Ghost Stories of an Antiquary, Montague Rhodes James [acx book reading .TXT] 📗
- Author: Montague Rhodes James
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The inn where the English gentleman and his servant were lodged is, or was, the only 'possible' one in the village. Mr Gregory was taken to it at once by his driver, and found Mr Brown waiting at the door. Mr Brown, a model when in his Berkshire home of the impassive whiskered race who are known as confidential valets, was now egregiously out of his element, in a light tweed suit, anxious, almost irritable, and plainly anything but master of the situation. His relief at the sight of the 'honest British face' of his Rector was unmeasured, but words to describe it were denied him. He could only say:
'Well, I ham pleased, I'm sure, sir, to see you. And so I'm sure, sir, will master.'
'How is your master, Brown?' Mr Gregory eagerly put in.
'I think he's better, sir, thank you; but he's had a dreadful time of it. I 'ope he's gettin' some sleep now, but--'
'What has been the matter--I couldn't make out from your letter? Was it an accident of any kind?'
'Well, sir, I 'ardly know whether I'd better speak about it. Master was very partickler he should be the one to tell you. But there's no bones broke--that's one thing I'm sure we ought to be thankful--'
'What does the doctor say?' asked Mr Gregory.
They were by this time outside Mr Somerton's bedroom door, and speaking in low tones. Mr Gregory, who happened to be in front, was feeling for the handle, and chanced to run his fingers over the panels. Before Brown could answer, there was a terrible cry from within the room.
'In God's name, who is that?' were the first words they heard. 'Brown, is it?'
'Yes, sir--me, sir, and Mr Gregory,' Brown hastened to answer, and there was an audible groan of relief in reply.
They entered the room, which was darkened against the afternoon sun, and Mr Gregory saw, with a shock of pity, how drawn, how damp with drops of fear, was the usually calm face of his friend, who, sitting up in the curtained bed, stretched out a shaking hand to welcome him.
'Better for seeing you, my dear Gregory,' was the reply to the Rector's first question, and it was palpably true.
After five minutes of conversation Mr Somerton was more his own man, Brown afterwards reported, than he had been for days. He was able to eat a more than respectable dinner, and talked confidently of being fit to stand a journey to Coblenz within twenty-four hours.
'But there's one thing,' he said, with a return of agitation which Mr Gregory did not like to see, 'which I must beg you to do for me, my dear Gregory. Don't,' he went on, laying his hand on Gregory's to forestall any interruption--'don't ask me what it is, or why I want it done. I'm not up to explaining it yet; it would throw me back--undo all the good you have done me by coming. The only word I will say about it is that you run no risk whatever by doing it, and that Brown can and will show you tomorrow what it is. It's merely to put back--to keep--something--No; I can't speak of it yet. Do you mind calling Brown?'
'Well, Somerton,' said Mr Gregory, as he crossed the room to the door. 'I won't ask for any explanations till you see fit to give them. And if this bit of business is as easy as you represent it to be, I will very gladly undertake it for you the first thing in the morning.'
'Ah, I was sure you would, my dear Gregory; I was certain I could rely on you. I shall owe you more thanks than I can tell. Now, here is Brown. Brown, one word with you.'
'Shall I go?' interjected Mr Gregory.
'Not at all. Dear me, no. Brown, the first thing tomorrow morning--(you don't mind early hours, I know, Gregory)--you must take the Rector to--_there_, you know' (a nod from Brown, who looked grave and anxious), 'and he and you will put that back. You needn't be in the least alarmed; it's _perfectly_ safe in the daytime. You know what I mean. It lies on the step, you know, where--where we put it.' (Brown swallowed dryly once or twice, and, failing to speak, bowed.) 'And--yes, that's all. Only this one other word, my dear Gregory. If you _can_ manage to keep from questioning Brown about this matter, I shall be still more bound to you. Tomorrow evening, at latest, if all goes well, I shall be able, I believe, to tell you the whole story from start to finish. And now I'll wish you good night. Brown will be with me--he sleeps here--and if I were you, I should lock my door. Yes, be particular to do that. They--they like it, the people here, and it's better. Good night, good night.'
They parted upon this, and if Mr Gregory woke once or twice in the small hours and fancied he heard a fumbling about the lower part of his locked door, it was, perhaps, no more than what a quiet man, suddenly plunged into a strange bed and the heart of a mystery, might reasonably expect. Certainly he thought, to the end of his days, that he had heard such a sound twice or three times between midnight and dawn.
He was up with the sun, and out in company with Brown soon after. Perplexing as was the service he had been asked to perform for Mr Somerton, it was not a difficult or an alarming one, and within half an hour from his leaving the inn it was over. What it was I shall not as yet divulge.
Later in the morning Mr Somerton, now almost himself again, was able to make a start from Steinfeld; and that same evening, whether at Coblenz or at some intermediate stage on the journey I am not certain, he settled down to the promised explanation. Brown was present, but how much of the matter was ever really made plain to his comprehension he would never say, and I am unable to conjecture.
III
This was Mr Somerton's story:
'You know roughly, both of you, that this expedition of mine was undertaken with the object of tracing something in connexion with some old painted glass in Lord D----'s private chapel. Well, the starting-point of the whole matter lies in this passage from an old printed book, to which I will ask your attention.'
And at this point Mr Somerton went carefully over some ground with which we are already familiar.
'On my second visit to the chapel,' he went on, 'my purpose was to take every note I could of figures, lettering, diamond-scratchings on the glass, and even apparently accidental markings. The first point which I tackled was that of the inscribed scrolls. I could not doubt that the first of these, that of Job--"There is a place for the gold where it is hidden"--with its intentional alteration, must refer to the treasure; so I applied myself with some confidence to the next, that of St John--"They have on their vestures a writing which no man knoweth." The natural question will have occurred to you: Was there an inscription on the robes of the figures? I could see none; each of the three had a broad black border to his mantle, which made a conspicuous and rather ugly feature in the window. I was nonplussed, I will own, and, but for a curious bit of luck, I think I should have left the search where the Canons of Steinfeld had left it before me. But it so happened that there was a good deal of dust on the surface of the glass, and Lord D----, happening to come in, noticed my blackened hands, and kindly insisted on sending for a Turk's head broom to clean down the window. There must, I suppose, have been a rough piece in the broom; anyhow, as it passed over the border of one of the mantles, I noticed that it left a long scratch, and that some yellow stain instantly showed up. I asked the man to stop his work for a moment, and ran up the ladder to examine the place. The yellow stain was there, sure enough, and what had come away was a thick black pigment, which had evidently been laid on with the brush after the glass had been burnt, and could therefore be easily scraped off without doing any harm. I scraped, accordingly, and you will hardly believe--no, I do you an injustice; you will have guessed already--that I found under this black pigment two or three clearly-formed capital letters in yellow stain on a clear ground. Of course, I could hardly contain my delight.
'I told Lord D---- that I had detected an inscription which I thought might be very interesting, and begged to be allowed to uncover the whole of it. He made no difficulty about it whatever, told me to do exactly as I pleased, and then, having an engagement, was obliged--rather to my relief, I must say--to leave me. I set to work at once, and found the task a fairly easy one. The pigment, disintegrated, of course, by time, came off almost at a touch, and I don't think that it took me a couple of hours, all told, to clean the whole of the black borders in all three lights. Each of the figures had, as the inscription said, "a writing on their vestures which nobody knew".
'This discovery, of course, made it absolutely certain to my mind that I was on the right track. And, now, what was the inscription? While I was cleaning the glass I almost took pains not to read the lettering, saving up the treat until I had got the whole thing clear. And when that was done, my dear Gregory, I assure you I could almost have cried from sheer disappointment. What I read was only the most hopeless jumble of letters that was ever shaken up in a hat. Here it is:
_Job_. DREVICIOPEDMOOMSMVIVLISLCAV IBASBATAOVT
_St John_. RDIIEAMRLESIPVSPODSEEIRSETTA AESGIAVNNR
_Zechariah_. FTEEAILNQDPVAIVMTLEEATTOHIOO NVMCAAT.H.Q.E.
'Blank as I felt and must have looked for the first few minutes, my disappointment didn't last long. I realized almost at once that I was dealing with a cipher or cryptogram; and I reflected that it was likely to be of a pretty simple kind, considering its early date. So I copied the letters with the most anxious care. Another little point, I may tell you, turned up in the process which confirmed my belief in the cipher. After copying the letters on Job's robe I counted them, to make sure that I had them right. There were thirty-eight; and, just as I finished going through them, my eye fell on a scratching made with a sharp point on the edge of the border. It was simply the number xxxviii in Roman numerals. To cut the matter short, there was a similar note, as I may call it, in each of the other lights; and that made it plain to me that the glass-painter had had very strict orders from Abbot Thomas about the inscription and had taken pains to get it correct.
'Well, after that discovery you may imagine how minutely I went over the whole surface of the glass
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