Reginald, Hector Hugh Munro (Saki) [best novel books to read .TXT] 📗

any moment; it's like a grouse-moor or the opium-habit - once you start it you've got to keep it up."

"Their eldest son was such a disappointment to them; they wanted him to be a linguist, and spent no end of money on having him taught to speak - oh, dozens of languages! - and then he became a Trappist monk. And the youngest, who was intended for the American marriage market, has developed political tendencies, and writes pamphlets about the housing of the poor. Of course it's a most important question, and I devote a good deal of time to it myself in the mornings; but, as Laura Whimple says, it's as well to have an establishment of one's own before agitating about other people's. She feels it very keenly, but she always maintains a cheerful appetite, which I think is so unselfish of her."

"There are different ways of taking disappointment. There was a girl I knew who nursed a wealthy uncle through a long illness, borne by her with Christian fortitude, and then he died and left his money to a swine-fever hospital. She found she'd about cleared stock in fortitude by that time, and now she gives drawing-room recitations. That's what I call being vindictive."

"Life is full of its disappointments," observed the Duchess, "and I suppose the art of being happy is to disguise them as illusions. But that, my dear Reginald, becomes more difficult as one grows older."

"I think it's more generally practised than you imagine. The young have aspirations that never come to pass, the old have reminiscences of what never happened. It's only the middle-aged who are really conscious of their limitations - that is why one should be so patient with them. But one never is."

"After all," said the Duchess, "the disillusions of life may depend on our way of assessing it. In the minds of those who come after us we may be remembered for qualities and successes which we quite left out of the reckoning."

"It's not always safe to depend on the commemorative tendencies of those who come after us. There may have been disillusionments in the lives of the mediaeval saints, but they would scarcely have been better pleased if they could have foreseen that their names would be associated nowadays chiefly with racehorses and the cheaper clarets. And now, if you can tear yourself away from the salted almonds, we'll go and have coffee under the palms that are so necessary for our discomfort."


REGINALD ON BESETTING SINS: THE WOMAN WHO TOLD THE TRUTH


There was once (said Reginald) a woman who told the truth. Not all at once, of course, but the habit grew upon her gradually, like lichen on an apparently healthy tree. She had no children - otherwise it might have been different. It began with little things, for no particular reason except that her life was a rather empty one, and it is so easy to slip into the habit of telling the truth in little matters. And then it became difficult to draw the line at more important things, until at last she took to telling the truth about her age; she said she was forty-two and five months - by that time, you see, she was veracious even to months. It may have been pleasing to the angels, but her elder sister was not gratified. On the Woman's birthday, instead of the opera-tickets which she had hoped for, her sister gave her a view of Jerusalem from the Mount of Olives, which is not quite the same thing. The revenge of an elder sister may be long in coming, but, like a South-Eastern express, it arrives in its own good time.

The friends of the Woman tried to dissuade her from over-indulgence in the practice, but she said she was wedded to the truth; whereupon it was remarked that it was scarcely logical to be so much together in public. (No really provident woman lunches regularly with her husband if she wishes to burst upon him as a revelation at dinner. He must have time to forget; an afternoon is not enough.) And after a while her friends began to thin out in patches. Her passion for the truth was not compatible with a large visiting-list. For instance, she told Miriam Klopstock
exactly how she looked at the Ilexes' ball. Certainly Miriam had asked for her candid opinion, but the Woman prayed in church every Sunday for peace in our time, and it was not consistent.

It was unfortunate, everyone agreed, that she had no family; with a child or two in the house, there is an unconscious check upon too free an indulgence in the truth. Children are given us to discourage our better emotions. That is why the stage, with all its efforts, can never be as artificial as life; even in an Ibsen drama one must reveal to the audience things that one would suppress before the children or servants.

Fate may have ordained the truth-telling from the commencement and should justly bear some of the blame; but in having no children the Woman was guilty, at least, of contributory negligence.

Little by little she felt she was becoming a slave to what had once been merely an idle propensity; and one day she knew. Every woman tells ninety per cent. of the truth to her dressmaker; the other ten per cent. is the irreducible minimum of deception beyond which no self-respecting client trespasses. Madame Draga's establishment was a meeting-ground for naked truths and over-dressed fictions, and it was here, the Woman felt, that she might make a final effort to recall the artless mendacity of past days. Madame herself was in an inspiring mood, with the air of a sphinx who knew all things and preferred to forget most of them. As a War Minister she might have been celebrated, but she was content to be merely rich.

"If I take it in here, and - Miss Howard, one moment, if you please - and there, and round like this - so - I really think you will find it quite easy."

The Woman hesitated; it seemed to require such a small effort to simply acquiesce in Madame's views. But habit had become too strong. "I'm afraid," she faltered, "it's just the least little bit in the world too" -

And by that least little bit she measured the deeps and eternities of her thraldom to fact. Madame was not best pleased at being contradicted on a professional matter, and when Madame lost her temper you usually found it afterwards in the bill.

And at last the dreadful thing came, as the Woman had foreseen all along that it must; it was one of those paltry little truths with which she harried her waking hours. On a raw Wednesday morning, in a few ill-chosen words, she told the cook that she drank. She remembered the scene afterwards as vividly as though it had been painted in her mind by Abbey. The cook was a good cook, as cooks go; and as cooks go she went.

Miriam Klopstock came to lunch the next day. Women and elephants never forget an injury.


REGINALD'S DRAMA


Reginald closed his eyes with the elaborate weariness of one who has rather nice eyelashes and thinks it useless to conceal the fact.

"One of these days," he said, "I shall write a really great drama. No one will understand the drift of it, but everyone will go back to their homes with a vague feeling of dissatisfaction with their lives and surroundings. Then they will put up new wall-papers and forget."

"But how about those that have oak panelling all over the house?" said the Other.

"They can always put down new stair-carpets," pursued Reginald, "and, anyhow, I'm not responsible for the audience having a happy ending. The play would be quite sufficient strain on one's energies. I should get a bishop to say it was immoral and beautiful - no dramatist has thought of that before, and everyone would come to condemn the bishop, and they would stay on out of sheer nervousness. After all, it requires a great deal of moral courage to leave in a marked manner in the middle of the second act, when your carriage isn't ordered till twelve. And it would commence with wolves worrying something on a lonely waste - you wouldn't see them, of course; but you would hear them snarling and scrunching, and I should arrange to have a wolfy fragrance suggested across the footlights. It would look so well on the programmes, 'Wolves in the first act, by Jamrach.' And old Lady Whortleberry, who never misses a first night, would scream. She's always been nervous since she lost her first husband. He died quite abruptly while watching a county cricket match; two and a half inches of rain had fallen for seven runs, and it was supposed that the excitement killed him. Anyhow, it gave her quite a shock; it was the first husband she'd lost, you know, and now she always screams if anything thrilling happens too soon after dinner. And after the audience had heard the Whortleberry scream the thing would be fairly launched."

"And the plot?"

"The plot," said Reginald, "would be one of those little everyday tragedies that one sees going on all round one. In my mind's eye there is the case of the Mudge-Jervises, which in an unpretentious way has quite an Enoch Arden intensity underlying it. They'd only been married some eighteen months or so, and circumstances had prevented their seeing much of each other. With him there was always a foursome or something that had to be played and replayed in different parts of the country, and she went in for slumming quite as seriously as if it was a sport. With her, I suppose, it was. She belonged to the Guild of the Poor Dear Souls, and they hold the record for having nearly reformed a washerwoman. No one has ever really reformed a washerwoman, and that is why the competition is so keen. You can rescue charwomen by fifties with a little tea and personal magnetism, but with washerwomen it's different; wages are too high. This particular laundress, who came from Bermondsey or some such place, was really rather a hopeful venture, and they thought at last that she might be safely put in the window as a specimen of successful work. So they had her paraded at a drawing-room "At Home" at Agatha Camelford's; it was sheer bad luck that some liqueur chocolates had been turned loose by mistake among the refreshments - really liqueur chocolates, with very little chocolate. And of course the old soul found them out, and cornered the entire stock. It was like finding a whelk- stall in a desert, as she afterwards partially expressed herself. When the liqueurs began to take effect, she started to give them imitations of farmyard animals as they know them in Bermondsey. She began with a dancing bear, and you know Agatha doesn't approve of dancing, except at Buckingham Palace under proper supervision. And then she got up on the piano and gave them an organ monkey; I gather she went in for realism rather than a Maeterlinckian treatment of the subject. Finally, she fell into the piano and said she was a parrot in a cage,