into the orchestra below, and rushed across the space to the foot of the platform.

‘Pelagia! Sister! My sister! Have mercy on me! on yourself! I will hide you! save you! and we will flee together out of this infernal place! this world of devils! I am your brother! Come!’

She looked at him one moment with wide, wild eyes—The truth flashed on her—

‘Brother!’

And she sprang from the platform into his arms …. A vision of a lofty window in Athens, looking out over far olive-yards and gardens, and the bright roofs and basins of the Piraeus, and the broad blue sea, with the purple peaks of Aegina beyond all …. And a dark-eyed boy, with his arm around her neck, pointed laughing to the twinkling masts in the far harbour, and called her sister …. The dead soul woke within her; and with a wild cry she recoiled from him in an agony of shame, and covering her face with both her hands, sank down among the blood-stained sand.

A yell, as of all hell broke loose, rang along that vast circle—

‘Down with him!’ ‘Away with him!’ ‘Crucify the slave!’ ‘Give the barbarian to the beasts!’ ‘To the beasts with him, noble Prefect!’ A crowd of attendants rushed upon him, and many of the spectators sprang from their seats, and were on the point of leaping down into the orchestra.

Philammon turned upon them like a lion at bay; and clear and loud his voice rose through the roar of the multitude.

‘Ay! murder me as the Romans murdered Saint Telemachus! Slaves as besotted and accursed as your besotted and accursed tyrants! Lower than the beasts whom you employ as your butchers! Murder and lust go fitly hand in hand, and the throne of my sister’s shame is well built on the blood of innocents! Let my death end the devil’s sacrifice, and fill up the cup of your iniquity!’

‘To the beasts!’ ‘Make the elephant trample him to powder!’

And the huge brute, goaded on by the attendants, rushed on the youth, while Eros leaped from his neck, and fled weeping up the slope.

He caught Philammon in his trunk and raised him high in air. For an instant the great bellowing ocean of heads spun round and round. He tried to breathe one prayer, and shut his eyes—Pelagia’s voice rang sweet and clear, even in the shrillness of intense agony—

‘Spare him! He is my brother! Forgive him, men of Macedonia! For Pelagia’s sake— Your Pelagia! One boon—only this one!’

And she stretched her arms imploringly toward the spectators, and then clasping the huge knees of the elephant, called madly to it in terms of passionate entreaty and endearment.

The men wavered. The brute did not. Quietly he lowered his trunk, and set down Philammon on his feet. The monk was saved. Breathless and dizzy, he found himself hurried away by the attendants, dragged through dark passages, and