Best Russian Short Stories, - [top 10 non fiction books of all time .TXT] 📗
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The bride was also good-looking; she was a tall, dark-eyed, dark-haired girl, somewhat timid but very tactful. He was not after her dowry, though it pleased him to know that she had something. He had connexions, and his wife came of good, influential people. This might, at the proper opportunity, prove useful. Always irreproachable and tactful, Nesletyev got on in his position not so fast that any one should envy him, nor yet so slow that he should envy any one else—everything came in the proper measure and at the proper time.
After their marriage there was nothing in the manner of Sergey Modestovich to suggest anything wrong to his wife. Later, however, when his wife was about to have a child, Sergey Modestovich established connexions elsewhere of a light and temporary nature. Serafima Aleksandrovna found this out, and, to her own astonishment, was not particularly hurt; she awaited her infant with a restless anticipation that swallowed every other feeling.
A little girl was born; Serafima Aleksandrovna gave herself up to her. At the beginning she used to tell her husband, with rapture, of all the joyous details of Lelechka’s existence. But she soon found that he listened to her without the slightest interest, and only from the habit of politeness. Serafima Aleksandrovna drifted farther and farther away from him. She loved her little girl with the ungratified passion that other women, deceived in their husbands, show their chance young lovers.
“Mamochka, let’s play priatki” (hide and seek), cried Lelechka, pronouncing the r like the l, so that the word sounded “pliatki.”
This charming inability to speak always made Serafima Aleksandrovna smile with tender rapture. Lelechka then ran away, stamping with her plump little legs over the carpets, and hid herself behind the curtains near her bed.
“Tiu-tiu, mamochka!” she cried out in her sweet, laughing voice, as she looked out with a single roguish eye.
“Where is my baby girl?” the mother asked, as she looked for Lelechka and made believe that she did not see her.
And Lelechka poured out her rippling laughter in her hiding place. Then she came out a little farther, and her mother, as though she had only just caught sight of her, seized her by her little shoulders and exclaimed joyously: “Here she is, my Lelechka!”
Lelechka laughed long and merrily, her head close to her mother’s knees, and all of her cuddled up between her mother’s white hands. Her mother’s eyes glowed with passionate emotion.
“Now, mamochka, you hide,” said Lelechka, as she ceased laughing.
Her mother went to hide. Lelechka turned away as though not to see, but watched her mamochka stealthily all the time. Mamma hid behind the cupboard, and exclaimed: “Tiu-tiu, baby girl!”
Lelechka ran round the room and looked into all the corners, making believe, as her mother had done before, that she was seeking—though she really knew all the time where her mamochka was standing.
“Where’s my mamochka?” asked Lelechka. “She’s not here, and she’s not here,” she kept on repeating, as she ran from corner to corner.
Her mother stood, with suppressed breathing, her head pressed against the wall, her hair somewhat disarranged. A smile of absolute bliss played on her red lips.
The nurse, Fedosya, a good-natured and fine-looking, if somewhat stupid woman, smiled as she looked at her mistress with her characteristic expression, which seemed to say that it was not for her to object to gentlewomen’s caprices. She thought to herself: “The mother is like a little child herself—look how excited she is.”
Lelechka was getting nearer her mother’s corner. Her mother was growing more absorbed every moment by her interest in the game; her heart beat with short quick strokes, and she pressed even closer to the wall, disarranging her hair still more. Lelechka suddenly glanced toward her mother’s corner and screamed with joy.
“I’ve found ‘oo,” she cried out loudly and joyously, mispronouncing her words in a way that again made her mother happy.
She pulled her mother by her hands to the middle of the room, they were merry and they laughed; and Lelechka again hid her head against her mother’s knees, and went on lisping and lisping, without end, her sweet little words, so fascinating yet so awkward.
Sergey Modestovich was coming at this moment toward the nursery. Through the half-closed doors he heard the laughter, the joyous outcries, the sound of romping. He entered the nursery, smiling his genial cold smile; he was irreproachably dressed, and he looked fresh and erect, and he spread round him an atmosphere of cleanliness, freshness and coldness. He entered in the midst of the lively game, and he confused them all by his radiant coldness. Even Fedosya felt abashed, now for her mistress, now for herself. Serafima Aleksandrovna at once became calm and apparently cold—and this mood communicated itself to the little girl, who ceased to laugh, but looked instead, silently and intently, at her father.
Sergey Modestovich gave a swift glance round the room. He liked coming here, where everything was beautifully arranged; this was done by Serafima Aleksandrovna, who wished to surround her little girl, from her very infancy, only with the loveliest things. Serafima Aleksandrovna dressed herself tastefully; this, too, she did for Lelechka, with the same end in view. One thing Sergey Modestovich had not become reconciled to, and this was his wife’s almost continuous presence in the nursery.
“It’s just as I thought... I knew that I’d find you here,” he said with a derisive and condescending smile.
They left the nursery together. As he followed his wife through the door Sergey Modestovich said rather indifferently, in an incidental way, laying no stress on his words: “Don’t you think that it would be well for the little girl if she were sometimes without your company? Merely, you see, that the child should feel its own individuality,” he explained in answer to Serafima Aleksandrovna’s puzzled glance.
“She’s still so little,” said Serafima Aleksandrovna.
“In any case, this is but my humble opinion. I don’t insist. It’s your kingdom there.”
“I’ll think it over,” his wife answered, smiling, as he did, coldly but genially.
Then they began to talk of something else.
IINurse Fedosya, sitting in the kitchen that evening, was telling the silent housemaid Darya and the talkative old cook Agathya about the young lady of the house, and how the child loved to play priatki with her mother—“She hides her little face, and cries ‘tiutiu’!”
“And the mistress herself is like a little one,” added Fedosya, smiling.
Agathya listened and shook her head ominously; while her face became grave and reproachful.
“That the mistress does it, well, that’s one thing; but that the young lady does it, that’s bad.”
“Why?” asked Fedosya with curiosity.
This expression of curiosity gave her face the look of a wooden, roughly-painted doll.
“Yes, that’s bad,” repeated Agathya with conviction. “Terribly bad!”
“Well?” said Fedosya, the ludicrous expression of curiosity on her face becoming more emphatic.
“She’ll hide, and hide, and hide away,” said Agathya, in a mysterious whisper, as she looked cautiously toward the door.
“What are you saying?” exclaimed Fedosya, frightened.
“It’s the truth I’m saying, remember my words,” Agathya went on with the same assurance and secrecy. “It’s the surest sign.”
The old woman had invented this sign, quite suddenly, herself; and she was evidently very proud of it.
IIILelechka was asleep, and Serafima Aleksandrovna was sitting in her own room, thinking with joy and tenderness of Lelechka. Lelechka was in her thoughts, first a sweet, tiny girl, then a sweet, big girl, then again a delightful little girl; and so until the end she remained mamma’s little Lelechka.
Serafima Aleksandrovna did not even notice that Fedosya came up to her and paused before her. Fedosya had a worried, frightened look.
“Madam, madam,” she said quietly, in a trembling voice.
Serafima Aleksandrovna gave a start. Fedosya’s face made her anxious.
“What is it, Fedosya?” she asked with great concern. “Is there anything wrong with Lelechka?”
“No, madam,” said Fedosya, as she gesticulated with her hands to reassure her mistress and to make her sit down. “Lelechka is asleep, may God be with her! Only I’d like to say something—you see—Lelechka is always hiding herself—that’s not good.”
Fedosya looked at her mistress with fixed eyes, which had grown round from fright.
“Why not good?” asked Serafima Aleksandrovna, with vexation, succumbing involuntarily to vague fears.
“I can’t tell you how bad it is,” said Fedosya, and her face expressed the most decided confidence.
“Please speak in a sensible way,” observed Serafima Aleksandrovna dryly. “I understand nothing of what you are saying.”
“You see, madam, it’s a kind of omen,” explained Fedosya abruptly, in a shamefaced way.
“Nonsense!” said Serafima Aleksandrovna.
She did not wish to hear any further as to the sort of omen it was, and what it foreboded. But, somehow, a sense of fear and of sadness crept into her mood, and it was humiliating to feel that an absurd tale should disturb her beloved fancies, and should agitate her so deeply.
“Of course I know that gentlefolk don’t believe in omens, but it’s a bad omen, madam,” Fedosya went on in a doleful voice, “the young lady will hide, and hide...”
Suddenly she burst into tears, sobbing out loudly: “She’ll hide, and hide, and hide away, angelic little soul, in a damp grave,” she continued, as she wiped her tears with her apron and blew her nose.
“Who told you all this?” asked Serafima Aleksandrovna in an austere low voice.
“Agathya says so, madam,” answered Fedosya; “it’s she that knows.”
“Knows!” exclaimed Serafima Aleksandrovna in irritation, as though she wished to protect herself somehow from this sudden anxiety. “What nonsense! Please don’t come to me with any such notions in the future. Now you may go.”
Fedosya, dejected, her feelings hurt, left her mistress.
“What nonsense! As though Lelechka could die!” thought Serafima Aleksandrovna to herself, trying to conquer the feeling of coldness and fear which took possession, of her at the thought of the possible death of Lelechka. Serafima Aleksandrovna, upon reflection, attributed these women’s beliefs in omens to ignorance. She saw clearly that there could be no possible connexion between a child’s quite ordinary diversion and the continuation of the child’s life. She made a special effort that evening to occupy her mind with other matters, but her thoughts returned involuntarily to the fact that Lelechka loved to hide herself.
When Lelechka was still quite small, and had learned to distinguish between her mother and her nurse, she sometimes, sitting in her nurse’s arms, made a sudden roguish grimace, and hid her laughing face in the nurse’s shoulder. Then she would look out with a sly glance.
Of late, in those rare moments of the mistress’ absence from the nursery, Fedosya had again taught Lelechka to hide; and when Lelechka’s mother, on coming in, saw how lovely the child looked when she was hiding, she herself began to play hide and seek with her tiny daughter.
IVThe next day Serafima Aleksandrovna, absorbed in her joyous cares for Lelechka, had forgotten Fedosya’s words of the day before.
But when she returned to the nursery, after having ordered the dinner, and she heard Lelechka suddenly cry “Tiu-tiu!” from under the table, a feeling of fear suddenly took hold of her. Though she reproached herself at once for this unfounded, superstitious dread, nevertheless she could not enter wholeheartedly into the spirit of Lelechka’s favourite game, and she tried to divert Lelechka’s attention to something else.
Lelechka was a lovely and obedient child. She eagerly complied with her mother’s new wishes. But as she had got into the habit of hiding from her mother in some corner, and of crying out “Tiu-tiu!” so even that day she returned more than once to the game.
Serafima Aleksandrovna tried desperately to amuse Lelechka. This was not so easy because restless, threatening thoughts obtruded themselves constantly.
“Why does Lelechka keep on recalling the tiu-tiu? Why does she not get tired of the same thing—of eternally closing her eyes, and of hiding her face? Perhaps,” thought Serafima Aleksandrovna, “she is not as strongly drawn to the world as other children,
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