The Bridal March, Bjørnstjerne Bjørnson [primary phonics books TXT] 📗

little daughter. The children that were dead were boys, and this made them not care so much for a girl. Besides they did not know if they were to be allowed to keep her. But the health and happiness that the mother had enjoyed up to the time of the death of the last little boy, had benefited this child, who soon showed herself to be a bright little girl, with her mother's pretty face. The two lonely people again felt the temptation to be hopeful and happy in their child; but the fateful two years were not over, and they dared not. As the time drew near, they felt as if they had only been allowed a respite.

Knut and Astrid kept a good deal to themselves. The way in which the young people had taken things did not allow of much sympathy or consolation being offered them. Besides, Knut was too lively and worldly-minded to sit long in a house of mourning or to be always coming in upon a prayer meeting. He moved to a small farm that he had bought and let, but now took back into his own hands. There he arranged everything so comfortably and nicely for his dear Astrid, that people whose intention it was to go to Tingvold, rather stayed and laughed with him than went on to cry with his children.

One day when Astrid was in her daughter-in-law's house, she noticed how little Mildrid went about quite alone; it seemed as if her mother hardly dared to touch her. When the father came in, she saw the same mournful sort of reserve towards his own, only child. She concealed her thoughts, but when she got home to her own dear Knut, she told him how things stood at Tingvold, and added: "Our place is there now. Little Mildrid needs some one that dares to love her; pretty, sweet little child that she is!" Knut was infected by her eagerness, and the two old people packed up and went home.

Mildrid was now much with her grandparents, and they taught her parents to love her. When she was five years old her mother had another daughter, who was called Beret; and after this Mildrid lived almost altogether with the old people. The anxious parents began once more to feel as if there might yet be pleasure for them in life, and a change in the popular feeling towards them helped them.

After the loss of the second child, though there were often the traces of tears on their faces, no one had ever seen them weep--their grief was silent. There was no changing of servants at Tingvold, that was one result of the peaceful, God-fearing life there; nothing but praise of master and mistress was ever heard. They themselves knew this, and it gave them a feeling of comfort and security. Relations and friends began to visit them again; and went on doing so, even though the Tingvold people made no return.

But they had not been at church since their wedding-day! They partook of the Communion at home, and held worship there. But when the second girl was born, they were so desirous to be her godparents themselves that they made up their minds to venture. They stood together at their children's graves; they passed Ole Haugen's without word or movement; the whole congregation showed them respect. But they continued to keep themselves very much to themselves, and a pious peace rested over their house.

One day in her grandmother's house little Mildrid was heard singing the Bridal March. Old Astrid stopped her work in a fright, and asked her where in the world she had learned that. The child answered: "From you, grandmother." Knut, who was sitting in the house, laughed heartily, for he knew that Astrid had a habit of humming it when she sat at work. But they both said to little Mildrid that she must never sing it when her parents were within hearing. Like a child, she asked "Why?" But to this question she got no answer. One evening she heard the new herd-boy singing it as he was cutting wood. She told her grandmother, who had heard it too. All grandmother said was: "He'll not grow old here!"--and sure enough he had to go next day. No reason was given; he got his wages and was sent about his business. Mildrid was so excited about this, that grandmother had to try to tell her the story of the Bridal March. The little eight year old girl understood it well enough, and what she did not understand then became clear to her later. It had an influence on her child-life, and especially on her conduct towards her parents, that nothing else had or could have had.

She had always noticed that they liked quietness. It was no hardship to her to please them in this; they were so gentle, and talked so much and so sweetly to her of the children's great Friend in heaven, that it cast a sort of charm over the whole house. The story of the Bridal March affected her deeply, and gave her an understanding of all that they had gone through. She carefully avoided recalling to them any painful memories, and showed them the tenderest affection, sharing with them their love of God, their truthfulness, their quietness, their industry. And she taught Beret to do the same.

In their grandfather's house the life that had to be suppressed at home got leave to expand. Here there was singing and dancing and play and story-telling. So the sisters' young days passed between devotion to their melancholy parents in the quiet house, and the glad life they were allowed to take part in at their grandfather's. The families lived in perfect understanding. It was the parents who told them to go to the old people and enjoy themselves, and the old people who told them to go back again, "and be sure to be good girls."

When a girl between the age of twelve and sixteen takes a sister between seven and eleven into her full confidence, the confidence is rewarded by great devotion. But the little one is apt to become too old for her years. This happened with Beret, while Mildrid only gained by being forbearing and kind and sympathetic--and she made her parents and grandparents happy.

There is no more to tell till Mildrid was in her fifteenth year; then old Knut died, suddenly and easily. There seemed almost no time between the day when he sat joking in the chimney-corner and the day when he lay in his coffin.

After this, grandmother's greatest pleasure was to have Mildrid sitting on a stool at her feet, as she had done ever since she was a little child, and to tell her stories about Knut, or else to get her to hum the Bridal March. As Astrid sat listening to it, she saw Knut's handsome dark head as she used to see it in her young days; she followed him out to the mountain-side, where he blew the March on his herd-boy's horn, she drove to church by his side--all his brightness and cleverness lived again for her!

But in Mildrid's soul a new feeling began to stir. Whilst she sat and sang for grandmother, she asked herself: "Will it ever be played for me?" The thought grew upon her, the March spoke to her of such radiant happiness. She saw a bride's crown glittering in its sunshine, and a long, bright future beyond that. Sixteen--and she asked herself: "Shall I, shall I ever have some one sitting beside me, with the Bridal March shining in his eyes? Only think, if father and mother were one day to drive with me in such a procession, with the people greeting us on every side, on to the house where mother was jeered at that day, past Ole Haugen's flower-covered grave, up to the altar, in a glory of happiness! Think what it would be if I could give father and mother that consolation!" And the child's heart swelled, imagining all this to herself, swelled with pride and with devotion to those dear parents who had suffered so much.

These were the first thoughts that she did not confide to Beret. Soon there were more. Beret, who was now eleven, noticed that she was left more to herself, but did not understand that she was being gradually shut out from Mildrid's confidence, till she saw another taken into her place. This was Inga, from the neighbouring farm, a girl of eighteen, their own cousin, newly betrothed. When Mildrid and Inga walked about in the fields, whispering and laughing, with their arms round each other, as girls love to go, poor Beret would throw herself down and cry with jealousy.

The time came on for Mildrid to be confirmed; she made acquaintance with other young people of her own age, and some of them began to come up to Tingvold on Sundays. Mildrid saw them either out of doors or in her grandmother's room. Tingvold had always been a forbidden, and consequently mysteriously attractive place to the young people. But even now, only those with a certain quietness and seriousness of disposition went there, for it could not be denied that there was something subdued about Mildrid, that did not attract every one.

At this particular time there was a great deal of music and singing among the youth of the district. For some reason or other there are such periods, and these periods have their leaders. One of the leaders now was, curiously enough, again of the race of Haugen.

Amongst a people where once on a time, even though it were hundreds of years ago, almost every man and woman sought and found expression for their intensest feelings and experiences in song, and were able themselves to make the verses that gave them relief--amongst such a people the art can never quite die out. Here and there, even though it does not make itself heard, it must exist, ready on occasion to be awakened to new life. But in this district songs had been made and sung from time immemorial. It was by no mere chance that Ole Haugen was born here, and here became what he was. Now it was his grandson in whom the gift had reappeared.

Ole's son had been so much younger than the daughter who had married into the Tingvold family, that the latter, already a married woman, had stood godmother to her little brother. After a life full of changes, this son, as an old man, had come into possession of his father's home and little bit of land far up on the mountain-side; and, strangely enough, not till then did he marry. He had several children, among them a boy called Hans, who seemed to have inherited his grandfather's gifts--not exactly in the way of fiddle-playing, though he did play--but he sang the old songs beautifully and made new ones himself. People's appreciation of his songs was not a little added to by the fact that so few knew himself; there were not many that had even seen him. His old father had been a hunter, and while the boys were quite small, the old man took them out to the hillside and taught them to load and aim a gun. They always remembered how pleased he was when they were able to earn enough with their shooting to pay for their own powder and shot. He did not live long after this, and soon after his death their mother died too, and the children were left to take care of themselves, which they managed to do. The boys hunted and the girls looked after the little hill farm. People turned to look at them when