Spontaneous Activity in Education, Maria Montessori [read novels website .txt] 📗

has fixed the attention of his pupils, even to the psychical mechanism which has guided him in his teaching, all is due to him. God enters the school as a symbol in the crucifix, but the creator is the teacher.

A good deal of help is given to teachers in their superhuman task. There is a kind of division of labor, by virtue of which more advanced experts prepare the schemata of instruction; basing them upon psychology, if the teaching is on a scientific plan, or on the principles laid down by one of the great pedagogists such as Herbart, for example; moreover, the sciences, such as hygiene and experimental psychology, are further invoked to overcome many practical difficulties and to help in the arrangement of schoolrooms, the drawing up of the curriculum, time-tables, etc.

Here, for instance, are notes for lessons on a psychological basis, that is to say, lessons which take account of the proper order of succession in which the psychical activities should develop in the mind of the child; by exercises of this kind, the pupil will not only learn, but will develop his intelligence in accordance with the laws governing its formation. [2]

Object Lesson

A Candle: Education of the sensory and perceptive faculties.

Sight.—White, solid.

Touch.—Greasy, smooth.

Nomenclature.—Parts of the candle: wick, surface, extremity, edges, upper part, lower part, middle part. The candles we use are made of wax mixed with stearine. Stearine is made of the fat of oxen and sheep and pigs. Hence they are called stearine candles. There are also wax candles. These are yellowish and less greasy. Wax is produced by bees. There are also tallow candles; these are very greasy and have a disgreeable smell when burning.

Memory.—Have you ever seen a candle-factory? Have you ever seen a bee-hive? Of what are the cells of the honeycomb made? When do you light a candle? Have you ever carried a lighted candle carelessly? Did not this cause a disaster?

Imagination.—Draw the outline of a candle on the blackboard.

Comparison, association, abstraction.—Similarity and difference in candles of stearine, wax, and tallow.

Judgment and reasoning.—Are candles useful? Were they more useful formerly, or now that we have gas and electric light?

Sentiments.—Children are greatly pleased by a visit to a candle-factory. It is indeed very agreeable to see how candles used by so many people are made. When we can satisfy our desire for instruction we feel pleasure and contentment.

Volition.—What should we do with the fat of pigs if we did not know how to make it into stearine? What should we do with wax if we did not know how to utilize it? Man is able to work and to transform many products into useful substances and objects. Work is our life. Blessed be the workers! Let us also love work and devote ourselves diligently thereto.

(N.B.—The children are all to listen without moving.) Any kind of lesson may be based on the same psychical plan, even a moral lesson. For instance:

Moral education derived from the observation of actions.

(N.B.—The actions are all invented and narrated.)

Agreeable manners. Incident.—"Is it true, Miss, that the village church is more than a kilometer from here? My mother has ordered me to go there. I thought I had arrived, and I was so pleased. I have come a long way, and I am so very, very tired." "Indeed," replied the girl, who was standing at the gate of her home, "you are still a kilometer and a half from the church. But come through my gate, and take the short cut I will show you through my fields. You will get to the church in five minutes." What an amiable girl!

Successive relations of cause and effect.—The village girl showed amenity to the little traveler. The latter reached the church quickly, was saved much fatigue, and felt great relief.

Memory.—Have you always been pleasant to your companions? Have you always been ready to lend a comrade anything he has asked for? Have you always thanked those who have done you favors in an agreeable manner?

Comparison, association, abstraction.—Comparison between an agreeable child and a boorish one.

Judgment, reasoning.—Why is it necessary to be courteous to all? Is it sufficient to give help solely to show oneself to be amiable?

Sentiments.—He who is amiable has a soul rich in sweetness and suavity. What sympathy he evokes in all! The disagreeable person is irritated by trifles. He excites disgust and fear in others. He who is affable shows love to his neighbor.

Volition.—Children, accustom yourselves to be pleasant to every one. You should be pleasant when you are conferring some favor, otherwise the favor will seem irksome. When you want something, do you ask for it arrogantly? If so, it will be easier to say no than yes to you. On the other hand, if you ask politely for something, will it not be difficult to refuse you?

It will perhaps be more interesting to follow a lesson actually given, and accepted as a model for teachers in general. I therefore reproduce one of the lessons which gained a prize at a competition of teachers held in Italy.[3] In this, according to the subject or theme, only one primary psychical activity was to be dealt with: viz. sensory perception. (The compositions were distinguished not by the names of the authors, but by mottoes.)

Motto.—Things are the first and best teachers.

I set myself the following limits:

To give an idea of icy cold in contrast to that of heat. [This would be amply sufficient in itself, for these ideas are not grains to pick up one after the other, but sublime psychical facts of great complexity, and, consequently, very difficult to assimilate.]

Combine with the idea to be imparted, the cultivation of a sense of compassion and pity for the very poor, to whom winter brings such severe suffering; a feeling I have already tried many times to arouse.

The above is for my own guidance; what follows is for the children.

"Children, how comfortable we are here! Everything is clean; everything is in order; I am so fond of you; you are so fond of me. Isn't this true, children?

Children.—I am, I am. Me too (correct).

Tell me, Gino, are you cold? You said no at once. Well, no, you are right; we are really very cozy here. There, in that corner (I point) there is a thing which gives out much ...

Children.—Heat. It is the stove.

But outside, where there is no stove, over there, towards the horizon (the children are to a certain extent familiar with this word), there is no warmth.

Children.—It's cold there (an answer due to the clarity of the laws of contrast).

Last night ... while we were asleep, while your mother perhaps was mending your clothes ... dear mother, how kind she is!... well, last night, so many, many white flakes fell softly from the sky!...

Snow, snow! exclaim the children.

Children! let us say: so many snowflakes fell. How beautiful the snow is! Let us go and look at it closely.

Children.—Yes, yes, yes, yes.

It is so beautiful that I see you would all like to take a little. But perhaps this is not allowed. To whom does the snow belong? (No answer.) Who bought it? Who made it? You? No. I? No. Your mother? No. Then did your father buy it? (They look at me in astonishment; these are really very strange questions.) No, again. Well then, the snow belongs to every one. And if this is so, we may take a little handful of it. (Evident signs of joy.) I will hand round the boxes you made yesterday. (These children have not desks with lockers in which they may put their little works. Using the boxes will be a good way of demonstrating the utility of their work.) They will do very well to hold the beautiful snow. (I talk to them as I distribute the boxes, that their attention may not flag.) I will take mine too, the one I made with you. It is larger than yours; so which will hold more snow, mine or yours?

Children.—Yours.

Come then, children. Put a white handful into your boxes. How delightful!

(Going.) Just stop a moment; how comfortable we are here! Put one hand over your face. How warm your face is, and how warm your hand is too! We shall see whether your hands will still be so warm after you have touched the snow.

Children.—They will be cold.

Yes, indeed. (Going out.) How beautiful it is! It fell down from above. The sky has given the earth a beautiful dress, all ...

Children.—White.

At this juncture my children, accustomed to that principle of healthful, ordered liberty which is the main factor in the formation of character, touch and gather up the snow; some of them break the pure surface with little drawings. I let them. I wait a minute, then I make as it were a sudden assault upon their attention:

Children, I too will take a little snow, but together with all of you. Stop. Stand up. Look well at me. Let us take away a little strip of the great cloak. Let us put it in our boxes. That's right. (Re-entering the schoolroom.) Oh! how cold it is! The children who are not well wrapped up are the coldest. Poor little things! And those who haven't that thing full of burning coal in their houses!

Children.—The stove.

How cold they will be! Come now, quickly; all to your places. Put the boxes on the desk. How cold the snow is! Did you notice how cold it made your hands, which were quite warm?

Children.—My hand is cold! Mine too! Etc.

In the courtyard, I saw Caroline take a little snow, and then suddenly let it fall; she was not strong enough to bear such cold. But then she tried again, and the second time she did not drop it.

Child.—I didn't. I putted it (correct) quickly into my box.

Children, when the cold is as great as the cold of the snow, it is called frost. Say that, Guido. What is the word? Now you, Giannina. And the snow which is so cold is ... what? Who can guess?

A child.—Frozen.

Say: the snow is frozen.

We came indoors, because it is frosty outside, and inside it is ...

Children.—Warm.

But we brought with us a frozen thing which is called ...

Children.—Snow.

What is it the stove gives us? Do you remember?[4]

Children.—Heat.

I want Maria to tell me. And now, Peppino.

Do you know, our mouths also give out heat. Open yours. Not too much! Hold up one hand in front of it, the right hand. Breathe on it as I am doing. Let us breathe again; now let us send our breath outwards, as I am doing. Again ... again ... again. That's right. Now feel. You see your mouth too gives out a little ...

Children.—Heat.

Now let us try putting a little snow into it. A little piece like this. Oh! the heat of the mouth is escaping, it has already gone at the icy touch of the snow.

Children.—Our mouths are cold now.

Yes, that's right. They are very, very cold, so cold that they are what we call ...

Children.—Freezing.

Perhaps Giuseppe doesn't know. He didn't say it with the others. Say it again, that he may say it with you. Again. That will do. Bravo, Giuseppe. So our mouths were ...

Children.—Freezing.

Let us eat another little piece of snow. The snow turns to water in our mouths, because it is made of water only. Now bread is made of water too, but not only of water. What does the baker want to make the dough for bread?...

Children.—Flour.

And what else?

Children.—Salt.

And what else?

Children.—Yeast.

I see Luigi is still eating snow, and Alfonso too, and Pierino. Do you like it?

Children.—Yes, Signora.

Do you like it?

Children.—Yes, Signora. Me too, me too (correct).

Well, eat a little more, but not much, it might make