The Astronomy of Milton's 'Paradise Lost', Thomas Nathaniel Orchard [best selling autobiographies .TXT] 📗
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It would be reasonable to imagine that Milton’s knowledge of astronomy was comprehensive and accurate, and superior to that possessed by most scientific men of his age. His scholarly attainments, his familiarity with ancient history and philosophy, his profound learning, and the universality of his general knowledge, would lead one to conclude that the science which treats of the mechanism of the heavens, and especially the observational part of it—which at all times has been a source of inspiration to poets of every degree of excellence—was to him a study of absorbing interest, and one calculated to make a deep impression upon his devoutly poetical mind. The serious character of Milton’s verse, and the reverent manner in which celestial incidents and objects are described in it, impress one with the belief that his contemplation of the heavens, and of the orbs that roll and shine in the firmament overhead, afforded him much enjoyment and meditative delight. For no poet, in ancient or in modern times, has introduced into his writings with such frequency, or with such pleasing effect, so many passages descriptive of the beauty and grandeur of the heavens. No other poet, by the creative effort of his imagination, has soared to such a height; nor has he ever been excelled in his descriptions of the celestial orbs, and of the beautiful phenomena associated with their different motions.
In his minor poems, which were composed during his residence at Horton, a charming rural retreat in Buckinghamshire, where the freshness and varied beauty of the landscape and the attractive aspects of the midnight sky were ever before him, we find enchanting descriptions of celestial objects, and especially of those orbs which, by their brilliancy and lustre, have always commanded the admiration of mankind.
For example, in ‘L’Allegro’ there are the following lines:—
Where the great Sun begins his state,
Robed in flames and amber light,
The clouds in thousand liveries dight;
and in ‘Il Penseroso’—
Riding near her highest noon,
Like one that had been led astray
Through the heaven’s wide pathless way,
And oft as if her head she bowed,
Stooping through a fleecy cloud.
In the happy choice of his theme, and by the comprehensive manner in which he has treated it, Milton has been enabled by his poetic genius to give to the world in his ‘Paradise Lost’ a poem which, for sublimity of thought, loftiness of imagination, and beauty of expression in metrical verse, is unsurpassed in any language.
It is, however, our intention to deal only with those passages in the poem in which allusion is made to the heavenly bodies, and to incidents and occurrences associated with astronomical phenomena. In the exposition and illustration of these it has been considered desirable to adopt the following general classification:—
1. To ascertain the extent of Milton’s astronomical knowledge.
2. To describe the starry heavens and the celestial objects mentioned in ‘Paradise Lost.’
3. To exemplify the use which Milton has made of astronomy in the exercise of his imaginative and descriptive powers.
In the earlier half of the seventeenth century the Ptolemaic theory—by which it was believed that the Earth was the immovable centre of the universe, and that round it all the heavenly bodies completed a diurnal revolution—still retained its ascendency over the minds of men of learning and science, and all the doctrines associated with this ancient astronomical creed were still religiously upheld by the educated classes among the peoples inhabiting the different civilised regions of the globe. The Copernican theory—by which the Sun is assigned the central position in our system, with the Earth and planets revolving in orbits round him—obtained the support of a few persons of advanced views and high scientific attainments, but its doctrines had not yet seriously threatened the supremacy of the older system. Though upwards of one hundred years had elapsed since the death of Copernicus, yet the doctrines associated with the system of which he was the founder were but very tardily adopted up to this time. There were several reasons which accounted for this. The Copernican system was at first imperfect in its details, and included several of the Ptolemaic, doctrines which rendered it less intelligible, and retarded its acceptance by persons who would otherwise have been inclined to adopt it. Copernicus believed that the planets travelled round the Sun in circular paths. This necessitated the retention of cycles and epicycles, which gave rise to much confusion; nor was it until Kepler made his great discovery of the ellipticity of the planetary orbits that they were eliminated from the system.
As the Ptolemaic system of the universe held complete sway over the minds of men for upwards of twenty centuries, it was difficult to persuade many persons to renounce the astronomical beliefs to which they were so firmly attached, in favour of those of any other system; so that the overthrow of this venerable theory required a lengthened period of time for its accomplishment.
It was thus in his earlier years, when Milton devoted his time to the study of literature and philosophy, which he read extensively when pursuing his academic career at Christ’s College, Cambridge, and afterwards at Horton, where he spent several years in acquiring a more proficient knowledge of the literary, scientific, and philosophical writings of the age, that he found the beliefs associated with the Ptolemaic theory adopted without doubt or hesitation by the numerous authors whose works he perused. His knowledge of Italian enabled him to become familiar with Dante—one of his favourite authors, whose poetical writings were deeply read by him, and who, in the elaboration of his poem, the ‘Divina Commedia,’ included the entire Ptolemaic cosmology.
In England the Copernican theory had few supporters, and the majority of those who represented the intellect and learning of the country still retained their adherence to the old form of astronomical belief. We therefore find that Milton followed the traditional way of thinking by adopting the views associated with the Ptolemaic theory.
According to the Ptolemaic system, the Earth was regarded as the immovable centre of the universe, and surrounding it were ten crystalline spheres, or heavens, arranged in concentric circles, the larger spheres enclosing the smaller ones; and within those was situated the cosmos, or mundane universe, usually described as ‘the Heavens and the Earth.’ To each of the first seven spheres there was attached a heavenly body, which was carried round the Earth by the revolution of the crystalline.
1st sphere: that of the Moon.
2nd sphere: that of the planet Mercury.
3rd sphere: that of the planet Venus.
4th sphere: that of the Sun; regarded as a planet.
5th sphere: that of the planet Mars.
6th sphere: that of the planet Jupiter.
7th sphere: that of the planet Saturn.
8th sphere: that of the fixed stars.
The eighth sphere included all the fixed stars, and was called the firmament, because it was believed to impart steadiness to the inner spheres, and, by its diurnal revolution, to carry them round the Earth, causing the change of day and night.
The separate motions of the spheres, revolving with different velocities, and at different angles to each other, accounted for the astronomical phenomena associated with the orbs attached to each. According to Ptolemy’s scheme, the eighth sphere formed the outermost boundary of the universe; but later astronomers added to this system two other spheres—a ninth, called the Crystalline, which caused Precession of the Equinoxes; and a tenth, called the Primum Mobile, or First Moved, which brought about the alternation of day and night, by carrying all the other spheres round the Earth once in every twenty-four hours. The Primum Mobile enclosed, as if in a shell, all the other spheres, in which was included the created universe, and, although of vast dimensions, its conception did not overwhelm the mind in the same manner that the effort to comprehend infinitude does.
Beyond this last sphere there was believed to exist a boundless, uncircumscribed region, of immeasurable extent, called the Empyrean, or Heaven of Heavens, the incorruptible abode of the Deity, the place of eternal mysteries, which the comprehension of man was unable to fathom, and of which it was impossible for his mind to form any conception. Such were the imaginative beliefs upon which this ancient astronomical theory was founded, that for a period of upwards of two thousand years held undisputed sway over the minds of men, and exercised during that time a predominating influence upon the imagination, thoughts, and conceptions of all those who devoted themselves to literature, science, and art. Of the truthfulness of this assertion there is ample evidence in the poetical, philosophical, and historical writings of ancient authors, whose ideas and conceptions regarding the created universe were limited and circumscribed by this form of astronomical belief. In the works of more recent writers we find that it continued to assert its influence; and among our English poets, from Chaucer down to Shakespeare, there are numerous references to the natural phenomena associated with this system, and most frequently expressed by poetical allusions to ‘the music of the spheres.’
The ideas associated with the Ptolemaic theory were gratifying to the pride and vanity of man, who could regard with complacency the paramount importance of the globe which he inhabited, and of which he was the absolute ruler, fixed in the centre of the universe, and surrounded by ten revolving spheres, that carried along with them in their circuit all other celestial bodies—Sun, Moon, and stars, which would appear to have been created for his delectation, and for the purpose of ministering to his requirements. But when the Copernican theory became better understood, and especially after the discovery of the law of universal gravitation, this venerable system of the universe, based upon a pile of unreasonable and false hypotheses, after an existence of over twenty centuries, sank into oblivion, and was no more heard of.
Milton’s Ptolemaism is apparent in some of his shorter pieces, and also in his minor poems, ‘Arcades’ and ‘Comus.’ His ‘Ode on the Nativity’ is written in conformity with this belief, and the expression,
indicates a poetical allusion to this theory. But as Milton grew older his Ptolemaism became greatly modified, and there are good reasons for believing that in his latter years he renounced it entirely in favour of Copernicanism. When on his continental tour in 1638, he made the acquaintance of eminent men who held views different from those with which he was familiar; and in his interview with Galileo at Arcetri, the aged astronomer may have impressed upon his mind the superiority of the Copernican theory, in accounting for the occurrence of celestial phenomena, as compared with the Ptolemaic.
On his return to England from the Continent, Milton took up his residence in London, and lived in apartments in a house in St. Bride’s Churchyard. Having no regular vocation, and not wishing to be dependent upon his father, he undertook the education of his two nephews, John and Edward Phillips, aged nine and ten years respectively. From St. Bride’s Churchyard he removed to a larger house in Aldersgate, where he received as pupils the sons of some of his most intimate acquaintances. In the list of subjects which Milton selected for the purpose of imparting instruction to those youths he included astronomy and mathematics, which formed part of the curriculum of this educational establishment. The text-book from
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