A Sicilian Romance, Ann Ward Radcliffe [best inspirational books .TXT] 📗

dawn through the narrow grates in the walls, and enable him to contrive some method of letting himself down to the ground.

He had remained here above an hour, when he suddenly heard a voice from below. It seemed to come from the passage leading to the tower, and perceptibly drew nearer. His agitation was now extreme, for he had no power of defending himself, and while he remained in this state of torturing expectation, a blaze of light burst upon the staircase beneath him. In the succeeding moment he heard his own name sounded from below. His apprehensions instantly vanished, for he distinguished the voices of madame and his sisters.

They had awaited his return in all the horrors of apprehension, till at length all fear for themselves was lost in their concern for him; and they, who so lately had not dared to enter this part of the edifice, now undauntedly searched it in quest of Ferdinand. What were their emotions when they discovered his perilous situation!

The light now enabled him to take a more accurate survey of the place.

He perceived that some few stones of the steps which had fallen still remained attached to the wall, but he feared to trust to their support only. He observed, however, that the wall itself was partly decayed, and consequently rugged with the corners of half-worn stones. On these small projections he contrived, with the assistance of the steps already mentioned, to suspend himself, and at length gained the unbroken part of the stairs in safety. It is difficult to determine which individual of the party rejoiced most at this escape. The morning now dawned, and Ferdinand desisted for the present from farther enquiry.

The interest which these mysterious circumstances excited in the mind of Julia, had withdrawn her attention from a subject more dangerous to its peace. The image of Vereza, notwithstanding, would frequently intrude upon her fancy; and, awakening the recollection of happy emotions, would call forth a sigh which all her efforts could not suppress. She loved to indulge the melancholy of her heart in the solitude of the woods. One evening she took her lute to a favorite spot on the seashore, and resigning herself to a pleasing sadness, touched some sweet and plaintive airs. The purple flush of evening was diffused over the heavens. The sun, involved in clouds of splendid and innumerable hues, was setting o’er the distant waters, whose clear bosom glowed with rich reflection. The beauty of the scene, the soothing murmur of the high trees, waved by the light air which overshadowed her, and the soft shelling of the waves that flowed gently in upon the shores, insensibly sunk her mind into a state of repose. She touched the chords of her lute in sweet and wild melody, and sung the following ode:

EVENING

Evening veil’d in dewy shades,

Slowly sinks upon the main;

See th’empurpled glory fades,

Beneath her sober, chasten’d reign.

Around her car the pensive Hours,

In sweet illapses meet the sight,

Crown’d their brows with closing flow’rs Rich with chrystal dews of night.

Her hands, the dusky hues arrange

O’er the fine tints of parting day; Insensibly the colours change,

And languish into soft decay.

Wide o’er the waves her shadowy veil she draws.

As faint they die along the distant shores; Through the still air I mark each solemn pause, Each rising murmur which the wild wave pours.

A browner shadow spreads upon the air, And o’er the scene a pensive grandeur throws; The rocks—the woods a wilder beauty wear, And the deep wave in softer music flows; And now the distant view where vision fails, Twilight and grey obscurity pervade; Tint following tint each dark’ning object veils, Till all the landscape sinks into the shade.

Oft from the airy steep of some lone hill, While sleeps the scene beneath the purple glow: And evening lives o’er all serene and still, Wrapt let me view the magic world below!

And catch the dying gale that swells remote, That steals the sweetness from the shepherd’s flute: The distant torrent’s melancholy note And the soft warblings of the lover’s lute.

Still through the deep’ning gloom of bow’ry shades To Fancy’s eye fantastic forms appear; Low whisp’ring echoes steal along the glades And thrill the ear with wildly-pleasing fear.

Parent of shades!—of silence!—dewy airs!

Of solemn musing, and of vision wild!

To thee my soul her pensive tribute bears, And hails thy gradual step, thy influence mild.

Having ceased to sing, her fingers wandered over the lute in melancholy symphony, and for some moments she remained lost in the sweet sensations which the music and the scenery had inspired. She was awakened from her reverie, by a sigh that stole from among the trees, and directing her eyes whence it came, beheld—Hippolitus! A thousand sweet and mingled emotions pressed upon her heart, yet she scarcely dared to trust the evidence of sight. He advanced, and throwing himself at her feet: ‘Suffer me,’ said he, in a tremulous voice, ‘to disclose to you the sentiments which you have inspired, and to offer you the effusions of a heart filled only with love and admiration.’

‘Rise, my lord,’ said Julia, moving from her seat with an air of dignity, ‘that attitude is neither becoming you to use, or me to suffer. The evening is closing, and Ferdinand will be impatient to see you.’

‘Never will I rise, madam,’ replied the count, with an impassioned air, ‘till’—He was interrupted by the marchioness, who at this moment entered the grove. On observing the position of the count she was retiring. ‘Stay, madam,’ said Julia, almost sinking under her confusion. ‘By no means,’ replied the marchioness, in a tone of irony, ‘my presence would only interrupt a very agreeable scene. The count, I see, is willing to pay you his earliest respects.’ Saying this she disappeared, leaving Julia distressed and offended, and the count provoked at the intrusion. He attempted to renew the subject, but Julia hastily followed the steps of the marchioness, and entered the castle.

The scene she had witnessed, raised in the marchioness a tumult of dreadful emotions. Love, hatred, and jealousy, raged by turns in her heart, and defied all power of controul. Subjected to their alternate violence, she experienced a misery more acute than any she had yet known. Her imagination, invigorated by opposition, heightened to her the graces of Hippolitus; her bosom glowed with more intense passion, and her brain was at length exasperated almost to madness.

In Julia this sudden and unexpected interview excited a mingled emotion of love and vexation, which did not soon subside. At length, however, the delightful consciousness of Vereza’s love bore her high above every other sensation; again the scene more brightly glowed, and again her fancy overcame the possibility of evil.

During the evening a tender and timid respect distinguished the behaviour of the count towards Julia, who, contented with the certainty of being loved, resolved to conceal her sentiments till an explanation of his abrupt departure from Mazzini, and subsequent absence, should have dissipated the shadow of mystery which hung over this part of his conduct. She observed that the marchioness pursued her with steady and constant observation, and she carefully avoided affording the count an opportunity of renewing the subject of the preceding interview, which, whenever he approached her, seemed to tremble on his lips.

Night returned, and Ferdinand repaired to the chamber of Julia to pursue his enquiry. Here he had not long remained, when the strange and alarming sounds which had been heard on the preceding night were repeated. The circumstance that now sunk in terror the minds of Emilia and Julia, fired with new wonder that of Ferdinand, who seizing a light, darted through the discovered door, and almost instantly disappeared.

He descended into the same wild hall he had passed on the preceding night. He had scarcely reached the bottom of the staircase, when a feeble light gleamed across the hall, and his eye caught the glimpse of a figure retiring through the low arched door which led to the south tower. He drew his sword and rushed on. A faint sound died away along the passage, the windings of which prevented his seeing the figure he pursued. Of this, indeed, he had obtained so slight a view, that he scarcely knew whether it bore the impression of a human form.

The light quickly disappeared, and he heard the door that opened upon the tower suddenly close. He reached it, and forcing it open, sprang forward; but the place was dark and solitary, and there was no appearance of any person having passed along it. He looked up the tower, and the chasm which the staircase exhibited, convinced him that no human being could have passed up. He stood silent and amazed; examining the place with an eye of strict enquiry, he perceived a door, which was partly concealed by hanging stairs, and which till now had escaped his notice. Hope invigorated curiosity, but his expectation was quickly disappointed, for this door also was fastened.

He tried in vain to force it. He knocked, and a hollow sullen sound ran in echoes through the place, and died away at a distance. It was evident that beyond this door were chambers of considerable extent, but after long and various attempts to reach them, he was obliged to desist, and he quitted the tower as ignorant and more dissatisfied than he had entered it. He returned to the hall, which he now for the first time deliberately surveyed. It was a spacious and desolate apartment, whose lofty roof rose into arches supported by pillars of black marble. The same substance inlaid the floor, and formed the staircase. The windows were high and gothic. An air of proud sublimity, united with singular wildness, characterized the place, at the extremity of which arose several gothic arches, whose dark shade veiled in obscurity the extent beyond. On the left hand appeared two doors, each of which was fastened, and on the right the grand entrance from the courts. Ferdinand determined to explore the dark recess which terminated his view, and as he traversed the hall, his imagination, affected by the surrounding scene, often multiplied the echoes of his footsteps into uncertain sounds of strange and fearful import.

He reached the arches, and discovered beyond a kind of inner hall, of considerable extent, which was closed at the farther end by a pair of massy folding-doors, heavily ornamented with carving. They were fastened by a lock, and defied his utmost strength.

As he surveyed the place in silent wonder, a sullen groan arose from beneath the spot where he stood. His blood ran cold at the sound, but silence returning, and continuing unbroken, he attributed his alarm to the illusion of a fancy, which terror had impregnated. He made another effort to force the door, when a groan was repeated more hollow, and more dreadful than the first. At this moment all his courage forsook him; he quitted the door, and hastened to the staircase, which he ascended almost breathless with terror.

He found Madame de Menon and his sisters awaiting his return in the most painful anxiety; and, thus disappointed in all his endeavours to penetrate the secret of these buildings, and fatigued with fruitless search, he resolved to suspend farther enquiry.

When he related the circumstances of his late adventure, the terror of Emilia and Julia was heightened to a degree that overcame every prudent consideration. Their apprehension of the marquis’s displeasure was lost in a stronger feeling, and they resolved no longer to remain in apartments which offered only terrific images to their fancy.

Madame de Menon almost equally alarmed, and more perplexed, by this combination of strange and unaccountable circumstances, ceased to oppose their design. It was resolved, therefore, that on the following day madame should acquaint the marchioness with such particulars of the late