A Summer Evening's Dream, Edward Bellamy [the lemonade war series txt] 📗

/> "See whom?" she asked, frightened at his strange tone.

"Why, see us, of course, as I was telling you," he whispered,--"you and me as we were young,--see them as I see you now. Don't you remember it was just along here that we used to walk on spring evenings? We walk here no more, but they do evermore, beautiful, beautiful children. I come here often to lie in wait for them. I can feel them now; I can almost, almost see them." His whisper became scarcely audible and the words dropped slowly. "I know the sight is coming, for every day they grow more vivid. It can't be long before I quite see them. It may come at any moment."

Miss Rood was thoroughly frightened at the intensity of his excitement, and terribly perplexed as to what she should do.

"It may come at any time; I can almost see them now," he murmured. "A--h! look!" With parted lips and unspeakably intense eyes, as if his life were flowing out at them, he was staring across the moonlit paths before them to the point where the path debouched from the shadow.

Following his eyes, she saw what for a moment made her head swim with the thought that she too was going mad. Just issuing from the shadows, as if in answer to his words, were a young man and a girl, his arm upon her waist, his eyes upon her face. At the first glance Miss Rood was impressed with a resemblance to her own features in those of the girl, which her excitement exaggerated to a perfect reproduction of them. For an instant the conviction possessed her that by some impossible, indescribable, inconceivable miracle she was looking upon the resurrected figures of her girlish self and her lover.

At first Mr. Morgan had half started from his seat, and was between rising and sitting. Then he rose with a slow, involuntary movement, while his face worked terribly between bewilderment and abandonment to illusion. He tottered forward a few steps to the edge of the moonlight, and stood peering at the approaching couple with a hand raised to shade his eyes and a dazed, unearthly smile on his face. The girl saw him first, for she had been gazing demurely before her, while her lover looked only at her. At sight of the gray-haired man suddenly confronting them with a look of bedlam, she shrieked and started back in terror. Miss Rood, recalled to her senses, sprang forward, and catching Mr. Morgan's arm endeavored with gentle force to draw him away.

But it was too late for that. The young man, at first almost as much startled as his companion at the uncanny apparition, naturally experienced a revulsion of indignation at such an extraordinary interruption to his tete-a-tete, and stepped up to Mr. Morgan as if about to inflict summary chastisement. But perceiving that he had to do with an elderly man, he contented himself with demanding in a decidedly aggressive tone what the devil he meant by such a performance.

Mr. Morgan stared at him without seeing him, and evidently did not take in the words. He merely gasped once or twice, and looked as if he had fainted away on his feet. His blank, stunned expression showed that his faculties were momentarily benumbed by the shock. Miss Rood felt as if she should die for the pity of it as she looked at his face, and her heart was breaking for grief as she sought to mollify the young man with some inarticulate words of apology, meanwhile still endeavoring to draw Mr. Morgan away. But at this moment the girl, recovering from her panic, came up to the group and laid her hand on the young man's arm, as if to check and silence him. It was evident that she saw there was something quite unusual in the circumstances, and the look which she bent upon Mr. Morgan was one of sympathy and considerate interrogation. But Miss Rood could see no way out of their awkward situation, which grew more intolerable every moment as they thus confronted each other. It was finally Mr. Morgan's voice, quite firm, but with an indescribable sadness in the tones, which broke the silence: "Young people, I owe you an apology, such as it is. I am an old man, and the past is growing so heavy that it sometimes quite overbalances me. My thoughts have been busy to-night with the days of my youth, and the spell of memory has been so strong that I have not been quite myself. As you came into view I actually entertained the incredible idea for a moment that somehow I saw in you the materialized memories of myself and another as we once walked this same path."

The young man bowed, as Mr. Morgan ended, in a manner indicating his acceptance of the apology, although he looked both amazed and amused. But the explanation had a very different effect upon the girl at his side. As she listened, her eyes had filled with tears, and her face had taken on a wonderfully tender, pitiful smile. When he ended speaking, she impulsively said, "I 'm so sorry we were not what you thought us! Why not pretend we are, to-night at least? We can pretend it, you know. The moonlight makes anything possible;" and then glancing at Miss Rood, she added, as if almost frightened, "Why, how much we look alike! I 'm not sure it isn't true, anyway."

This was, in fact, an unusually marked example of those casual resemblances between strangers which are sometimes seen. The hair of the one was indeed gray and that of the other dark, but the eyes were of the same color by night, and the features, except for the greater fullness of the younger face, were cast in the same mould, while figure and bearing were strikingly similar, although daylight would doubtless have revealed diversities, enough that moonlight refused to disclose.

The two women looked at each other with an expression almost of suspicion and fear, while the young man observed, "Your mistake was certainly excusable, sir."

"It will be the easier to pretend," said the girl, as with a half-serious, half-sportive imperiousness she laid her hand on Mr. Morgan's arm. "And now it is thirty years ago, and we are walking together." He involuntarily obeyed the slight pressure, and they walked slowly away, leaving the other two, after an embarrassed pause, to follow them.

For some time they walked in silence. He was deliberately abandoning himself to the illusion, supported as it was by the evidence of his senses, that he was wandering in some of the mysterious be-tween-worlds which he had so often dreamed of, with the love of his youth in her youth-time charm. Did he really believe it to be so? Belief is a term quite irrelevant to such a frame as his, in which the reflective and analytical powers are for a time purposely held in abeyance. The circumstances of her introduction to him had dropped from his mind as irrelevant accidents, like the absurdities which occur in our sweetest and most solemn dreams without marring their general impression in our memories. Every glance he threw upon his companion, while on the one hand it shocked his illusion in that she seemed not likely to vanish away, on the other strengthened it with an indescribable thrill by the revelation of some fresh trait of face or figure, some new expression, that reproduced the Miss Rood of his youth. Not, indeed, that it is likely his companion was thus perfectly the double of that lady, although so much resembling her, but the common graces of maidenhood were in Mr. Morgan's mind the peculiar personal qualities of the only woman he had ever much known.

Of his own accord he would not have dared to risk breaking the charm by a word. But his companion--who, as is tolerably evident by this time, was Mabel French--had meanwhile formed a scheme quite worthy of her audacious temper. She had at once recognized both Mr. Morgan and Miss Rood, and had gone thus far from a mere romantic impulse, without definite intentions of any sort. But the idea now came into her head that she might take advantage of this extraordinary situation to try a match-making experiment, which instantly captivated her fancy. So she said, while ever so gently pressing his arm and looking up into his face with an arch smile (she was recognized as the best amateur actress in her set at home), "I wonder if the moon will be so mellow after we are married?"

His illusion was rudely disturbed by the shock of an articulate voice, softly and low as she spoke, and he looked around with a startled expression that made her fear her role was ended. But she could not know that the eyes she turned to his were mirrors where he saw his dead youth. The two Miss Roods--the girl and the woman, the past and the present--were fused and become one in his mind. Their identity flashed upon him.

An artesian well sunk from the desert surface through the underlying strata, the layers of ages, strikes some lake long ago covered over, and the water welling up converts the upper waste into a garden. Just so at her words and her look his heart suddenly filled, as if it came from afar, with the youthful passion he had felt toward Miss Bood, but which, he knew not exactly when or how, had been gradually overgrown with the dullness of familiarity and had lapsed into an indolent affectionate habit. The warm, voluptuous pulse of this new feeling--new, and yet instantly recognized as old--brought with it a flood of youthful associations, and commingled the far past with the present in a confusion more complete and more intoxicating than ever. He saw double again. "Married!" he murmured dreamily. "Yes, surely, we will be married."

And as he spoke, he looked at her with such a peculiar expression that she was a little frightened. It looked like a more serious business than she had counted on, and for a moment, if she could have cut and run, perhaps she would have done so. But she had a strain of the true histrionic artist about her, and with a little effort rose to the difficulty of the role. "Of course we will be married," she replied, with an air of innocent surprise. "You speak as if you had just thought of it."

He turned toward her as if he would sober his senses by staring at her, his pupils dilating and contracting in the instinctive effort to clear the mind by clearing the eyes.

But with a steady pressure on his arm she compelled him to walk on by her side. Then she said, in a soft, low voice, as if a little awed by what she were telling, while at the same time she nestled nearer his side, "I had such a sad dream last night, and your strange talk reminds me of it. It seemed as if we were old and white-haired and stooping, and went wandering about, still together, but not married, lonely and broken. And I woke up feeling you can't think how dreary and sad,-- as if a bell had tolled in my ears as I slept; and the feeling was so strong that I put my fingers to my face to find if it was withered; and when I could not tell certainly, I got up and lit my lamp and looked in the glass; and my face, thank God! was fresh and young; but I sat on my bed and cried to think of the poor old people I had left behind in my dream."

Mabel had so