The Blind Man's Eyes, William MacHarg [ebook audio reader txt] 📗

was behind her; but she offered her own ticket for perusal at the gate, and as soon as she was through, she hurried on ahead alone.

Whether or not she had come from the Japanese boat, Connery could not tell; her ticket, at least, disclaimed for her any connection with the foreign baggage-labels, for it was merely the ordinary form calling for transportation from Seattle to Chicago. Connery was certain he did not know her. He noticed that old Sammy had held her at the gate as long as possible, as if hoping to recollect who she might be; but now that she was gone, the gateman gave his attention more closely to the first man—a tall, strongly built man, neither heavy nor light, and with a powerful patrician face. His hair and his mustache, which was clipped short and did not conceal his good mouth, were dark; his brows were black and distinct, but not bushy or unpleasantly thick; his eyes were hidden by smoked glasses such as one wears against a glare of snow.

"Chicago?" old Sammy questioned. Connery knew that it was to draw the voice in reply; but the man barely nodded, took back his ticket—which also was the ordinary form of transportation from Seattle to Chicago—and strode on to the train. Connery found his gaze following this man; the conductor did not know him, nor had old Sammy recognized him; but both were trying to place him. He, unquestionably, was a man to be known, though not more so than many who traveled in the transcontinental trains.

A trim, self-assured man of thirty—his open overcoat showed a cutaway underneath—came past next, proffering the plain Seattle-Chicago ticket.

An Englishman, with red-veined cheeks, fumbling, clumsy fingers and curious, interested eyes, immediately followed. To him, plainly, the majority of the baggage on the trucks belonged; he had "booked" the train at Hong Kong and seemed pleasantly surprised that his tourist ticket was instantly accepted. The name upon the strip, "Henry Standish," corresponded with the "H. S., Nottingham," emblazoned on the luggage.

The remaining man, carrying his own grips, which were not initialed, set them down in the gate and felt in his pocket for his transportation.

This fifth person had appeared suddenly after the line of four had formed in front of old Sammy at the gate; he had taken his place with them only after scrutiny of them and of the station all around. Like the Englishman's, his ticket was a strip which originally had held coupons for the Pacific voyage and some indefinite journey in Asia before; unlike the Englishman's,—and his baggage did not bear the pasters of the Nippon Yusen Kaisha,—the ticket was close to the date when it would have expired. It bore upon the line where the purchaser signed, the name "Philip D. Eaton" in plain, vigorous characters without shading or flourish. An American, and too young to have gained distinction in any of the ordinary ways by which men lift themselves above others, he still made a profound impression upon Connery. There was something about him which said, somehow, that these strips of transportation were taking him home after a long and troublesome absence. He combined, in some strange way, exaltation with weariness. He was, plainly, carefully observant of all that went on about him, even these commonplace formalities connected with taking the train; and Connery felt that it was by premeditation that he was the last to pass the gate.

As a sudden eddy of the gale about the shed blew the ticket from old Sammy's cold fingers, the young man stooped to recover it. The wind blew off his cloth cap as he did so, and as he bent and straightened before old Sammy, the old man suddenly gasped; and while the traveler pulled on his cap, recovered his ticket and hurried down the platform to the train, the gateman stood staring after him as though trying to recall who the man presenting himself as Philip D. Eaton was.

Connery stepped beside the old man.

"Who is it, Sammy?" he demanded.

"Who?" Sammy repeated. His eyes were still fixed on the retreating figure. "Who? I don't know."

The gateman mumbled, repeating to himself the names of the famous, the great, the notorious, in his effort to fit one to the man who had just passed. Connery awaited the result, his gaze following Eaton until he disappeared aboard the train. No one else belated and bound for the Eastern Express was in sight. The president's order to the conductor and to the dispatcher simply had directed that Number Five would run one hour late; it must leave in five minutes; and Connery, guided by the impression the man last through the gate had made upon him and old Sammy both, had no doubt that the man for whom the train had been held was now on board.

For a last time, the conductor scrutinized old Sammy. The gateman's mumblings were clearly fruitless; if Eaton were not the man's real name, old Sammy was unable to find any other which fitted. As Connery watched, old Sammy gave it up. Connery went out to the train. The passengers who had been parading the platform had got aboard; the last five to arrive also had disappeared into the Pullmans, and their luggage had been thrown into the baggage car. Connery jumped aboard. He turned back into the observation car and then went forward into the next Pullman. In the aisle of this car the five whom Connery had just watched pass the gate were gathered about the Pullman conductor, claiming their reservations. Connery looked first at Eaton, who stood beside his grips a little apart, but within hearing of the rest; and then, passing him, he joined the Pullman conductor.

The three who had passed the gate first—the girl, the man with the glasses and the young man in the cutaway—it had now become clear were one party. They had had reservations made, apparently, in the name of Dorne; and these reservations were for a compartment and two sections in this car, the last of the four Pullmans. As they discussed the disposition of these, the girl's address to the spectacled man made plain that he was her father; her name, apparently, was Harriet; the young man in the cutaway coat was "Don" to her and "Avery" to her father. His relation, while intimate enough to permit him to address the girl as "Harry," was unfailingly respectful to Mr. Dorne; and against them both Dorne won his way; his daughter was to occupy the drawing-room; he and Avery were to have sections in the open car.

"You have Sections One and Three, sir," the Pullman conductor told him. And Dorne directed the porter to put Avery's luggage in Section One, his own in Section Three.

The Englishman who had come by the Japanese steamer was unsupplied with a sleeping-car ticket; he accepted, after what seemed only an automatic and habitual debate on his part, Section Four in Car Three—the next car forward—and departed at the heels of the porter. Connery watched more closely, as now it came the turn of the young man whose ticket bore the name of Eaton. Like the Englishman with the same sort of ticket from Asia, Eaton had no reservation in the sleepers; he appeared, however, to have some preference as to where he slept.

"Give me a Three, if you have one," he requested of the Pullman conductor. His voice, Connery noted, was well modulated, rather deep, distinctly pleasant. At sound of it, Dorne, who with his daughter's help was settling himself in his section, turned and looked that way and said something in a low tone to the girl. Harriet Dorne also looked, and with her eyes on Eaton, Connery saw her reply inaudibly, rapidly and at some length.

"I can give you Three in Car Three, opposite the gentleman I just assigned," the Pullman conductor offered.

"That'll do very well," Eaton answered in the same pleasant voice.

As the porter now took his bags, Eaton followed him out of the car. Connery looked around the sleeper; then, having allowed a moment to pass so that he would not too obviously seem to be following Eaton, he went after them into the next car. He expected, rather, that Eaton would at once identify himself to him as the passenger to whom President Jarvis' short note had referred. Eaton, however, paid no attention to him, but was busy taking off his coat and settling himself in his section as Connery passed.

The conductor, willing that Eaton should choose his own time for identifying himself, passed slowly on, looking over the passengers as he went. The cars were far from full.

Besides Eaton, Connery saw but half a dozen people in this car: the Englishman in Section Four; two young girls of about nineteen and twenty and their parents—uninquisitive-looking, unobtrusive, middle-aged people who possessed the drawing-room; and an alert, red-haired, professional-looking man of forty whose baggage was marked "D. S.—Chicago." Connery had had nothing to do with putting Eaton in this car, but his survey of it gave him satisfaction; if President Jarvis inquired, he could be told that Eaton had not been put near to undesirable neighbors. The next car forward, perhaps, would have been even better; for Connery saw, as he entered it, that but one of its sections was occupied. The next, the last Pullman, was quite well filled; beyond this was the diner. Connery stood a few moments in conversation with the dining car conductor; then he retraced his way through the train. He again passed Eaton, slowing so that the young man could speak to him if he wished, and even halting an instant to exchange a word with the Englishman; but Eaton allowed him to pass on without speaking to him. Connery's step quickened as he entered the next car on his way back to the smoking compartment of the observation car, where he expected to compare sheets with the Pullman conductor before taking up the tickets. As he entered this car, however, Avery stopped him.

"Mr. Dorne would like to speak to you," Avery said. The tone was very like a command.

Connery stopped beside the section, where the man with the spectacles sat with his daughter. Dorne looked up at him.

"You are the train conductor?" he asked, seeming either unsatisfied of this by Connery's presence or merely desirous of a formal answer.

"Yes, sir," Connery replied.

Dorne fumbled in his inner pocket and brought out a card-case, which he opened, and produced a card. Connery, glancing at the card while the other still held it, saw that it was President Jarvis' visiting card, with the president's name in engraved block letters; across its top was written briefly in Jarvis' familiar hand, "This is the passenger"; and below, it was signed with the same scrawl of initials which had been on the note Connery had received that morning—"H. R. J."

Connery's hand shook as, while trying to recover himself, he took the card and looked at it more closely, and he felt within him the sinking sensation which follows an escape from danger. He saw that his too ready and too assured assumption that Eaton was the man to whom Jarvis' note had referred, had almost led him into the sort of mistake which is unpardonable in a "trusted" man; he had come within an ace, he realized, of speaking to Eaton and so betraying the presence on the train of a traveler whose journey his superiors were trying to keep secret.

"You need, of course, hold the train no longer," Dorne said to Connery.

"Yes, sir; I received word from Mr. Jarvis about you, Mr. Dorne. I shall follow his instructions fully." Connery recalled the discussion about the drawing-room which had been given to Dorne's daughter. "I shall see that the Pullman conductor moves some one in one of the other cars to have a compartment for you, sir."

"I prefer a place in the open car," Dorne replied. "I am well situated here. Do not disturb any one."

As he