Accelerando, Charles Stross [classic novels for teens .TXT] 📗
- Author: Charles Stross
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Book online «Accelerando, Charles Stross [classic novels for teens .TXT] 📗». Author Charles Stross
interactions with me, or humans like me, before?” she asks. “If not,
why should I trust you? If so, why have you revived me? Are there any
more experienced instances of myself running around here?” She raises
a skeptical eyebrow at the ghost. “This looks like the start of an
abusive relationship.”
The ghost continues to sidestep her attempts to work out where she
stands. It flickers into transparency, grows into a hazy window on a
landscape of impossible shapes. Clouds sprouting trees drift above a
landscape of green, egg-curved hills and cheesecake castles. “Nature
of excursion: alien intelligence is loose in the DMZ,” it asserts.
“Alien is applying invalid semiotics to complex structures designed to
sustain trade. You know this alien, Amber. We require solution. Slay
the monster, we will give you line of credit. Your own reality to
control, insight into trade arrangements, augmented senses, ability to
travel. Can even upgrade you to you-we consensus, if desired.”
“This monster.” Amber leans forward, staring into the window eagerly.
She’s half-minded to ignore what she feels is a spurious offer; it
doesn’t sound too appetizing. Upgrade me to a ghost fragment of an
alien group mind? she wonders dismissively. “What is this alien?” She
feels blind and unsure, stripped of her ability to spawn threads of
herself to pursue complex inferences. “Is it part of the Wunch?”
“Datum unknown. It-them came with you,” says the ghost. “Accidentally
reactivated some seconds since now. It runs amok in the demilitarized
zone. Help us, Amber. Save our hub, or we will be cut off from the
network. If that happens, you will die with we-us. Save us …”
*
A single memory belonging to someone else unwinds, faster than a
guided missile and far more deadly.
Amber, aged eleven, is a gawky, long-limbed child loose on the
streets of Hong Kong, a yokel tourist viewing the hot core of the
Middle Kingdom. This is her first and final vacation before the
Franklin Trust straps her inside the payload pod of a Shenzhou
spaceplane and blasts her into orbit from Xinkiang. She’s free for
the time being, albeit mortgaged to the tune of several million
euros; she’s a little taikonaut to be, ready to work for the long
years in Jupiter orbit it will take her to pay off the
self-propelled options web that owns her. It’s not exactly slavery:
Thanks to Dad’s corporate shell game she doesn’t have to worry
about Mom chasing her, trying to return her to the posthuman prison
of growing up just like an old-fashioned little girl. And now she’s
got a bit of pocket money, and a room in the Hilton, and her own
personal Franklin remote to keep her company, she’s decided she’s
gonna do that eighteenth-century-enlightenment tourist shit and do
it right.
Because this is her last day at liberty in the randomly evolved
biosphere.
China is where things are at in this decade, hot and dense and full
of draconian punishments for the obsolescent. Nationalist fervor to
catch up with the west has been replaced by consumerist fervor to
own the latest fad gadgets; the most picturesque tourist souvenirs
from the quaintly old-fashioned streets of America; the fastest,
hottest, smartest, upgrades for body and soul. Hong Kong is hotter
and faster than just about anywhere else in China, or in the whole
damn world for that matter. This is a place where tourists from
Tokyo gawp, cowed and future-shocked by the glamour of
high-technology living.
Walking along Jardine’s Bazaar - More like Jardine’s bizarre, she
thinks - exposes Amber to a blast of humid noise. Geodesic domes
sprout like skeletal mushrooms from the glass-and-chrome roofs of
the expensive shopping malls and luxury hotels, threatening to
float away on the hot sea breeze. There are no airliners roaring in
and out of Kai Tak anymore, no burnished aluminum storm clouds to
rain round-eyed passengers on the shopping malls and fish markets
of Kowloon and the New Territories. In these tense later days of
the War Against Unreason, impossible new shapes move in the sky;
Amber gapes upward as a Shenyang F-30 climbs at a near-vertical
angle, a mess of incomprehensibly curved flight surfaces vanishing
to a perspective point that defies radar as well as eyeballs. The
Chinese - fighter? missile platform? supercomputer? - is heading
out over the South China Sea to join the endless patrol that
reassures the capitalist world that it is being guarded from the
Hosts of Denial, the Trouble out of Wa’hab.
For the moment, she’s merely a precocious human child. Amber’s
subconscious is off-lined by the presence of forceful infowar
daemons, the Chinese government censorbots suppressing her
cognition of their deadliest weapons. And in the seconds while her
mind is as empty as a sucked egg, a thin-faced man with blue hair
shoves her in the small of her back and snatches at her shoulder
bag.
“Hey!” she yells, stumbling. Her mind’s a blur, optics refusing to
respond and grab a biometric model of her assailant. It’s the
frozen moment, the dead zone when on-line coverage fails, and the
thief is running away before she can catch her balance or try to
give chase. Plus, with her extensions off-line she doesn’t know how
to yell “stop, thief!” in Cantonese.
Seconds later, the fighter is out of visual range and the state
censorship field lets up. “Get him, you bastards!” she screams, but
the curious shoppers simply stare at the rude foreign child: An
elderly woman brandishes a disposable phonecam at her and screeches
something back. Amber picks up her feet and runs. Already she can
feel the subsonics from her luggage growling at her guts - it’s
going to make a scene if she doesn’t catch up in time. Shoppers
scatter, a woman with a baby carriage almost running her down in
her panic to get away from it.
By the time Amber reaches her terrified shoulder bag, the thief has
disappeared: She has to spend almost a minute petting the scared
luggage before it stops screeching and retracts its spines enough
for her to pick it up. And by that time there’s a robocop in
attendance. “Identify yourself,” it rasps in synthetic English.
Amber stares at her bag in horror: There’s a huge gash in the side,
and it’s far too light. It’s gone, she thinks, despairingly. He
stole it. “Help,” she says faintly, holding up her bag for the
distant policeman looking through the robot’s eyes. “Been stolen.”
“What item missing?” asks the robot.
“My Hello Kitty,” she says, batting her eyelashes, mendacity
full-on at maximum utilization, prodding her conscience into
submission, warning of dire consequences should the police discover
the true nature of her pet cat. “My kitten’s been stolen! Can you
help me?”
“Certainly,” says the cop, resting a reassuring hand on her
shoulder - a hand that turns into a steel armband, as it pushes her
into a van and notifies her in formally stilted language that she
is under arrest on suspicion of shoplifting and will be required to
produce certificates of authenticity and a fully compliant
ownership audit for all items in her possession if she wants to
prove her innocence.
By the time Amber’s meatbrain realizes that she is being politely
arrested, some of her external threads have already started yelling
for help and her m-commerce trackers have identified the station
she’s being taken to by way of click-thru trails and an obliging
software license manager. They spawn agents to go notify the
Franklin trustees, Amnesty International, the Space and Freedom
Party, and her father’s lawyers. As she’s being booked into a
cerise-and-turquoise juvenile offenders holding room by a
middle-aged policewoman, the phones on the front desk are already
ringing with inquiries from attorneys, fast-food vendors, and a
particularly on-the-ball celebrity magazine that’s been tracking
her father’s connections. “Can you help me get my cat back?” she
asks the policewoman earnestly.
“Name,” the officer reads, eyes flickering from the simultaneous
translation. “To please wax your identity stiffly.”
“My cat has been stolen,” Amber insists.
“Your cat?” The cop looks perplexed, then exasperated. Dealing with
foreign teenagers who answer questions with gibberish isn’t in her
repertoire. “We are asking your name?”
“No,” says Amber. “It’s my cat. It has been stolen. My cat has been
stolen.”
“Aha! Your papers, please?”
“Papers?” Amber is growing increasingly worried. She can’t feel the
outside world; there’s a Faraday cage wrapped around the holding
cell, and it’s claustrophobically quiet inside. “I want my cat!
Now!”
The cop snaps her fingers, then reaches into her own pocket and
produces an ID card, which she points to insistently. “Papers,” she
repeats. “Or else.”
“I don’t know what you’re talking about!” Amber wails.
The cop stares at her oddly. “Wait.” She rises and leaves, and a
minute later, returns with a thin-faced man in a business suit and
wire-rimmed glasses that glow faintly.
“You are making a scene,” he says, rudely and abruptly. “What is
your name? Tell me truthfully, or you’ll spend the night here.”
Amber bursts into tears. “My cat’s been stolen,” she chokes out.
The detective and the cop obviously don’t know how to deal with
this scene; it’s freaking them out, with its overtones of emotional
messiness and sinister diplomatic entanglement. “You wait here,”
they say, and back out of the cell, leaving her alone with a
plastic animatronic koala and a cheap Lebanese coffee machine.
The implications of her loss - of Aineko’s abduction - are sinking
in, finally, and Amber is weeping loudly and hopelessly. It’s hard
to deal with bereavement and betrayal at any age, and the cat has
been her wisecracking companion and consolation for a year, the
rock of certainty that gave her the strength to break free from her
crazy mother. To lose her cat to a body shop in Hong Kong, where
she will probably be cut up for spare circuitry or turned into soup
is too horrible to contemplate. Filled with despair and hopeless
anguish, Amber howls at the interrogation room walls while outside,
trapped threads of her consciousness search for backups to
synchronize with.
But after an hour, just as she’s quieting down into a slough of raw
despair, there’s a knock - a knock! - at the door. An inquisitive
head pops in. “Please to come with us?” It’s the female cop with
the bad translationware. She takes in Amber’s sobbing and tuts
under her breath, but as Amber stands up and shambles toward her,
she pulls back.
At the front desk of a cubicle farm full of police bureaucrats in
various states of telepresence, the detective is waiting with a
damp cardboard box wrapped in twine. “Please identify,” he asks,
snipping the string.
Amber shakes her head, dizzy with the flow of threads homing in to
synchronize their memories with her. “Is it -” she begins to ask as
the lid comes apart, wet pulp disintegrating. A triangular head
pops up, curiously, sniffing the air. Bubbles blow from
brown-furred nostrils. “What took you so long?” asks the cat, as
she reaches into the box and picks her up, fur wet and matted with
seawater.
*
“If you want me to go fix your alien, for starters I want you to give
me reality alteration privileges,” says Amber. “Then I want you to
find the latest instances of everyone who came here with me - round up
the usual suspects - and give them root privileges, too. Then we’ll
want access to the other embedded universes in the DMZ. Finally, I
want guns. Lots of guns.”
“That may be difficult,” says the ghost. “Many other humans reached
halting state long since. Is at
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