Wired Love, Ella Cheever Thayer [best books for 20 year olds .TXT] 📗

amusement of the two girls, "I have a presentiment—a horrible presentiment—I'm always making mistakes, you see. I'm used to it, but I couldn't get used to that, you know—that some day I shall marry the wrong woman!"

So saying, and with a last glance of implacable dislike at the sounder,
Quimby bowed awkwardly, and departed with the laughing Miss Archer.

Soon after their departure, "C" asked,

"Has Black-Eyed Susan gone?"

"Yes," responded Nattie. "She left a good-by for you, and means to improve your acquaintance."

"Thrice happy I! But about this he? Who is this he? I want to know all about him. Is he a hated rival?"

"Ha! I never heard him say so, but I will ask him if you wish. He lives in the same building with me, and brought Miss Archer, a fellow-lodger, down to introduce her."

"Do you ever go to balls, concerts, theaters, or to ride with him?" asked "C," who seemed determined to make a thorough investigation of matters.

"Dear me! No! He never asked me!"

"Do you wish he would?" persisted "C."

"Of course I do!" replied Nattie, somewhat regardless of truth.

"It is my opinion I shall be obliged to come and look after you," "C" replied, at this admission.

"But you wouldn't know whether you were looking after the right person or not, when you were here!" Nattie said, with a smiling face and sparkling eyes turned in the direction of an urchin,' flattening his nose against her window-glass, who immediately fled, overwhelmed with astonishment, at being, as he supposed, so smiled upon.

"And why wouldn't I?" questioned "C."

"Because I should recognize you immediately, and should pretend it was not I, but some substitute," replied Nattie.

"You seem to be very positive about recognizing me. Is your intuitive bump so well-developed as all that?" asked "C."

"Yes," Nattie responded. "And then you know there would be a twinkle in your eye that would betray you at once."

"Indeed! We will see about that, young lady. But now, as a customer has been drumming on my shelf for the past five minutes, in a frantic endeavor to attract my attention, and has by this time worked himself into a fine irascible temper, because I will not even glance at him, I must bid you good-night, with the advice, watch for that twinkle, and be sure you discover it!"

CHAPTER IV. NEIGHBORLY CALLS.

In the opinion of Miss Betsey Kling, a lone young woman, who possessed three large trunks, a more than average share of good looks, and who went out and came in at irregular and unheard-of hours, was a person to be looked after and inquired about; accordingly, while Miss Archer was making the acquaintance of Nattie, and of the invisible "C," Miss Kling descended upon Mrs. Simonson, with the object of dragging from that lady all possible information she might be possessed of, regarding her latest lodger. As a result, Miss Kling learned that Miss Archer was studying to become an opera singer, that she occasionally now sang at concerts, meeting with encouraging success, and further, that she possessed the best of references. But Miss Kling gave a sniffle of distrust.

"Public characters are not to be trusted. Do you remember," she asked solemnly, "do you remember the young man you once had here, who ran away with your teaspoons and your toothbrush?"

Ah, yes! Mrs. Simonson remembered him perfectly. Was she likely to forget him? But he, Mrs. Simonson respectfully submitted, was not a singer, but a commercial traveler.

Miss Kling shook her head.

"That experience should be a warning! You cannot deny that no young woman of a modest and retiring disposition would seek to place herself in a public position. Can you imagine me upon the stage?" concluded Miss Kling with great dignity.

Mrs. Simonson was free to admit that her imagination could contemplate no such possibility, and then, neither desirous of criticising a good paying lodger, or of offending Miss Kling—that struggle with the ways and means having taught her to, offend no one if it could possibly be avoided—she changed the subject by expatiating at length upon a topic she always found safe—the weather. But Miss Celeste Fishblate coming in, Miss Kling left the weather to take care of itself, and returned to the more interesting discussion, to her, of Miss Archer.

Celeste, a young lady favored with a countenance that impressed the beholder as being principally nose and teeth, and possessing a large share of the commodity known as gush, was ready enough to be the recipient of her neighbor's collection of gossip. But, to Miss Kling's no small disgust, she was rather lukewarm in pre-judging the new-comer. In truth, although somewhat alarmed at the "three trunks," lest she should be out-dressed, she was already debating within herself whether Miss Archer, as a medium by which more frequent access to Mrs. Simonson's gentlemen lodgers could be obtained, was not a person whose acquaintance it was desirable to cultivate. Moreover, the words opera singer raised ecstatic visions of a possible future introduction to some "ravishing tenor," the remote idea of which caused her to be so visibly preoccupied, that Miss Kling took her leave with angry sniffles, and returned home to ponder over what she had heard.

A few days after, Nattie, who had quite paralyzed Miss Kling by refusing to listen to what she boldly termed unfounded gossip about her new friend, went to spend an evening with her.

Miss Archer occupied a suite of rooms, consisting of a parlor and a very small bed-room that had been Mrs. Simonson's own, but which on account of the "ways and means" she had given up now, confining herself exclusively to the kitchen, fitted up to look as much like a parlor as a kitchen could.

"And how is 'C'?" asked Miss Archer as she warmly welcomed her visitor.

"Still as agreeable as ever," Nattie replied. "I told him I was coming to see you this evening and he sent his regards, and wished he could be of the party."

"I wish he might. But that would spoil the mystery," rejoined Miss
Archer. "Do you know what the 'C' is for?"

"'Clem,' he says. His other name I don't know. He would give me some outlandish cognomen if I should ask. But it isn't of much consequence."

"It might be if you should really fall in love with him," laughed Miss
Archer.

"Fall in love! Over the wire! That is absurd, especially as I am not susceptible," Nattie answered, coloring a trifle, however, as she remembered how utterly disconsolate she had been all that morning, because a "cross" on the wire had for several hours cut off communication between her office and "X n."

"You think it would be too romantic for real life? Doubtless you are right. And the funny incidents—have you anything new in your note-book?"

"Only that a man to-day, who had perhaps just dined, wanted to know the tariff to the U—nited St—at—ates," answered Nattie, glancing at some autumn leaves tastefully arranged on the walls and curtains. "But 'C' was telling me about a mistake that was lately made—not by him, he vehemently asserts, although I am inclined to think it message as originally sent was, 'John is dead, be at home at three,' when it was delivered it read, 'John is dead beat; home at three.'"

"How was that possible?" asked Miss Archer, laughing,

"I suppose the sending operator did not leave space enough between the words; we leave a small space between letters, and a longer one between words," explained Nattie.

"The operator who received it must have been rather stupid not to have seen the mistake," Miss Archer said. "I have too good an opinion of your 'C' to believe it was he. But every profession has its comic side as well as its tricks, I suppose; mine, I am sure, does. But I am learning something every day, and I am determined," energetically, "to fight my way up!"

Stirred by Miss Archer's earnestness, there came to Nattie an uneasy consciousness that she herself was making no progress towards her only dreamed of ambition, and a shade crossed her face; but without observing it, Miss Archer continued,

"I always had a passion for the lyric stage, and now there is nothing to prevent—" did a slight shadow here darken also her sunny eyes, gone instantly?— "I shall make music my life's aim. Fortunately I have money of my own to enable me to study, and—"

Miss Archer's speech was here interrupted in a somewhat startling manner, by the door suddenly flying open, banging against the piano with a prodigious crash, and disclosing Quimby, red and abashed, outside.

Nattie jumped, Miss Archer gave a little scream, and the Duchess, Mrs. Simonson's handsome tortoise-shell cat, so named from her extreme dignity, who lay at full length upon a rug, drew herself up in haughty displeasure.

"I—I beg pardon, I am sure!" stammered the more agitated intruder. "Really, I—I am so ashamed I—I can hardly speak! I was unfortunate enough to stumble—I'm used to it, you know,—and I give you my word of honor I never saw such a—such an extremely lively door!"

"It is of no consequence," Miss Archer assured him. "Will you come in?"

"Thank you, I—I fear I intrude," answered Quimby, clutching his watch-chain, and glancing at Nattie, guiltily conscious of the strong desire to do so that had taken possession of him since the sound of her voice had penetrated to his apartment, and in perfect agony lest she should surmise it. However, upon Miss Archer's assuring him that they would be very glad of his company, he ventured to enter. But the door still weighed upon his mind, for after carefully closing it, he stood and stared at it with a very perplexed face.

"Never saw such a lively door, you know!" he repeated, finally sitting down on the piano-stool, and folding both arms across one knee, letting a hand droop dismally on either side, while he looked alternately at Miss Archer, Nattie, and the part of the room mentioned, at which the former laughed, and then, with the kind intention of drawing his mind from the subject of his forced appearance, suggested a game of cards.

"Then we shall have to have one more person, shall we not?" Nattie asked, at this proposition.

"It would be better," replied Miss Archer. "Let me see—Mrs. Simonson does not play—"

"Mr. Norton does!" interrupted Quimby, forgetting the door, in his eagerness to be of service. "I—I would willingly ask him to join us, if you will allow me!"

"That queer young artist who lodges here, you mean?" inquired Miss
Archer.

"Oh! But he is a dreadful Bohemian!" commented Nattie, distrustfully, before Quimby could reply.

"Is he?" laughed Miss Archer. "Then ask him in by all means! I am something of a Bohemian myself, and shall be delighted to meet a kindred soul! I do not know as I have ever observed the gentleman particularly, but if I remember rightly, he wears his hair very closely cropped, and is not a model of beauty?"

"But he is just as nice a fellow as if he was handsome outside!" said Quimby earnestly, doubtless aware of his own shortcomings in the Adonis line. "He is a little queer to be sure, doesn't believe in love or sentiment or anything of that sort, you know, and he says he wears his hair cropped close because people have a general idea that artists are long-haired, lackadaisical fellows,—not to say untidy, you know,—and he is determined that no one shall be able to say it of him!"

Miss Archer was much amused at this description.

"He certainly is an odd genius, and decidedly worth knowing. Bring him in, I beg of you," she said.

But Quimby hesitated and glanced at Nattie.

"He is not very unconventional, I—I do not think he will shock you very much if you do not get him at it, you know!" he said to her apologetically.

"Oh! I am not at all alarmed!" said Nattie, adding, as her thoughts reverted to Miss Kling, "I think, after all, a Bohemian is better than a perfect model of conventionalism!"

Miss Archer heartily indorsed this sentiment, and Quimby went in quest of Mr. Norton, with whom he soon returned.

Unlike enough to the melancholy artist of romantic fame was Mr. Norton. Short, rather stout, inclined to be red in the face, large-nosed, scrupulously neat in dress, clean shaven, and closely-cropped hair—all this the observing Miss Archer saw at a glance as she bowed to him in response to Quimby's introduction. But the second glance showed her that the expression of his face was so jovial that its plainness