A Sicilian Romance, Ann Ward Radcliffe [best inspirational books .TXT] 📗

any of his fellow servants, believed the noise or the obstruction proceeded from that, ‘because, my lord,’ continued he, ‘the door seemed to be held only in one place; and as for the noise—O! Lord! I never shall forget what a noise it was!—it was a thousand times louder than what any stones could make.’

Ferdinand listened to this narrative in silent wonder! wonder not occasioned by the adventure described, but by the hardihood and rashness of the marquis, who had thus exposed to the inspection of his people, that dreadful spot which he knew from experience to be the haunt of an injured spirit; a spot which he had hitherto scrupulously concealed from human eye, and human curiosity; and which, for so many years, he had not dared even himself to enter. Peter went on, but was presently interrupted by a hollow moan, which seemed to come from beneath the ground. ‘Blessed virgin!’ exclaimed he: Ferdinand listened in awful expectation. A groan longer and more dreadful was repeated, when Peter started from his seat, and snatching up the lamp, rushed out of the dungeon. Ferdinand, who was left in total darkness, followed to the door, which the affrighted Peter had not stopped to fasten, but which had closed, and seemed held by a lock that could be opened only on the outside. The sensations of Ferdinand, thus compelled to remain in the dungeon, are not to be imagined. The horrors of the night, whatever they were to be, he was to endure alone. By degrees, however, he seemed to acquire the valour of despair. The sounds were repeated, at intervals, for near an hour, when silence returned, and remained undisturbed during the rest of the night. Ferdinand was alarmed by no appearance, and at length, overcome with anxiety and watching, he sunk to repose.

On the following morning Peter returned to the dungeon, scarcely knowing what to expect, yet expecting something very strange, perhaps the murder, perhaps the supernatural disappearance of his young lord.

Full of these wild apprehensions, he dared not venture thither alone, but persuaded some of the servants, to whom he had communicated his terrors, to accompany him to the door. As they passed along he recollected, that in the terror of the preceding night he had forgot to fasten the door, and he now feared that his prisoner had made his escape without a miracle. He hurried to the door; and his surprize was extreme to find it fastened. It instantly struck him that this was the work of a supernatural power, when on calling aloud, he was answered by a voice from within. His absurd fear did not suffer him to recognize the voice of Ferdinand, neither did he suppose that Ferdinand had failed to escape, he, therefore, attributed the voice to the being he had heard on the preceding night; and starting back from the door, fled with his companions to the great hall. There the uproar occasioned by their entrance called together a number of persons, amongst whom was the marquis, who was soon informed of the cause of alarm, with a long history of the circumstances of the foregoing night. At this information, the marquis assumed a very stern look, and severely reprimanded Peter for his imprudence, at the same time reproaching the other servants with their undutifulness in thus disturbing his peace. He reminded them of the condescension he had practised to dissipate their former terrors, and of the result of their examination. He then assured them, that since indulgence had only encouraged intrusion, he would for the future be severe; and concluded with declaring, that the first man who should disturb him with a repetition of such ridiculous apprehensions, or should attempt to disturb the peace of the castle by circulating these idle notions, should be rigorously punished, and banished his dominions. They shrunk back at his reproof, and were silent. ‘Bring a torch,’ said the marquis, ‘and shew me to the dungeon. I will once more condescend to confute you.’

They obeyed, and descended with the marquis, who, arriving at the dungeon, instantly threw open the door, and discovered to the astonished eyes of his attendants—Ferdinand!—He started with surprize at the entrance of his father thus attended. The marquis darted upon him a severe look, which he perfectly comprehended.—‘Now,’ cried he, turning to his people, ‘what do you see? My son, whom I myself placed here, and whose voice, which answered to your calls, you have transformed into unknown sounds.

Speak, Ferdinand, and confirm what I say.’ Ferdinand did so. ‘What dreadful spectre appeared to you last night?’ resumed the marquis, looking stedfastly upon him: ‘gratify these fellows with a description of it, for they cannot exist without something of the marvellous.’

‘None, my lord,’ replied Ferdinand, who too well understood the manner of the marquis. ”Tis well,’ cried the marquis, ‘and this is the last time,’ turning to his attendants, ‘that your folly shall be treated with so much lenity.’ He ceased to urge the subject, and forbore to ask Ferdinand even one question before his servants, concerning the nocturnal sounds described by Peter. He quitted the dungeon with eyes steadily bent in anger and suspicion upon Ferdinand. The marquis suspected that the fears of his son had inadvertently betrayed to Peter a part of the secret entrusted to him, and he artfully interrogated Peter with seeming carelessness, concerning the circumstances of the preceding night. From him he drew such answers as honorably acquitted Ferdinand of indiscretion, and relieved himself from tormenting apprehensions.

The following night passed quietly away; neither sound nor appearance disturbed the peace of Ferdinand. The marquis, on the next day, thought proper to soften the severity of his sufferings, and he was removed from his dungeon to a room strongly grated, but exposed to the light of day.

Meanwhile a circumstance occurred which increased the general discord, and threatened Emilia with the loss of her last remaining comfort—the advice and consolation of Madame de Menon. The marchioness, whose passion for the Count de Vereza had at length yielded to absence, and the pressure of present circumstances, now bestowed her smiles upon a young Italian cavalier, a visitor at the castle, who possessed too much of the spirit of gallantry to permit a lady to languish in vain.

The marquis, whose mind was occupied with other passions, was insensible to the misconduct of his wife, who at all times had the address to disguise her vices beneath the gloss of virtue and innocent freedom. The intrigue was discovered by madame, who, having one day left a book in the oak parlour, returned thither in search of it. As she opened the door of the apartment, she heard the voice of the cavalier in passionate exclamation; and on entering, discovered him rising in some confusion from the feet of the marchioness, who, darting at madame a look of severity, arose from her seat. Madame, shocked at what she had seen, instantly retired, and buried in her own bosom that secret, the discovery of which would most essentially have poisoned the peace of the marquis. The marchioness, who was a stranger to the generosity of sentiment which actuated Madame de Menon, doubted not that she would seize the moment of retaliation, and expose her conduct where most she dreaded it should be known. The consciousness of guilt tortured her with incessant fear of discovery, and from this period her whole attention was employed to dislodge from the castle the person to whom her character was committed. In this it was not difficult to succeed; for the delicacy of madame’s feelings made her quick to perceive, and to withdraw from a treatment unsuitable to the natural dignity of her character. She therefore resolved to depart from the castle; but disdaining to take an advantage even over a successful enemy, she determined to be silent on that subject which would instantly have transferred the triumph from her adversary to herself. When the marquis, on hearing her determination to retire, earnestly enquired for the motive of her conduct, she forbore to acquaint him with the real one, and left him to incertitude and disappointment.

To Emilia this design occasioned a distress which almost subdued the resolution of madame. Her tears and intreaties spoke the artless energy of sorrow. In madame she lost her only friend; and she too well understood the value of that friend, to see her depart without feeling and expressing the deepest distress. From a strong attachment to the memory of the mother, madame had been induced to undertake the education of her daughters, whose engaging dispositions had perpetuated a kind of hereditary affection. Regard for Emilia and Julia had alone for some time detained her at the castle; but this was now succeeded by the influence of considerations too powerful to be resisted. As her income was small, it was her plan to retire to her native place, which was situated in a distant part of the island, and there take up her residence in a convent.

Emilia saw the time of madame’s departure approach with increased distress. They left each other with a mutual sorrow, which did honour to their hearts. When her last friend was gone, Emilia wandered through the forsaken apartments, where she had been accustomed to converse with Julia, and to receive consolation and sympathy from her dear instructress, with a kind of anguish known only to those who have experienced a similar situation. Madame pursued her journey with a heavy heart. Separated from the objects of her fondest affections, and from the scenes and occupations for which long habit had formed claims upon her heart, she seemed without interest and without motive for exertion. The world appeared a wide and gloomy desert, where no heart welcomed her with kindness—no countenance brightened into smiles at her approach. It was many years since she quitted Calini—and in the interval, death had swept away the few friends she left there. The future presented a melancholy scene; but she had the retrospect of years spent in honorable endeavour and strict integrity, to cheer her heart and encouraged her hopes.

But her utmost endeavours were unable to express the anxiety with which the uncertain fate of Julia overwhelmed her. Wild and terrific images arose to her imagination. Fancy drew the scene;—she deepened the shades; and the terrific aspect of the objects she presented was heightened by the obscurity which involved them.

[End of Vol. I]