The Country of the Blind, H. G. Wells [motivational books to read TXT] 📗

He raised his glass.

"The New Accelerator," I said.

"The New Accelerator," he answered, and we touched glasses and drank, and instantly I closed my eyes.

You know that blank non-existence into which one drops when one has taken "gas." For an indefinite interval it was like that. Then I heard Gibberne telling me to wake up, and I stirred and opened my eyes. There he stood as he had been standing, glass still in hand. It was empty, that was all the difference.

"Well?" said I.

"Nothing out of the way?"

"Nothing. A slight feeling of exhilaration, perhaps. Nothing more."

"Sounds?"

"Things are still," I said. "By Jove! yes! They are still. Except the sort of faint pat, patter, like rain falling on different things. What is it?"

"Analysed sounds," I think he said, but I am not sure. He glanced at the window. "Have you ever seen a curtain before a window fixed in that way before?"

I followed his eyes, and there was the end of the curtain, frozen, as it were, corner high, in the act of flapping briskly in the breeze.

"No," said I; "that's odd."

"And here," he said, and opened the hand that held the glass. Naturally I winced, expecting the glass to smash. But so far from smashing, it did not even seem to stir; it hung in mid-air—motionless. "Roughly speaking," said Gibberne, "an object in these latitudes falls 16 feet in the first second. This glass is falling 16 feet in a second now. Only, you see, it hasn't been falling yet for the hundredth part of a second. That gives you some idea of the pace of my Accelerator."

And he waved his hand round and round, over and under the slowly sinking glass. Finally he took it by the bottom, pulled it down and placed it very carefully on the table. "Eh?" he said to me, and laughed.

"That seems all right," I said, and began very gingerly to raise myself from my chair. I felt perfectly well, very light and comfortable, and quite confident in my mind. I was going fast all over. My heart, for example, was beating a thousand times a second, but that caused me no discomfort at all. I looked out of the window. An immovable cyclist, head down and with a frozen puff of dust behind his driving-wheel, scorched to overtake a galloping char-à-banc that did not stir. I gaped in amazement at this incredible spectacle. "Gibberne," I cried, "how long will this confounded stuff last?"

"Heaven knows!" he answered. "Last time I took it I went to bed and slept it off. I tell you, I was frightened. It must have lasted some minutes, I think—it seemed like hours. But after a bit it slows down rather suddenly, I believe."

I was proud to observe that I did not feel frightened—I suppose because there were two of us. "Why shouldn't we go out?" I asked.

"Why not?"

"They'll see us."

"Not they. Goodness, no! Why, we shall be going a thousand times faster than the quickest conjuring trick that was ever done. Come along! Which way shall we go? Window, or door?"

And out by the window we went.

Assuredly of all the strange experiences that I have ever had, or imagined, or read of other people having or imagining, that little raid I made with Gibberne on the Folkestone Leas, under the influence of the New Accelerator, was the strangest and maddest of all. We went out by his gate into the road, and there we made a minute examination of the statuesque passing traffic. The tops of the wheels and some of the legs of the horses of this char-à-banc, the end of the whip-lash and the lower jaw of the conductor—who was just beginning to yawn—were perceptibly in motion, but all the rest of the lumbering conveyance seemed still. And quite noiseless except for a faint rattling that came from one man's throat. And as parts of this frozen edifice there were a driver, you know, and a conductor, and eleven people! The effect as we walked about the thing began by being madly queer and ended by being—disagreeable. There they were, people like ourselves and yet not like ourselves, frozen in careless attitudes, caught in mid-gesture. A girl and a man smiled at one another, a leering smile that threatened to last for evermore; a woman in a floppy capelline rested her arm on the rail and stared at Gibberne's house with the unwinking stare of eternity; a man stroked his moustache like a figure of wax, and another stretched a tiresome stiff hand with extended fingers towards his loosened hat. We stared at them, we laughed at them, we made faces at them, and then a sort of disgust of them came upon us, and we turned away and walked round in front of the cyclist towards the Leas.

"Goodness!" cried Gibberne, suddenly; "look there!"

He pointed, and there at the tip of his finger and sliding down the air with wings flapping slowly and at the speed of an exceptionally languid snail—was a bee.

And so we came out upon the Leas. There the thing seemed madder than ever. The band was playing in the upper stand, though all the sound it made for us was a low-pitched, wheezy rattle, a sort of prolonged last sigh that passed at times into a sound like the slow, muffled ticking of some monstrous clock. Frozen people stood erect, strange, silent, self-conscious-looking dummies hung unstably in mid-stride, promenading upon the grass. I passed close to a little poodle dog suspended in the act of leaping, and watched the slow movement of his legs as he sank to earth. "Lord, look here!" cried Gibberne, and we halted for a moment before a magnificent person in white faint—striped flannels, white shoes, and a Panama hat, who turned back to wink at two gaily dressed ladies he had passed. A wink, studied with such leisurely deliberation as we could afford, is an unattractive thing. It loses any quality of alert gaiety, and one remarks that the winking eye does not completely close, that under its drooping lid appears the lower edge of an eyeball and a little line of white. "Heaven give me memory," said I, "and I will never wink again."

"Or smile," said Gibberne, with his eye on the lady's answering teeth.

"It's infernally hot, somehow," said I, "Let's go slower."

"Oh, come along!" said Gibberne.

We picked our way among the bath-chairs in the path. Many of the people sitting in the chairs seemed almost natural in their passive poses, but the contorted scarlet of the bandsmen was not a restful thing to see. A purple-faced little gentleman was frozen in the midst of a violent struggle to refold his newspaper against the wind; there were many evidences that all these people in their sluggish way were exposed to a considerable breeze, a breeze that had no existence so far as our sensations went. We came out and walked a little way from the crowd, and turned and regarded it. To see all that multitude changed to a picture, smitten rigid, as it were, into the semblance of realistic wax, was impossibly wonderful. It was absurd, of course; but it filled me with an irrational, an exultant sense of superior advantage. Consider the wonder of it! All that I had said, and thought, and done since the stuff had begun to work in my veins had happened, so far as those people, so far as the world in general went, in the twinkling of an eye. "The New Accelerator——" I began, but Gibberne interrupted me.

"There's that infernal old woman!" he said.

"What old woman?"

"Lives next door to me," said Gibberne. "Has a lapdog that yaps. Gods! The temptation is strong!"

There is something very boyish and impulsive about Gibberne at times. Before I could expostulate with him he had dashed forward, snatched the unfortunate animal out of visible existence, and was running violently with it towards the cliff of the Leas. It was most extraordinary. The little brute, you know, didn't bark or wriggle or make the slightest sign of vitality. It kept quite stiffly in an attitude of somnolent repose, and Gibberne held it by the neck. It was like running about with a dog of wood. "Gibberne," I cried, "put it down!" Then I said something else. "If you run like that, Gibberne," I cried, "you'll set your clothes on fire. Your linen trousers are going brown as it is!"

He clapped his hand on his thigh and stood hesitating on the verge. "Gibberne," I cried, coming up, "put it down. This heat is too much! It's our running so! Two or three miles a second! Friction of the air!"

"What?" he said, glancing at the dog.

"Friction of the air," I shouted. "Friction of the air. Going too fast.
Like meteorites and things. Too hot. And, Gibberne! Gibberne! I'm all over
pricking and a sort of perspiration. You can see people stirring slightly.
I believe the stuff's working off! Put that dog down."

"Eh?" he said.

"It's working off," I repeated. "We're too hot and the stuff's working off! I'm wet through."

He stared at me, then at the band, the wheezy rattle of whose performance was certainly going faster. Then with a tremendous sweep of the arm he hurled the dog away from him and it went spinning upward, still inanimate, and hung at last over the grouped parasols of a knot of chattering people. Gibberne was gripping my elbow. "By Jove!" he cried, "I believe it is! A sort of hot pricking and—yes. That man's moving his pocket-handkerchief! Perceptibly. We must get out of this sharp."

But we could not get out of it sharply enough. Luckily, perhaps! For we might have run, and if we had run we should, I believe, have burst into flames. Almost certainly we should have burst into flames! You know we had neither of us thought of that… But before we could even begin to run the action of the drug had ceased. It was the business of a minute fraction of a second. The effect of the New Accelerator passed like the drawing of a curtain, vanished in the movement of a hand. I heard Gibberne's voice in infinite alarm. "Sit down," he said, and flop, down upon the turf at the edge of the Leas I sat—scorching as I sat. There is a patch of burnt grass there still where I sat down. The whole stagnation seemed to wake up as I did so, the disarticulated vibration of the band rushed together into a blast of music, the promenaders put their feet down and walked their ways, the papers and flags began flapping, smiles passed into words, the winker finished his wink and went on his way complacently, and all the seated people moved and spoke.

The whole world had come alive again, was going as fast as we were, or rather we were going no faster than the rest of the world. It was like slowing down as one comes into a railway station. Everything seemed to spin round for a second or two, I had the most transient feeling of nausea, and that was all. And the little dog, which had seemed to hang for a moment when the force of Gibberne's arm was expended, fell with a swift acceleration clean through a lady's parasol!

That was the saving of us. Unless it was for one corpulent old gentleman in a bath-chair, who certainly did start at the sight of us, and afterwards regarded us at intervals with a darkly suspicious eye, and, finally, I believe, said something to his nurse about us, I doubt if a solitary person remarked our sudden appearance among them. Plop! We must have appeared abruptly. We ceased to smoulder almost at once, though the turf beneath me was uncomfortably hot. The attention of every one— including even the Amusements' Association band, which on this occasion, for the only time in its history, got out of tune—was arrested by the amazing fact, and the still more amazing yapping and uproar caused by the fact, that a respectable, over-fed lapdog sleeping quietly to the east of the bandstand should suddenly fall through the parasol of a lady on the west—in a slightly singed condition due to the extreme velocity of its movements through the air. In these absurd days, too, when we are all trying to be as psychic, and silly, and superstitious as possible! People got up and trod on other people, chairs were overturned, the Leas policeman ran. How the matter settled itself I do not know—we were much too anxious to disentangle ourselves from the affair