A Duet (with an occasional chorus), Arthur Conan Doyle [free e books to read online TXT] 📗
- Author: Arthur Conan Doyle
- Performer: -
Book online «A Duet (with an occasional chorus), Arthur Conan Doyle [free e books to read online TXT] 📗». Author Arthur Conan Doyle
‘Well!’ said he, impatiently. ‘Is she all right?’
‘Yes. Won’t you take your son?’
‘Could she see me?’
‘I don’t suppose five minutes would do any harm.’
Dr. Jordan said afterwards that it was three steps which took Frank up the fifteen stairs. The nurse who met him at the corner looks back on it as the escape of her lifetime. Maude lay in bed with a face as pale as the pillow which framed it. Her lips were bloodless but smiling.
‘Frank!’
‘My own dear sweet girlie!’
‘You never knew. Did you, Frank? Tell me that you never knew.’
And at that anxious question the foolish pride which keeps the emotions of the strong man buried down in his soul as though they were the least honourable part of his nature, fell suddenly to nothing, and Frank dropped with his head beside the white face upon the pillow, and lay with his arm across the woman whom he loved, and sobbed as he had not sobbed since his childhood. Her cheek was wet with his tears. He never saw the doctor until he came beside him and touched him on the shoulder.
‘I think you had better go now,’ said he.
‘Sorry to be a fool, doctor,’ said Frank, blushing hotly in his clumsy English fashion. ‘It’s just more than I can stand.’
‘Sir,’ the doctor answered, ‘I owe you an apology, for I had done you an injustice. Meanwhile your son is about to be dressed, and there is hardly room for three men in one bedroom.’
So Frank went down into the darkening room below, and mechanically lighting his pipe, he sat with his elbows upon his knees and stared out into the gathering gloom where one bright evening star twinkled in a violet sky. The gentle hush of the gloaming was around him, and some late bird was calling outside amongst the laurels. Above he heard the shuffling of feet, the murmur of voices, and then amid it all those thin glutinous cries, HIS voice, the voice of this new man with all a man’s possibilities for good and for evil, who had taken up his dwelling with them. And as he listened to those cries, a gentle sadness was mixed with his joy, for he felt that things were now for ever changed—that whatever sweet harmonies of life might still be awaiting him, from this hour onwards, they might form themselves into the subtlest and loveliest of chords, but it must always be as a trio, and never as the dear duet of the past.
(Extract from a letter to the Author from Mrs. Frank Crosse.)
‘It is very singular that you should say with such confidence that you know that our baby is a splendid one, and further on you say that in some ways it differs from any other baby. It is so true, but neither Frank nor I can imagine how you knew. We both think it so CLEVER of you to have found it out. When you write to us, do please tell us how you discovered it.
‘I want to tell you something about baby, since you so kindly ask me, but Frank says there is no use my beginning as there is only one quire of paper in the house. As a matter of fact, I shall be quite short, which is not because I have not plenty to say—you cannot think what a DEAR he is—but because he may wake up at any moment. After that happens I can only write with one hand, while I wave a feather fan with the other, and it is so difficult then to say exactly what you mean. In any case you know that I have not the habit of collecting and writing down my ideas, so please forgive me if this seems a stupid letter. Frank could have done it splendidly. But he has so many sweet and quite REMARKABLE ways, that I ought to be able to put some of them down for you.
‘It will be easier perhaps if I imagine a day of him—and one of his days is very much like another. No one could ever say that he was irregular in his habits. First thing in the morning I go over to his cot to see if he is awake yet—though, of course, I know that he can’t be, for he always lets us know—the darling! However, I go over all the same, and I find everything quiet and nothing visible of baby, but a tiny, turned-up nose. It is so exactly Frank’s nose, only that his is curved the other way. Then, as I bend over his cot, there is a small sigh, such a soft, comfortable sound! Then a sort of earthquake takes place under the eider down, and a tightly clenched fist appears and is waved in the air. He has such a pleasant, cheerful way of waving his fists. Then one eye is half opened, as if he were looking round to see if it were safe to open the other one, and then he gives a long, sorrowful wail as he realises that his bottle is not where he left it when he went to sleep. In a moment he is in my arms and quite happy again, playing with the lace round the neck of my pink dressing-gown. When he finds that his nice warm bath is all ready for him, he becomes quite jovial, and laughs and chuckles to himself. Something awfully funny must have happened to him before ever he came into this world at all, for nothing that has occurred since could account for the intense expression of amusement that one can often see in his eyes. When he laughs, Frank says that he looks like some jolly old clean-shaven toothless friar—so chubby and good-humoured. He takes the greatest interest in everything in the room, watches the nurse moving about, looks out of the window, and examines my hair and my dress very critically. He loves to see untidy hair and a bright tie, or a brooch will often catch his eye, and make him smile. His smile is the most wonderful thing! As he lies gazing with his great serious blue eyes, his whole face suddenly lights up, his mouth turns up at one corner in the most irresistible way, and his cheeks all go off into dimples. He looks so sweet and innocent, and at the same time so humorous and wicked, that his foolish mother wants to laugh at him and to weep over him at the same time.
‘Then comes his bath, and there is a sad display of want of faith upon his part. He enjoys the process, but he is convinced that only his own exertions keep him from drowning, so his little fists are desperately clenched, his legs kick up and down the whole time, and he watches every movement of mother and nurse with suspicion. He enjoys being dressed, and smiles at first, and then he suddenly remembers that he has not had his breakfast. Then the smiles vanish, the small round face grows so red and angry, and all covered with little wrinkles, and there is a dismal wailing—poor darling! If the bottle is not instantly forthcoming he will howl loudly, and beat the air with his fists until he gets it. He DOES remind me so of his father sometimes. He is always hunting for his bottle, and will seize my finger, or a bit of my dress, or anything, and carry it to his mouth, and when he finds it isn’t what he wants, he throws it away very angrily. When finally he does get the bottle, he becomes at once the most contented being in the whole world, and sucks away with such great long pulls, and such dear little grunts in between. Then afterwards, a well-washed, well-fed atom, he is ready to look about him and observe things. I am sure that he has his father’s brains, and that he is storing up all sorts of impressions and observations for future use, for he notices EVERYTHING. I used to think that babies were stupid and indifferent—and perhaps other babies are—but HE is never indifferent. Sometimes he is pleased and amused, and sometimes angry, and sometimes gravely interested, but he is always wide awake and taking things in. When I go into his room, he always looks at my head, and if I have my garden hat with the flowers, he is so pleased. He much prefers chiffon to silk.
‘Almost the first thing that struck me when I saw him, and it strikes me more and more, was, how could any one have got the idea of original sin? The people who believe in it can never have looked into a baby’s eyes. I love to watch them, and sometimes fancy I can see a faint shade of reminiscence in them, as if he had still some memories of another life, and could tell me things if he could only speak. One day as I sat beside his cot—Oh dear! I hear his Majesty calling. So sorry! Good-bye.—Yours very truly,
MAUDE CROSSE.’
P.S.—I have not time to read this over, but I may say, in case I omitted it before, that he really is a very remarkable baby.’
*** END OF THE PROJECT GUTENBERG EBOOK, A DUET ***
This file should be named duet10.txt or duet10.zip Corrected EDITIONS of our eBooks get a new NUMBER, duet11.txt VERSIONS based on separate sources get new LETTER, duet10a.txt
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the US unless a copyright notice is included. Thus, we usually do not keep eBooks in compliance with any particular paper edition.
We are now trying to release all our eBooks one year in advance of the official release dates, leaving time for better editing. Please be encouraged to tell us about any error or corrections, even years after the official publication date.
Please note neither this listing nor its contents are final til midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg eBooks is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so.
Most people start at our Web sites at: http://gutenberg.net or http://promo.net/pg
These Web sites include award-winning information about Project Gutenberg, including how to donate, how to help produce our new eBooks, and how to subscribe to our email newsletter (free!).
Those of you who want to download any eBook before announcement can get to them as follows, and just download by date. This is also a good way to get them instantly upon announcement, as the indexes our cataloguers produce obviously take a while after an announcement goes out in the Project Gutenberg Newsletter.
http://www.ibiblio.org/gutenberg/etext04 or ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext04
Or /etext03, 02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
Just search by the first five letters of the filename you want, as it appears in our Newsletters.
Information about Project Gutenberg (one page)
We produce about two million dollars for each hour we work. The time it takes us, a rather conservative estimate, is fifty hours to get any eBook selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. Our projected audience is one hundred million readers. If the value per text is nominally estimated at one dollar then we produce
Comments (0)