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come apart from it, nor can the wires be removed from the rings. The general puzzle is to detach the loop completely from all the rings, and then to put them all on again.

Now, it will be seen at a glance that the first ring (to the right) can be taken off at any time by sliding it over the end and dropping it through the loop; or it may be put on by reversing the operation. With this exception, the only ring that can ever be removed is the one that happens to be a contiguous second on the loop at the right-hand end. Thus, with all the rings on, the second can be dropped at once; with the first ring down, you cannot drop the second, but may remove the third; with the first three rings down, you cannot drop the fourth, but may remove the fifth; and so on. It will be found that the first and second rings can be dropped together or put on together; but to prevent confusion we will throughout disallow this exceptional double move, and say that only one ring may be put on or removed at a time.

We can thus take off one ring in 1 move; two rings in 2 moves; three rings in 5 moves; four rings in 10 moves; five rings in 21 moves; and if we keep on doubling (and adding one where the number of rings is odd) we may easily ascertain the number of moves for completely removing any number of rings. To get off all the seven rings requires 85 moves. Let us look at the five moves made in removing the first three rings, the circles above the line standing for rings on the loop and those under for rings off the loop.

Drop the first ring; drop the third; put up the first; drop the second; and drop the first—5 moves, as shown clearly in the diagrams. The dark circles show at each stage, from the starting position to the finish, which rings it is possible to drop. After move 2 it will be noticed that no ring can be dropped until one has been put on, because the first and second rings from the right now on the loop are not together. After the fifth move, if we wish to remove all seven rings we must now drop the fifth. But before we can then remove the fourth it is necessary to put on the first three and remove the first two. We shall then have 7, 6, 4, 3 on the loop, and may therefore drop the fourth. When we have put on 2 and 1 and removed 3, 2, 1, we may drop the seventh ring. The next operation then will be to get 6, 5, 4, 3, 2, 1 on the loop and remove 4, 3, 2, 1, when 6 will come off; then get 5, 4, 3, 2, 1 on the loop, and remove 3, 2, 1, when 5 will come off; then get 4, 3, 2, 1 on the loop and remove 2, 1, when 4 will come off; then get 3, 2, 1 on the loop and remove 1, when 3 will come off; then get 2, 1 on the loop, when 2 will come off; and 1 will fall through on the 85th move, leaving the loop quite free. The reader should now be able to understand the puzzle, whether or not he has it in his hand in a practical form.

The particular problem I propose is simply this. Suppose there are altogether fourteen rings on the tiring-irons, and we proceed to take them all off in the correct way so as not to waste any moves. What will be the position of the rings after the 9,999th move has been made?

418.—SUCH A GETTING UPSTAIRS.

In a suburban villa there is a small staircase with eight steps, not counting the landing. The little puzzle with which Tommy Smart perplexed his family is this. You are required to start from the bottom and land twice on the floor above (stopping there at the finish), having returned once to the ground floor. But you must be careful to use every tread the same number of times. In how few steps can you make the ascent? It seems a very simple matter, but it is more than likely that at your first attempt you will make a great many more steps than are necessary. Of course you must not go more than one riser at a time.

Tommy knows the trick, and has shown it to his father, who professes to have a contempt for such things; but when the children are in bed the pater will often take friends out into the hall and enjoy a good laugh at their bewilderment. And yet it is all so very simple when you know how it is done.

419.—THE FIVE PENNIES.

Here is a really hard puzzle, and yet its conditions are so absurdly simple. Every reader knows how to place four pennies so that they are equidistant from each other. All you have to do is to arrange three of them flat on the table so that they touch one another in the form of a triangle, and lay the fourth penny on top in the centre. Then, as every penny touches every other penny, they are all at equal distances from one another. Now try to do the same thing with five pennies—place them so that every penny shall touch every other penny—and you will find it a different matter altogether.

420.—THE INDUSTRIOUS BOOKWORM.

Our friend Professor Rackbrane is seen in the illustration to be propounding another of his little posers. He is explaining that since he last had occasion to take down those three volumes of a learned book from their place on his shelves a bookworm has actually bored a hole straight through from the first page to the last. He says that the leaves are together three inches thick in each volume, and that every cover is exactly one-eighth of an inch thick, and he asks how long a tunnel had the industrious worm to bore in preparing his new tube railway. Can you tell him?

421.—A CHAIN PUZZLE.

This is a puzzle based on a pretty little idea first dealt with by the late Mr. Sam Loyd. A man had nine pieces of chain, as shown in the illustration. He wanted to join these fifty links into one endless chain. It will cost a penny to open any link and twopence to weld a link together again, but he could buy a new endless chain of the same character and quality for 2s. 2d. What was the cheapest course for him to adopt? Unless the reader is cunning he may find himself a good way out in his answer.

422.—THE SABBATH PUZZLE.

I have come across the following little poser in an old book. I wonder how many readers will see the author's intended solution to the riddle.

Christians the week's first day for Sabbath hold;
The Jews the seventh, as they did of old;
The Turks the sixth, as we have oft been told.
How can these three, in the same place and day,
Have each his own true Sabbath? tell, I pray.

423.—THE RUBY BROOCH.

The annals of Scotland Yard contain some remarkable cases of jewel robberies, but one of the most perplexing was the theft of Lady Littlewood's rubies. There have, of course, been many greater robberies in point of value, but few so artfully conceived. Lady Littlewood, of Romley Manor, had a beautiful but rather eccentric heirloom in the form of a ruby brooch. While staying at her town house early in the eighties she took the jewel to a shop in Brompton for some slight repairs.

"A fine collection of rubies, madam," said the shopkeeper, to whom her ladyship was a stranger.

"Yes," she replied; "but curiously enough I have never actually counted them. My mother once pointed out to me that if you start from the centre and count up one line, along the outside and down the next line, there are always eight rubies. So I should always know if a stone were missing."

Six months later a brother of Lady Littlewood's, who had returned from his regiment in India, noticed that his sister was wearing the ruby brooch one night at a county ball, and on their return home asked to look at it more closely. He immediately detected the fact that four of the stones were gone.

"How can that possibly be?" said Lady Littlewood. "If you count up one line from the centre, along the edge, and down the next line, in any direction, there are always eight stones. This was always so and is so now. How, therefore, would it be possible to remove a stone without my detecting it?"

"Nothing could be simpler," replied the brother. "I know the brooch well. It originally contained forty-five stones, and there are now only forty-one. Somebody has stolen four rubies, and then reset as small a number of the others as possible in such a way that there shall always be eight in any of the directions you have mentioned."

There was not the slightest doubt that the Brompton jeweller was the thief, and the matter was placed in the hands of the police. But the man was wanted for other robberies, and had left the neighbourhood some time before. To this day he has never been found.

The interesting little point that at first baffled the police, and which forms the subject of our puzzle, is this: How were the forty-five rubies originally arranged on the brooch? The illustration shows exactly how the forty-one were arranged after it came back from the jeweller; but although they count eight correctly in any of the directions mentioned, there are four stones missing.

424.—THE DOVETAILED BLOCK.

Here is a curious mechanical puzzle that was given to me some years ago, but I cannot say who first invented it. It consists of two solid blocks of wood securely dovetailed together. On the other two vertical sides that are not visible the appearance is precisely the same as on those shown. How were the pieces put together? When I published this little puzzle in a London newspaper I received (though they were unsolicited) quite a stack of models, in oak, in teak, in mahogany, rosewood, satinwood, elm, and deal; some half a foot in length, and others varying in size right down to a delicate little model about half an inch square. It seemed to create considerable interest.

425.—JACK AND THE BEANSTALK.

The illustration, by a British artist, is a sketch of Jack climbing the beanstalk. Now, the artist has made a serious blunder in this drawing. Can you find out what it is?

426.—THE HYMN-BOARD POSER.

The worthy vicar of Chumpley St. Winifred is in great distress. A little church difficulty has arisen that all the combined intelligence of the parish seems unable to surmount. What this difficulty is I will state hereafter, but it may add to the interest of the problem if I first give a short account of the curious position that has been brought about. It all has to do with the church hymn-boards, the plates of which have become so damaged that they have ceased to fulfil the purpose for which they were devised. A generous parishioner has promised to pay for a new set

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