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knew French well enough to talk it—she employed herself in keeping Fanny awake. The rhythm of the train became insistent, and the streaming landscape outside became at last quite painful to the eye. They were already dreadfully tired of travelling before their night's stoppage came.

The stoppage for the night was brightened by the appearance of the young man, and his manners were all that could be desired and his French quite serviceable.

His coupons availed for the same hotel as theirs, and by chance, as it seemed, he sat next Miss Winchelsea at the table d'hôte. In spite of her enthusiasm for Rome, she had thought out some such possibility very thoroughly, and when he ventured to make a remark upon the tediousness of travelling—he let the soup and fish go by before he did this—she did not simply assent to his proposition, but responded with another. They were soon comparing their journeys, and Helen and Fanny were cruelly overlooked in the conversation.. It was to be the same journey, they found; one day for the galleries at Florence—"from what I hear," said the young man, "it is barely enough,"—and the rest at Rome. He talked of Rome very pleasantly; he was evidently quite well read, and he quoted Horace about Soracte. Miss Winchelsea had "done" that book of Horace for her matriculation, and was delighted to cap his quotation. It gave a sort of tone to things, this incident—a touch of refinement to mere chatting. Fanny expressed a few emotions, and Helen interpolated a few sensible remarks, but the bulk of the talk on the girls' side naturally fell to Miss Winchelsea.

Before they reached Rome this young man was tacitly of their party. They did not know his name nor what he was, but it seemed he taught, and Miss Winchelsea had a shrewd idea he was an extension lecturer. At any rate he was something of that sort, something gentlemanly and refined without being opulent and impossible. She tried once or twice to ascertain whether he came from Oxford or Cambridge, but he missed her timid opportunities. She tried to get him to make remarks about those places to see if he would say "come up" to them instead of "go down,"—she knew that was how you told a 'Varsity man. He used the word "'Varsity"—not university—in quite the proper way.

They saw as much of Mr. Ruskin's Florence as the brief time permitted; he met them in the Pitti Gallery and went round with them, chatting brightly, and evidently very grateful for their recognition. He knew a great deal about art, and all four enjoyed the morning immensely. It was fine to go round recognising old favourites and finding new beauties, especially while so many people fumbled helplessly with Baedeker. Nor was he a bit of a prig, Miss Winchelsea said, and indeed she detested prigs. He had a distinct undertone of humour, and was funny, for example, without being vulgar, at the expense of the quaint work of Beato Angelico. He had a grave seriousness beneath it all, and was quick to seize the moral lessons of the pictures. Fanny went softly among these masterpieces; she admitted "she knew so little about them," and she confessed that to her they were "all beautiful." Fanny's "beautiful" inclined to be a little monotonous, Miss Winchelsea thought. She had been quite glad when the last sunny Alp had vanished, because of the staccato of Fanny's admiration. Helen said little, but Miss Winchelsea had found her a trifle wanting on the aesthetic side in the old days and was not surprised; sometimes she laughed at the young man's hesitating, delicate jests and sometimes she didn't, and sometimes she seemed quite lost to the art about them in the contemplation of the dresses of the other visitors.

At Rome the young man was with them intermittently. A rather "touristy"
friend of his took him away at times. He complained comically to Miss
Winchelsea. "I have only two short weeks in Rome," he said, "and my friend
Leonard wants to spend a whole day at Tivoli looking at a waterfall."

"What is your friend Leonard?" asked Miss Winchelsea abruptly.

"He's the most enthusiastic pedestrian I ever met," the young man replied—amusingly, but a little unsatisfactorily, Miss Winchelsea thought.

They had some glorious times, and Fanny could not think what they would have done without him. Miss Winchelsea's interest and Fanny's enormous capacity for admiration were insatiable. They never flagged—through pictures and sculpture galleries, immense crowded churches, ruins and museums, Judas trees and prickly pears, wine carts and palaces, they admired their way unflinchingly. They never saw a stone pine or a eucalyptus but they named and admired it; they never glimpsed Soracte but they exclaimed. Their common ways were made wonderful by imaginative play. "Here Caesar may have walked," they would say. "Raphael may have seen Soracte from this very point." They happened on the tomb of Bibulus. "Old Bibulus," said the young man. "The oldest monument of Republican Rome!" said Miss Winchelsea.

"I'm dreadfully stupid," said Fanny, "but who was Bibulus?"

There was a curious little pause.

"Wasn't he the person who built the wall?" said Helen.

The young man glanced quickly at her and laughed. "That was Balbus," he said. Helen reddened, but neither he nor Miss Winchelsea threw any light upon Fanny's ignorance about Bibulus.

Helen was more taciturn than the other three, but then she was always taciturn, and usually she took care of the tram tickets and things like that, or kept her eye on them if the young man took them, and told him where they were when he wanted them. Glorious times they had, these young people, in that pale brown cleanly city of memories that was once the world. Their only sorrow was the shortness of the time. They said indeed that the electric trams and the '70 buildings, and that criminal advertisement that glares upon the Forum, outraged their aesthetic feelings unspeakably; but that was only part of the fun. And indeed Rome is such a wonderful place that it made Miss Winchelsea forget some of her most carefully prepared enthusiasms at times, and Helen, taken unawares, would suddenly admit the beauty of unexpected things. Yet Fanny and Helen would have liked a shop window or so in the English quarter if Miss Winchelsea's uncompromising hostility to all other English visitors had not rendered that district impossible.

The intellectual and aesthetic fellowship of Miss Winchelsea and the scholarly young man passed insensibly towards a deeper feeling. The exuberant Fanny did her best to keep pace with their recondite admiration by playing her "beautiful" with vigour, and saying "Oh! let's go," with enormous appetite whenever a new place of interest was mentioned. But Helen developed a certain want of sympathy towards the end that disappointed Miss Winchelsea a little. She refused to see "anything" in the face of Beatrice Cenci—Shelley's Beatrice Cenci!—in the Barberini Gallery; and one day, when they were deploring the electric trams, she said rather snappishly that "people must get about somehow, and it's better than torturing horses up these horrid little hills." She spoke of the Seven Hills of Rome as "horrid little hills "!

And the day they went on the Palatine—though Miss Winchelsea did not know of this—she remarked suddenly to Fanny, "Don't hurry like that, my dear; they don't want us to overtake them. And we don't say the right things for them when we do get near."

"I wasn't trying to overtake them," said Fanny, slackening her excessive pace; "I wasn't indeed." And for a minute she was short of breath.

But Miss Winchelsea had come upon happiness. It was only when she came to look back across an intervening tragedy that she quite realised how happy she had been pacing among the cypress-shadowed ruins, and exchanging the very highest class of information the human mind can possess, the most refined impressions it is possible to convey. Insensibly emotion crept into their intercourse, sunning itself openly and pleasantly at last when Helen's modernity was not too near. Insensibly their interest drifted from the wonderful associations about them to their more intimate and personal feelings. In a tentative way information was supplied; she spoke allusively of her school, of her examination successes, of her gladness that the days of "Cram" were over. He made it quite clear that he also was a teacher. They spoke of the greatness of their calling, of the necessity of sympathy to face its irksome details, of a certain loneliness they sometimes felt.

That was in the Colosseum, and it was as far as they got that day, because Helen returned with Fanny—she had taken her into the upper galleries. Yet the private dreams of Miss Winchelsea, already vivid and concrete enough, became now realistic in the highest degree. She figured that pleasant young man lecturing in the most edifying way to his students, herself modestly prominent as his intellectual mate and helper; she figured a refined little home, with two bureaus, with white shelves of high-class books, and autotypes of the pictures of Rossetti and Burne Jones, with Morris's wall-papers and flowers in pots of beaten copper. Indeed she figured many things. On the Pincio the two had a few precious moments together, while Helen marched Fanny off to see the muro Torto, and he spoke at once plainly. He said he hoped their friendship was only beginning, that he already found her company very precious to him, that indeed it was more than that.

He became nervous, thrusting at his glasses with trembling fingers as though he fancied his emotions made them unstable. "I should of course," he said, "tell you things about myself. I know it is rather unusual my speaking to you like this. Only our meeting has been so accidental—or providential—and I am snatching at things. I came to Rome expecting a lonely tour … and I have been so very happy, so very happy. Quite recently I have found myself in a position—I have dared to think——, And——"

He glanced over his shoulder and stopped. He said "Demn!" quite distinctly—and she did not condemn him for that manly lapse into profanity. She looked and saw his friend Leonard advancing. He drew nearer; he raised his hat to Miss Winchelsea, and his smile was almost a grin. "I've been looking for you everywhere, Snooks," he said. "You promised to be on the Piazza steps half-an-hour ago."

Snooks! The name struck Miss Winchelsea like a blow in the face. She did not hear his reply. She thought afterwards that Leonard must have considered her the vaguest-minded person. To this day she is not sure whether she was introduced to Leonard or not, nor what she said to him. A sort of mental paralysis was upon her. Of all offensive surnames—Snooks!

Helen and Fanny were returning, there were civilities, and the young men were receding. By a great effort she controlled herself to face the inquiring eyes of her friends. All that afternoon she lived the life of a heroine under the indescribable outrage of that name, chatting, observing, with "Snooks" gnawing at her heart. From the moment that it first rang upon her ears, the dream of her happiness was prostrate in the dust. All the refinement she had figured was ruined and defaced by that cognomen's unavoidable vulgarity.

What was that refined little home to her now, spite of autotypes, Morris papers, and bureaus? Athwart it in letters of fire ran an incredible inscription: "Mrs. Snooks." That may seem a little thing to the reader, but consider the delicate refinement of Miss Winchelsea's mind. Be as refined as you can and then think of writing yourself down:—"Snooks." She conceived herself being addressed as Mrs. Snooks by all the people she liked least, conceived the patronymic touched with a vague quality of insult. She figured a card of grey and silver bearing 'Winchelsea' triumphantly effaced by an arrow, Cupid's arrow, in favour of "Snooks." Degrading confession of feminine weakness! She imagined the terrible rejoicings of certain girl friends, of certain grocer cousins from whom her growing refinement had long since estranged her. How they would make it sprawl across the envelope that would bring their sarcastic congratulations. Would even his pleasant company compensate her for that? "It is impossible," she muttered; "impossible! Snooks!"

She was sorry for him, but not so sorry as she was for herself. For him she had a touch of indignation. To be so nice, so refined, while all the time he was "Snooks," to hide under a pretentious gentility of demeanour the badge sinister of his surname seemed a sort of treachery. To put it in the language of sentimental science she felt he had "led her on."

There were, of course, moments of terrible vacillation, a period even when something almost like passion bid her throw refinement to the winds. And there was something in her,

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