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I beyond my tables, that all I needed was a mere look at a man to know his predispositions, his co-ordinations, and the index fraction of his motion-wastage.

And here I must close this first chapter of my narrative. It is nine o'clock, and in Murderers' Row that means lights out. Even now, I hear the soft tread of the gum-shoed guard as he comes to censure me for my coal-oil lamp still burning. As if the mere living could censure the doomed to die!


CHAPTER II


I am Darrell Standing. They are going to take me out and hang me pretty soon. In the meantime I say my say, and write in these pages of the other times and places.

After my sentence, I came to spend the rest of my "natural life" in the prison of San Quentin. I proved incorrigible. An incorrigible is a terrible human being--at least such is the connotation of "incorrigible" in prison psychology. I became an incorrigible because I abhorred waste motion. The prison, like all prisons, was a scandal and an affront of waste motion. They put me in the jute-mill. The criminality of wastefulness irritated me. Why should it not? Elimination of waste motion was my speciality. Before the invention of steam or steam-driven looms three thousand years before, I had rotted in prison in old Babylon; and, trust me, I speak the truth when I say that in that ancient day we prisoners wove more efficiently on hand-looms than did the prisoners in the steam-powered loom-rooms of San Quentin.

The crime of waste was abhorrent. I rebelled. I tried to show the guards a score or so of more efficient ways. I was reported. I was given the dungeon and the starvation of light and food. I emerged and tried to work in the chaos of inefficiency of the loom-rooms. I rebelled. I was given the dungeon, plus the strait-jacket. I was spread- eagled, and thumbed-up, and privily beaten by the stupid guards whose totality of intelligence was only just sufficient to show them that I was different from them and not so stupid.

Two years of this witless persecution I endured. It is terrible for a man to be tied down and gnawed by rats. The stupid brutes of guards were rats, and they gnawed the intelligence of me, gnawed all the fine nerves of the quick of me and of the consciousness of me. And I, who in my past have been a most valiant fighter, in this present life was no fighter at all. I was a farmer, an agriculturist, a desk-tied professor, a laboratory slave, interested only in the soil and the increase of the productiveness of the soil.

I fought in the Philippines because it was the tradition of the Standings to fight. I had no aptitude for fighting. It was all too ridiculous, the introducing of disruptive foreign substances into the bodies of little black men-folk. It was laughable to behold Science prostituting all the might of its achievement and the wit of its inventors to the violent introducing of foreign substances into the bodies of black folk.

As I say, in obedience to the tradition of the Standings I went to war and found that I had no aptitude for war. So did my officers find me out, because they made me a quartermaster's clerk, and as a clerk, at a desk, I fought through the Spanish-American War.

So it was not because I was a fighter, but because I was a thinker, that I was enraged by the motion-wastage of the loom-rooms and was persecuted by the guards into becoming an "incorrigible." One's brain worked and I was punished for its working. As I told Warden Atherton, when my incorrigibility had become so notorious that he had me in on the carpet in his private office to plead with me; as I told him then:

"It is so absurd, my dear Warden, to think that your rat-throttlers of guards can shake out of my brain the things that are clear and definite in my brain. The whole organization of this prison is stupid. You are a politician. You can weave the political pull of San Francisco saloon-men and ward heelers into a position of graft such as this one you occupy; but you can't weave jute. Your loom-rooms are fifty years behind the times. . . ."

But why continue the tirade?--for tirade it was. I showed him what a fool he was, and as a result he decided that I was a hopeless incorrigible.

Give a dog a bad name--you know the saw. Very well. Warden Atherton gave the final sanction to the badness of my name. I was fair game. More than one convict's dereliction was shunted off on me, and was paid for by me in the dungeon on bread and water, or in being triced up by the thumbs on my tip-toes for long hours, each hour of which was longer than any life I have ever lived.

Intelligent men are cruel. Stupid men are monstrously cruel. The guards and the men over me, from the Warden down, were stupid monsters. Listen, and you shall learn what they did to me. There was a poet in the prison, a convict, a weak-chinned, broad-browed, degenerate poet. He was a forger. He was a coward. He was a snitcher. He was a stool--strange words for a professor of agronomics to use in writing, but a professor of agronomics may well learn strange words when pent in prison for the term of his natural life.

This poet-forger's name was Cecil Winwood. He had had prior convictions, and yet, because he was a snivelling cur of a yellow dog, his last sentence had been only for seven years. Good credits would materially reduce this time. My time was life. Yet this miserable degenerate, in order to gain several short years of liberty for himself, succeeded in adding a fair portion of eternity to my own lifetime term.

I shall tell what happened the other way around, for it was only after a weary period that I learned. This Cecil Winwood, in order to curry favour with the Captain of the Yard, and thence the Warden, the Prison Directors, the Board of Pardons, and the Governor of California, framed up a prison-break. Now note three things: (a) Cecil Winwood was so detested by his fellow-convicts that they would not have permitted him to bet an ounce of Bull Durham on a bed-bug race--and bed-bug racing was a great sport with the convicts; (b) I was the dog that had been given a bad name: (c) for his frame-up, Cecil Winwood needed the dogs with bad names, the lifetimers, the desperate ones, the incorrigibles.

But the lifers detested Cecil Winwood, and, when he approached them with his plan of a wholesale prison-break, they laughed at him and turned away with curses for the stool that he was. But he fooled them in the end, forty of the bitterest-wise ones in the pen. He approached them again and again. He told of his power in the prison by virtue of his being trusty in the Warden's office, and because of the fact that he had the run of the dispensary.

"Show me," said Long Bill Hodge, a mountaineer doing life for train robbery, and whose whole soul for years had been bent on escaping in order to kill the companion in robbery who had turned state's evidence on him.

Cecil Winwood accepted the test. He claimed that he could dope the guards the night of the break.

"Talk is cheap," said Long Bill Hodge. "What we want is the goods. Dope one of the guards to-night. There's Barnum. He's no good. He beat up that crazy Chink yesterday in Bughouse Alley--when he was off duty, too. He's on the night watch. Dope him to-night an' make him lose his job. Show me, and we'll talk business with you."

All this Long Bill told me in the dungeons afterward. Cecil Winwood demurred against the immediacy of the demonstration. He claimed that he must have time in which to steal the dope from the dispensary. They gave him the time, and a week later he announced that he was ready. Forty hard-bitten lifers waited for the guard Barnum to go to sleep on his shift. And Barnum did. He was found asleep, and he was discharged for sleeping on duty.

Of course, that convinced the lifers. But there was the Captain of the Yard to convince. To him, daily, Cecil Winwood was reporting the progress of the break--all fancied and fabricated in his own imagination. The Captain of the Yard demanded to be shown. Winwood showed him, and the full details of the showing I did not learn until a year afterward, so slowly do the secrets of prison intrigue leak out.

Winwood said that the forty men in the break, in whose confidence he was, had already such power in the Prison that they were about to begin smuggling in automatic pistols by means of the guards they had bought up.

"Show me," the Captain of the Yard must have demanded.

And the forger-poet showed him. In the Bakery, night work was a regular thing. One of the convicts, a baker, was on the first night-shift. He was a stool of the Captain of the Yard, and Winwood knew it.

"To-night," he told the Captain, "Summerface will bring in a dozen '44 automatics. On his next time off he'll bring in the ammunition. But to- night he'll turn the automatics over to me in the bakery. You've got a good stool there. He'll make you his report to-morrow."

Now Summerface was a strapping figure of a bucolic guard who hailed from Humboldt County. He was a simple-minded, good-natured dolt and not above earning an honest dollar by smuggling in tobacco for the convicts. On that night, returning from a trip to San Francisco, he brought in with him fifteen pounds of prime cigarette tobacco. He had done this before, and delivered the stuff to Cecil Winwood. So, on that particular night, he, all unwitting, turned the stuff over to Winwood in the bakery. It was a big, solid, paper-wrapped bundle of innocent tobacco. The stool baker, from concealment, saw the package delivered to Winwood and so reported to the Captain of the Yard next morning.

But in the meantime the poet-forger's too-lively imagination ran away with him. He was guilty of a slip that gave me five years of solitary confinement and that placed me in this condemned cell in which I now write. And all the time I knew nothing about it. I did not even know of the break he had inveigled the forty lifers into planning. I knew nothing, absolutely nothing. And the rest knew little. The lifers did not know he was giving them the cross. The Captain of the Yard did not know that the cross know was being worked on him. Summerface was the most innocent of all. At the worst, his conscience could have accused him only of smuggling in some harmless tobacco.

And now to the stupid, silly, melodramatic slip of Cecil
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