The Man Who Was Thursday, G. K. Chesterton [the gingerbread man read aloud TXT] 📗

on the duel coming off after seven tomorrow, so as to give me the chance of preventing him from catching the 7.45 for Paris. If he misses that he misses his crime. He can’t refuse to meet you on such a small point of time and place. But this is what he will do. He will choose a field somewhere near a wayside station, where he can pick up the train. He is a very good swordsman, and he will trust to killing me in time to catch it. But I can fence well too, and I think I can keep him in play, at any rate, until the train is lost. Then perhaps he may kill me to console his feelings. You understand? Very well then, let me introduce you to some charming friends of mine,” and leading them quickly across the parade, he presented them to the Marquis’s seconds by two very aristocratic names of which they had not previously heard.

Syme was subject to spasms of singular common sense, not otherwise a part of his character. They were (as he said of his impulse about the spectacles) poetic intuitions, and they sometimes rose to the exaltation of prophecy.

He had correctly calculated in this case the policy of his opponent. When the Marquis was informed by his seconds that Syme could only fight in the morning, he must fully have realised that an obstacle had suddenly arisen between him and his bomb-throwing business in the capital. Naturally he could not explain this objection to his friends, so he chose the course which Syme had predicted. He induced his seconds to settle on a small meadow not far from the railway, and he trusted to the fatality of the first engagement.

When he came down very coolly to the field of honour, no one could have guessed that he had any anxiety about a journey; his hands were in his pockets, his straw hat on the back of his head, his handsome face brazen in the sun. But it might have struck a stranger as odd that there appeared in his train, not only his seconds carrying the sword-case, but two of his servants carrying a portmanteau and a luncheon basket.

Early as was the hour, the sun soaked everything in warmth, and Syme was vaguely surprised to see so many spring flowers burning gold and silver in the tall grass in which the whole company stood almost knee-deep.

With the exception of the Marquis, all the men were in sombre and solemn morning-dress, with hats like black chimney-pots; the little Doctor especially, with the addition of his black spectacles, looked like an undertaker in a farce. Syme could not help feeling a comic contrast between this funereal church parade of apparel and the rich and glistening meadow, growing wild flowers everywhere. But, indeed, this comic contrast between the yellow blossoms and the black hats was but a symbol of the tragic contrast between the yellow blossoms and the black business. On his right was a little wood; far away to his left lay the long curve of the railway line, which he was, so to speak, guarding from the Marquis, whose goal and escape it was. In front of him, behind the black group of his opponents, he could see, like a tinted cloud, a small almond bush in flower against the faint line of the sea.

The member of the Legion of Honour, whose name it seemed was Colonel Ducroix, approached the Professor and Dr. Bull with great politeness, and suggested that the play should terminate with the first considerable hurt.

Dr. Bull, however, having been carefully coached by Syme upon this point of policy, insisted, with great dignity and in very bad French, that it should continue until one of the combatants was disabled. Syme had made up his mind that he could avoid disabling the Marquis and prevent the Marquis from disabling him for at least twenty minutes. In twenty minutes the Paris train would have gone by.

“To a man of the well-known skill and valour of Monsieur de St. Eustache,” said the Professor solemnly, “it must be a matter of indifference which method is adopted, and our principal has strong reasons for demanding the longer encounter, reasons the delicacy of which prevent me from being explicit, but for the just and honourable nature of which I can—”

“Peste!” broke from the Marquis behind, whose face had suddenly darkened, “let us stop talking and begin,” and he slashed off the head of a tall flower with his stick.

Syme understood his rude impatience and instinctively looked over his shoulder to see whether the train was coming in sight. But there was no smoke on the horizon.

Colonel Ducroix knelt down and unlocked the case, taking out a pair of twin swords, which took the sunlight and turned to two streaks of white fire. He offered one to the Marquis, who snatched it without ceremony, and another to Syme, who took it, bent it, and poised it with as much delay as was consistent with dignity.

Then the Colonel took out another pair of blades, and taking one himself and giving another to Dr. Bull, proceeded to place the men.

Both combatants had thrown off their coats and waistcoats, and stood sword in hand. The seconds stood on each side of the line of fight with drawn swords also, but still sombre in their dark frock-coats and hats. The principals saluted. The Colonel said quietly, “Engage!” and the two blades touched and tingled.

When the jar of the joined iron ran up Syme’s arm, all the fantastic fears that have been the subject of this story fell from him like dreams from a man waking up in bed. He remembered them clearly and in order as mere delusions of the nerves—how the fear of the Professor had been the fear of the tyrannic accidents of nightmare, and how the fear of the Doctor had been the fear of the airless vacuum of science. The first was the old fear that any miracle might happen, the second the more hopeless modern fear that no miracle can ever happen. But he saw that these fears were fancies, for he found himself in the presence of the great fact of the fear of death, with its coarse and pitiless common sense. He felt like a man who had dreamed all night of falling over precipices, and had woke up on the morning when he was to be hanged. For as soon as he had seen the sunlight run down the channel of his foe’s foreshortened blade, and as soon as he had felt the two tongues of steel touch, vibrating like two living things, he knew that his enemy was a terrible fighter, and that probably his last hour had come.

He felt a strange and vivid value in all the earth around him, in the grass under his feet; he felt the love of life in all living things. He could almost fancy that he heard the grass growing; he could almost fancy that even as he stood fresh flowers were springing up and breaking into blossom in the meadow—flowers blood red and burning gold and blue, fulfilling the whole pageant of the spring. And whenever his eyes strayed for a flash from the calm, staring, hypnotic eyes of the Marquis, they saw the little tuft of almond tree against the sky-line. He had the feeling that if by some miracle he escaped he would be ready to sit for ever before that almond tree, desiring nothing else in the world.

But while earth and sky and everything had the living beauty of a thing lost, the other half of his head was as clear as glass, and he was parrying his enemy’s point with a kind of clockwork skill of which he had hardly supposed himself capable. Once his enemy’s point ran along his wrist, leaving a slight streak of blood, but it either was not noticed or was tacitly ignored. Every now and then he riposted, and once or twice he could almost fancy that he felt his point go home, but as there was no blood on blade or shirt he supposed he was mistaken. Then came an interruption and a change.

At the risk of losing all, the Marquis, interrupting his quiet stare, flashed one glance over his shoulder at the line of railway on his right. Then he turned on Syme a face transfigured to that of a fiend, and began to fight as if with twenty weapons. The attack came so fast and furious, that the one shining sword seemed a shower of shining arrows. Syme had no chance to look at the railway; but also he had no need. He could guess the reason of the Marquis’s sudden madness of battle—the Paris train was in sight.

But the Marquis’s morbid energy over-reached itself. Twice Syme, parrying, knocked his opponent’s point far out of the fighting circle; and the third time his riposte was so rapid, that there was no doubt about the hit this time. Syme’s sword actually bent under the weight of the Marquis’s body, which it had pierced.

Syme was as certain that he had stuck his blade into his enemy as a gardener that he has stuck his spade into the ground. Yet the Marquis sprang back from the stroke without a stagger, and Syme stood staring at his own sword-point like an idiot. There was no blood on it at all.

There was an instant of rigid silence, and then Syme in his turn fell furiously on the other, filled with a flaming curiosity. The Marquis was probably, in a general sense, a better fencer than he, as he had surmised at the beginning, but at the moment the Marquis seemed distraught and at a disadvantage. He fought wildly and even weakly, and he constantly looked away at the railway line, almost as if he feared the train more than the pointed steel. Syme, on the other hand, fought fiercely but still carefully, in an intellectual fury, eager to solve the riddle of his own bloodless sword. For this purpose, he aimed less at the Marquis’s body, and more at his throat and head. A minute and a half afterwards he felt his point enter the man’s neck below the jaw. It came out clean. Half mad, he thrust again, and made what should have been a bloody scar on the Marquis’s cheek. But there was no scar.

For one moment the heaven of Syme again grew black with supernatural terrors. Surely the man had a charmed life. But this new spiritual dread was a more awful thing than had been the mere spiritual topsy-turvydom symbolised by the paralytic who pursued him. The Professor was only a goblin; this man was a devil—perhaps he was the Devil! Anyhow, this was certain, that three times had a human sword been driven into him and made no mark. When Syme had that thought he drew himself up, and all that was good in him sang high up in the air as a high wind sings in the trees. He thought of all the human things in his story—of the Chinese lanterns in Saffron Park, of the girl’s red hair in the garden, of the honest, beer-swilling sailors down by the dock, of his loyal companions standing by. Perhaps he had been chosen as a champion of all these fresh and kindly things to cross swords with the enemy of all creation. “After all,” he said to himself, “I am more than a devil; I am a man. I can do the one thing which Satan himself cannot do—I can die,” and as the word went through his head, he heard a faint and far-off hoot, which would soon be the roar of the Paris train.

He fell to fighting again with a supernatural levity, like a Mohammedan panting for Paradise. As the train came nearer and nearer he fancied he could see people putting up the floral arches in