Reprinted Pieces, Charles Dickens [good short books .TXT] 📗

in infancy - make the old Farm House a phenomenon, and connect themselves with the so curiously misplaced picture of the pretty mother and child long after we have left it, - long after we have left, besides, the neighbouring nook with something of a rustic flavour in it yet, where once, beneath a low wooden colonnade still standing as of yore, the eminent Jack Sheppard condescended to regale himself, and where, now, two old bachelor brothers in broad hats (who are whispered in the Mint to have made a compact long ago that if either should ever marry, he must forfeit his share of the joint property) still keep a sequestered tavern, and sit o' nights smoking pipes in the bar, among ancient bottles and glasses, as our eyes behold them.

How goes the night now? Saint George of Southwark answers with twelve blows upon his bell. Parker, good night, for Williams is already waiting over in the region of Ratcliffe Highway, to show the houses where the sailors dance.

I should like to know where Inspector Field was born. In Ratcliffe Highway, I would have answered with confidence, but for his being equally at home wherever we go. HE does not trouble his head as I do, about the river at night. HE does not care for its creeping, black and silent, on our right there, rushing through sluice-gates, lapping at piles and posts and iron rings, hiding strange things in its mud, running away with suicides and accidentally drowned bodies faster than midnight funeral should, and acquiring such various experience between its cradle and its grave. It has no mystery for HIM. Is there not the Thames Police!

Accordingly, Williams leads the way. We are a little late, for some of the houses are already closing. No matter. You show us plenty. All the landlords know Inspector Field. All pass him, freely and good-humouredly, wheresoever he wants to go. So thoroughly are all these houses open to him and our local guide, that, granting that sailors must be entertained in their own way - as I suppose they must, and have a right to be - I hardly know how such places could be better regulated. Not that I call the company very select, or the dancing very graceful - even so graceful as that of the German Sugar Bakers, whose assembly, by the Minories, we stopped to visit - but there is watchful maintenance of order in every house, and swift expulsion where need is. Even in the midst of drunkenness, both of the lethargic kind and the lively, there is sharp landlord supervision, and pockets are in less peril than out of doors. These houses show, singularly, how much of the picturesque and romantic there truly is in the sailor, requiring to be especially addressed. All the songs (sung in a hailstorm of halfpence, which are pitched at the singer without the least tenderness for the time or tune - mostly from great rolls of copper carried for the purpose - and which he occasionally dodges like shot as they fly near his head) are of the sentimental sea sort. All the rooms are decorated with nautical subjects. Wrecks, engagements, ships on fire, ships passing lighthouses on iron-bound coasts, ships blowing up, ships going down, ships running ashore, men lying out upon the main-yard in a gale of wind, sailors and ships in every variety of peril, constitute the illustrations of fact. Nothing can be done in the fanciful way, without a thumping boy upon a scaly dolphin.

How goes the night now? Past one. Black and Green are waiting in Whitechapel to unveil the mysteries of Wentworth Street. Williams, the best of friends must part. Adieu!

Are not Black and Green ready at the appointed place? O yes! They glide out of shadow as we stop. Imperturbable Black opens the cab- door; Imperturbable Green takes a mental note of the driver. Both Green and Black then open each his flaming eye, and marshal us the way that we are going.

The lodging-house we want is hidden in a maze of streets and courts. It is fast shut. We knock at the door, and stand hushed looking up for a light at one or other of the begrimed old lattice windows in its ugly front, when another constable comes up - supposes that we want 'to see the school.' Detective Sergeant meanwhile has got over a rail, opened a gate, dropped down an area, overcome some other little obstacles, and tapped at a window. Now returns. The landlord will send a deputy immediately.

Deputy is heard to stumble out of bed. Deputy lights a candle, draws back a bolt or two, and appears at the door. Deputy is a shivering shirt and trousers by no means clean, a yawning face, a shock head much confused externally and internally. We want to look for some one. You may go up with the light, and take 'em all, if you like, says Deputy, resigning it, and sitting down upon a bench in the kitchen with his ten fingers sleepily twisting in his hair.

Halloa here! Now then! Show yourselves. That'll do. It's not you. Don't disturb yourself any more! So on, through a labyrinth of airless rooms, each man responding, like a wild beast, to the keeper who has tamed him, and who goes into his cage. What, you haven't found him, then? says Deputy, when we came down. A woman mysteriously sitting up all night in the dark by the smouldering ashes of the kitchen fire, says it's only tramps and cadgers here; it's gonophs over the way. A man mysteriously walking about the kitchen all night in the dark, bids her hold her tongue. We come out. Deputy fastens the door and goes to bed again.

Black and Green, you know Bark, lodging-house keeper and receiver of stolen goods? - O yes, Inspector Field. - Go to Bark's next.

Bark sleeps in an inner wooden hutch, near his street door. As we parley on the step with Bark's Deputy, Bark growls in his bed. We enter, and Bark flies out of bed. Bark is a red villain and a wrathful, with a sanguine throat that looks very much as if it were expressly made for hanging, as he stretches it out, in pale defiance, over the half-door of his hutch. Bark's parts of speech are of an awful sort - principally adjectives. I won't, says Bark, have no adjective police and adjective strangers in my adjective premises! I won't, by adjective and substantive! Give me my trousers, and I'll send the whole adjective police to adjective and substantive! Give me, says Bark, my adjective trousers! I'll put an adjective knife in the whole bileing of 'em. I'll punch their adjective heads. I'll rip up their adjective substantives. Give me my adjective trousers! says Bark, and I'll spile the bileing of 'em!

Now, Bark, what's the use of this? Here's Black and Green, Detective Sergeant, and Inspector Field. You know we will come in. - I know you won't! says Bark. Somebody give me my adjective trousers! Bark's trousers seem difficult to find. He calls for them as Hercules might for his club. Give me my adjective trousers! says Bark, and I'll spile the bileing of 'em!

Inspector Field holds that it's all one whether Bark likes the visit or don't like it. He, Inspector Field, is an Inspector of the Detective Police, Detective Sergeant IS Detective Sergeant, Black and Green are constables in uniform. Don't you be a fool, Bark, or you know it will be the worse for you. - I don't care, says Bark. Give me my adjective trousers!

At two o'clock in the morning, we descend into Bark's low kitchen, leaving Bark to foam at the mouth above, and Imperturbable Black and Green to look at him. Bark's kitchen is crammed full of thieves, holding a CONVERSAZIONE there by lamp-light. It is by far the most dangerous assembly we have seen yet. Stimulated by the ravings of Bark, above, their looks are sullen, but not a man speaks. We ascend again. Bark has got his trousers, and is in a state of madness in the passage with his back against a door that shuts off the upper staircase. We observe, in other respects, a ferocious individuality in Bark. Instead of 'STOP THIEF!' on his linen, he prints 'STOLEN FROM Bark's!'

Now, Bark, we are going up-stairs! - No, you ain't! - YOU refuse admission to the Police, do you, Bark? - Yes, I do! I refuse it to all the adjective police, and to all the adjective substantives. If the adjective coves in the kitchen was men, they'd come up now, and do for you! Shut me that there door! says Bark, and suddenly we are enclosed in the passage. They'd come up and do for you! cries Bark, and waits. Not a sound in the kitchen! They'd come up and do for you! cries Bark again, and waits. Not a sound in the kitchen! We are shut up, half-a-dozen of us, in Bark's house in the innermost recesses of the worst part of London, in the dead of the night - the house is crammed with notorious robbers and ruffians - and not a man stirs. No, Bark. They know the weight of the law, and they know Inspector Field and Co. too well.

We leave bully Bark to subside at leisure out of his passion and his trousers, and, I dare say, to be inconveniently reminded of this little brush before long. Black and Green do ordinary duty here, and look serious.

As to White, who waits on Holborn Hill to show the courts that are eaten out of Rotten Gray's Inn, Lane, where other lodging-houses are, and where (in one blind alley) the Thieves' Kitchen and Seminary for the teaching of the art to children is, the night has so worn away, being now almost at odds with morning, which is which, that they are quiet, and no light shines through the chinks in the shutters. As undistinctive Death will come here, one day, sleep comes now. The wicked cease from troubling sometimes, even in this life.


DOWN WITH THE TIDE


A VERY dark night it was, and bitter cold; the east wind blowing bleak, and bringing with it stinging particles from marsh, and moor, and fen - from the Great Desert and Old Egypt, may be. Some of the component parts of the sharp-edged vapour that came flying up the Thames at London might be mummy-dust, dry atoms from the Temple at Jerusalem, camels' foot-prints, crocodiles' hatching- places, loosened grains of expression from the visages of blunt- nosed sphynxes, waifs and strays from caravans of turbaned merchants, vegetation from jungles, frozen snow from the Himalayas. O! It was very, very dark upon the Thames, and it was bitter, bitter cold.

'And yet,' said the voice within the great pea-coat at my side, 'you'll have seen a good many rivers, too, I dare say?'

'Truly,' said I, 'when I come to think of it, not a few. From the Niagara, downward to the mountain rivers of Italy, which are like the national spirit - very tame, or chafing suddenly and bursting bounds, only to dwindle away again.