How to Succeed, Orison Swett Marden [reading diary .txt] 📗

"Oh, if I could thus put a dream on canvas!" exclaimed an enthusiastic young artist, pointing to a most beautiful painting. "Dream on canvas!" growled the master, "it is the ten thousand touches with the brush you must learn to put on canvas that make your dream."

"There is but one method of attaining excellence," said Sydney Smith, "and that is hard labor."

"If only Milton's imagination could have conceived his visions," says Waters, "his consummate industry alone could have carved the immortal lines which enshrine them. If only Newton's mind could reach out to the secrets of nature, even his genius could only do it by the homeliest toil. The works of Bacon are not midsummer-night's dreams, but, like coral islands, they have risen from the depths of truth, and formed their broad surfaces above the ocean by the minutest accretions of persevering labor. The conceptions of Michael Angelo would have perished like a night's phantasy, had not his industry given them permanence."

Salvini contributes the following to the Century as to his habits of study before he had established himself as a past master of tragedy: "I imposed upon myself a new method of study. While I was busying myself with the part of Saul, I read and reread the Bible, so as to become impregnated with the appropriate sentiments, manners and local color. When I took up Othello, I pored over the history of the Venetian Republic and that of the Moorish invasion of Spain. I studied the passions of the Moors, their art of war, their religious beliefs, nor did I overlook the romance of Giraldi Cinthio, in order the better to master that sublime character. I did not concern myself about a superficial study of the words, or of some point of scenic effect, or of greater or less accentuation of certain phrases with a view to win passing applause; a vaster horizon opened out before me—an infinite sea on which my bark could navigate in security, without fear of falling in with reefs."

His method was not new, but he considered it so, and gives his opinion in quotation-marks. He speaks of characters with which, his name is not always associated by writers on the stage, but is correct, I think, in the main.

Many years ago a little boy entered Harrow school and was put in a class beyond his years, wherein all the other boys had the advantage of previous instruction. His master used to reprove his dullness, but all his efforts could not raise him from the lowest place in the class. The boy finally procured the elementary books which the other boys had studied. He devoted the hours of play and many of the hours of sleep to mastering the elementary principles of these books. This boy was soon at the head of his class and the pride of Harrow. The statue of that boy, Sir William Jones, stands to-day in St. Paul's Cathedral; for he lived to be the greatest Oriental scholar of Europe.

"What is the secret of success in business?" asked a friend of Cornelius Vanderbilt. "Secret! there is no secret about it," replied the commodore; "all you have to do is to attend to your business and go ahead." If you would adopt Vanderbilt's method, know your business, attend to it, and keep down expenses until your fortune is safe from business perils.

"Work or starve," is nature's motto,—and it is written on the stars and the sod alike,—starve mentally, starve morally, starve physically. It is an inexorable law of nature that whatever is not used, dies. "Nothing for nothing," is her maxim. If we are idle and shiftless by choice, we shall be nerveless and powerless by necessity.

The mottoes of great men often give us glimpses of the secret of their characters and success. "Work! work! work!" was the motto of Sir Joshua Reynolds, David Wilkie, and scores of other men who have left their mark upon the world. Voltaire's motto was "Toujours au travail" (always at work). Scott's maxim was "Never be doing nothing." Michael Angelo was a wonderful worker. He even slept in his clothes ready to spring to his work as soon as he awoke. He kept a block of marble in his bedroom that he might get up in the night and work when he could not sleep. His favorite device was an old man in a go-cart, with an hour-glass upon it, bearing this inscription: "Ancora imparo" (still I'm learning). Even after he was blind he would ask to be wheeled into the Belvidere, to examine the statues with his hands. Cobden used to say, "I'm working like a horse without a moment to spare." It was said that Handel, the musician, did the work of a dozen men. Nothing ever daunted him. He feared neither ridicule nor defeat. Lord Palmerston worked like a slave, even in his old age. Being asked when he considered a man in his prime, he replied, "Seventy-nine," that being his own age. Humboldt was one of the world's great workers. In summer he arose at four in the morning for thirty years. He used to say work was as much of a necessity as eating or sleeping. Sir Walter Scott was a phenomenal worker. He wrote the "Waverley Novels" at the rate of twelve volumes a year. He averaged a volume every two months during his whole working life. What an example is this to the young men of to-day, of the possibilities of an earnest life! Edmund Burke was one of the most prodigious workers that ever lived.

George Stephenson used to work at meal time, getting out loads of coal while the miners were at dinner in order that he might earn a few extra shillings to buy a spelling-book and an arithmetic. His associates thought he was very foolish, and asked him what good it would do to learn to read and cipher. He told them he was determined to improve his mind; so he studied whenever he could snatch a minute before the engine's fire, and in every possible situation until he had a good, practical, common-sense education.

Garibaldi's father decided that Guiseppe should be a minister, because the boy was so sorry for a cricket which lost its leg. Samuel Morse's father concluded that his son would preach well because he could not keep his head above water in a dangerous attempt to catch bait in the Mystic River. President Dwight told young Morse he would never make a painter, and hinted that he never would amount to much any way if he did not study more. Although under the teaching of West and Allston in London, he became a tolerable portrait painter, he did not find his sphere until returning from England on a sailing vessel, he heard Professor Jackson explain an electrical experiment in Paris, when the thought of the telegraph flashed into his mind and he found no rest, until he flashed over the wire the first message, "What hath God wrought!" on the experimental line between Baltimore and Washington: this was May 24, 1844.

William H. Vanderbilt was by far the wealthiest man in the world. Chauncey M. Depew estimated his fortune at two hundred millions. He left his eight children ten millions each, except Cornelius and William K., who had sixty-five millions each. Commodore Vanderbilt, his father, amassed a fortune of eighty millions of dollars in his own lifetime, and that too at a time when it was more difficult to make money than it is now.

Mr. C. P. Huntington is a good example of a self-made man. His father was a Connecticut farmer. The farm was left to him, but he traded it off for a lot of clocks which he