The Flaming Jewel, Robert W. Chambers [reading tree txt] 📗

man who looks like a Kanuk. And those two men shaking dice. I don't know who they are. I never before saw them."

But Smith had seen them at Ghost Lake Inn. One of them was Sard. Quintana's gang had arrived at Clinch's dump.

A moment later Clinch came through the pantry and kitchen and out onto the rear porch where Smith was washing glasses in a tub filled from an ever-flowing spring.

"I'm a-going to get supper," he said to Eve. "There'll be twenty-three plates." And to Smith: "Hal—you help Eve wait on the table. And if anybody acts up rough you slam him on the jaw—don't argue, don't wait—just slam him good, and I'll come on the hop."

"Who are the strangers, dad?" asked Eve.

"Don't nobody know 'em none, girlie. But they ain't State Troopers. They talk like they was foreign. One of 'em's English—the big, bony one with yellow hair and mustache."

"Did they give any names?" asked Smith.

"You bet. The stout, dark man calls himself Hongri Picket. French, I guess. The fat beak is a fella named Sard. Sanchez is the guy with a face like a Canada priest—José Sanchez—or something on that style. And then the yellow skinned young man is Nicole Salzar; the Britisher, Harry Beck; and that good lookin' dark gent with a little black Charlie Chaplin, he's Victor Georgiades."

"What are those foreigners doing in the North Woods, Clinch?" enquired Smith.

"Oh, they all give the same spiel—hire out in a lumber camp. But they ain't no lumberjacks," added Clinch contemptuously. "I don't know what they be—hootch runners maybe—or booze bandits—or they done something crooked som'ers r'other. It's safe to serve 'em drinks."

Clinch himself had been drinking. He always drank when preparing to cook.

He turned and went into the kitchen now, rolling up his shirt sleeves and relighting his clay pipe.

IV

By nine o'clock the noisy chicken supper had ended; the table had been cleared; Jim Hastings was tuning his fiddle in the big room; Eve had seated herself before the battered melodeon.

"Ladies and gents," said Clinch in his clear, pleasant voice, which carried through the hubbub, "we're a-going to have a dance—thanks and beholden to Jim Hastings and my daughter Eve. Eve, she don't drink and she don't dance, so no use askin' and no hard feelin' toward nobody.

"So act up pleasant to one and all and have a good time and no rough stuff in no form, shape or manner, but behave like gents all and swell dames, like you was to a swarry on Fifth Avenue. Let's go!"

He went back to the pantry, taking no notice of the cheering. The fiddler scraped a fox trot, and Eve's melodeon joined in. A vast scuffling of heavily shod feet filled the momentary silence, accented by the shrill giggle of young girls.

"They're off," remarked Clinch to Smith, who stood at the pantry shelf prepared to serve whiskey or beer upon previous receipt of payment.

In the event of a sudden raid, the arrangements at Clinch's were quite simple. Two large drain pipes emerged from the kitchen floor beside Smith, and ended in Star Pond. In case of alarm the tub of beer was poured down one pipe; the whiskey down the other.

Only the trout in Star Pond would ever sample that hootch again.

Clinch, now slightly intoxicated, leaned heavily on the pantry shelf beside Smith, adjusting his pistol under his suspenders.

"Young fella," he said in his agreeable voice, "you're dead right. You sure said a face-full when you says to me, 'Eve's a lady, by God!' You oughta know. You was a gentleman yourself once. Even if you take to stickin' up tourists you know a lady when you see one. And you called the turn. She is a lady. All I'm livin' for is to get her down to the city and give her money to live like a lady. I'll do it yet.... Soon!... I'd do it to-morrow—to-night—if I dared.... If I thought it sure fire.... If I was dead certain I could get away with it.... I've got the money. Now! ... Only it ain't in money.... Smith?"

"Yes, Mike."

"You know me?"

"Sure."

"You size me up?"

"I do."

"All right. If you ever tell anyone I got money that ain't money I'll shoot you through the head."

"Don't worry, Clinch."

"I ain't. You're a crook; you won't talk. You're a gentleman, too. They don't sell out a pal. Say, Hal, there's only one fella I don't want to meet."

"Who's that, Mike?"

"Lemme tell you," continued Clinch, resting more heavily on the shelf while Smith, looking out through the pantry shutter at the dancing, listened intently.

"When I was in France in a Forestry Rig'ment," went on Clinch, lowering his always pleasant voice, "I was to Paris on leave a few days before they sent us home.

"I was in the washroom of a caffy—a-cleanin' up for supper, when dod-bang! into the place comes a-tumblin' a man with two cops pushing and kickin' him.

"They didn't see me in there for they locked the door on the man. He was a swell gent, too, in full dress and silk hat and all like that, and a opry cloak and white kid gloves, and mustache and French beard.

"When they locked him up he stood stock still and lit a cigarette, as cool as ice. Then he begun walkin' around looking for a way to get out; but there wasn't no way.

"Then he seen me and over he comes and talks English right away: 'Want to make a thousand francs, soldier?' sez he in a quick whisper. 'You're on,' sez I; 'show your dough.' 'Them Flics has went to get the Commissaire for to frisk me,' sez he. 'If they find this parcel on me I do twenty years in Noumea. Five years kills anybody out there.' 'What do you want I should do?' sez I, havin' no love for no cops, French or other. 'Take this packet and stick it in your overcoat,' sez he. 'Go to 13 roo Quinze Octobre and give it to the concierge for José Quintana.' And he shoves the packet on me and a thousand-franc note.

"Then he grabs me sudden and pulls open my collar. God, he was strong.

"'What's the matter with you?' says I. 'Lemme go or I'll mash your mug flat.' 'Lemme see your identification disc,' he barks.

"Bein' in Paris for a bat, I had exchanged with my bunkie, Bill Hanson. 'Let him look,' thinks I; and he reads Bill's check.

"'If you fool me,' says he, 'I'll folly ye and I'll do you in if it takes the rest of my life. You understand?' 'Sure,' says I, me tongue in me cheek. 'Bong! Allez vous en!' says he.

"'How the hell,' sez I, 'do I get out of here?' 'You're a Yankee soldier. The Flics don't know you were in here. You go and kick on that door and make a holler.'

"So I done it good; and a cop opens and swears at me, but when he sees a Yankee soldier was locked in the wash-room by mistake, he lets me out, you bet."

Clinch smiled a thin smile, poured out three fingers of hooch.

"What else?" asked Smith quietly.

"Nothing much. I didn't go to no roo Quinze Octobre. But I don't never want to see that fella Quintana. I've been waiting till it's safe to sell—what was in that packet."

"Sell what?"

"What was in that packet," replied Clinch thickly.

"What was in it?"

"Sparklers—since you're so nosey."

"Diamonds?"

"And then some. I dunno what they're called. All I know is I'll croak Quintana if he even turns up askin' for 'em. He frisked somebody. I frisked him. I'll kill anybody who tries to frisk me."

"Where do you keep them?" enquired Smith naïvely.

Clinch looked at him, very drunk: "None o' your dinged business," he said very softly.

The dancing had become boisterous but not unseemly, although all the men had been drinking too freely.

Smith closed the pantry bar at midnight, by direction of Eve. Now he came out into the ballroom and mixed affably with the company, even dancing with Harvey Chase's sister once—a slender hoyden, all flushed and dishevelled, with a tireless mania for dancing which seemed to intoxicate her.

She danced, danced, danced, accepting any partner offered. But Smith's skill enraptured her and she refused to let him go when her beau, a late arrival, one Charlie Berry, slouched up to claim her.

Smith, always trying to keep Clinch and Quintana's men in view, took no part in the discussion; but Berry thought he was detaining Lily Chase and pushed him aside.

"Hold on, young man!" exclaimed Smith sharply. "Keep your hands to yourself. If your girl don't want to dance with you she doesn't have to."

Some of Quintana's gang came up to listen. Berry glared at Smith.

"Say," he said, "I seen you before somewhere. Wasn't you in Russia?"

"What are you talking about?"

"Yes, you was. You was an officer! What you doing at Clinch's?"

"What's that?" growled Clinch, shoving his way forward and shouldering the crowd aside.

"Who's this man, Mike?" demanded Berry.

"Well, who do you think he is?" asked Clinch thickly.

"I think he's gettin' the goods on you, that's what I think," yelled Berry.

"G'wan home, Charlie," returned Clinch. "G'wan, all o' you. The dance is over. Go peaceable, every one. Stop that fiddle!"

The music ceased. The dance was ended; they all understood that; but there was grumbling and demands for drinks.

Clinch, drunk but impassive, herded them through the door out into the starlight. There was scuffling, horse-play, but no fighting.

The big Englishman, Harry Beck, asked for accommodations for his party over night.

"Naw," said Clinch, "g'wan back to the Inn. I can't bother with you folks to-night." And as the others, Salzar, Georgiades, Picquet and Sanchez gathered about to insist, Clinch pushed them all out of doors in a mass.

"Get the hell out o' here!" he growled; and slammed the door.

He stood for a moment with head lowered, drunk, but apparently capable of reflection. Eve came from the melodeon and laid one slim hand on his arm.

"Go to bed, girlie," he said, not looking at her.

"You also, dad."

"No.... I got business with Hal Smith."

Passing Smith, the girl whispered: "You look out for him and undress him."

Smith nodded, gravely preoccupied with coming events, and nerving himself to meet them.

He had no gun. Clinch's big automatic bulged under his armpit.

When the girl had ascended the creaking stairs and her door, above, closed, Clinch walked unsteadily to the door, opened it, fished out his pistol.

"Come on out," he said without turning.

"Where?" enquired Smith.

Clinched turned, lifted his square head; and the deadly glare in his eyes left Smith silent.

"You comin'?"

"Sure," said Smith quietly.

But Clinch gave him no chance to close in: it was death even to swerve. Smith walked slowly out into the starlight, ahead of Clinch—slowly forward in the luminous darkness.

"Keep going," came Clinch's quiet voice behind him. And, after they had entered the woods,—"Bear to the right."

Smith knew now. The low woods were full of sink-holes. They were headed for the nearest one.

On the edge of the thing they halted. Smith turned and faced Clinch.

"What's the idea?" he asked without a quaver.

"Was you in Roosia?"

"Yes."

"Was you an officer?"

"I was."

"Then you're spyin'. You're a cop."

"You're mistaken."

"Ah, don't hand me none like that! You're a State Trooper or a Secret Service guy, or a plain, dirty cop. And I'm a-going to croak you."

"I'm not in any service, now."

"Wasn't you an army officer?"

"Yes. Can't an officer go wrong?"

"Soft stuff. Don't feed it to me. I told you too much anyway. I was babblin' drunk. I'm drunk now, but I got sense. D'you think I'll run chances of sittin' in State's Prison for the next ten years and leave Eve out here alone? No. I gotta shoot you, Smith. And I'm a-going to do it. G'wan and say what you want ... if you think there's some kind o' god you can square before you croak."

"If you go to the chair for murder,