The Altar Fire, Arthur Christopher Benson [book recommendations for young adults txt] 📗

cheerfulness, the bloated face, the trembling hands, told the sad tale. And now that it is all over, the shame and the decay, the horror of his having died by his own act is a purely conventional one. One talks pompously about the selfishness of it, but it is one of the most unselfish things poor Dick has ever done; he was a burden and a misery to all those who cared for him. Recovery was, I sincerely believe, impossible. His was a fine, uplifted, even noble spirit in youth, but there were terrible hereditary influences at work, and I cannot honestly say that I think he was wholly responsible for his sins. If I could think that this act was done reasonably, in a solemn and recollected spirit, and was not a mere frightened scurrying out of life, I should be, I believe, wholly glad. I do not see that any one had anything to gain by his continuing to live; and if reason is given us to use, to guide our actions by, it seems to me that we do right to obey it. Suicide may, of course, be a selfish and a cowardly thing, but the instinct of self-preservation is so strong that a man must always manifest a certain courage in making such a decision. The sacrifice of one's own life is not necessarily and absolutely an immoral thing, because it is always held to be justified if one's motive is to save another. It is purely, I believe, a question of motive; whatever poor Dick's motives were, it was certainly the kindest and bravest thing that he could do; and I look upon his life as having been as naturally ended as if he had died of disease or by an accident. There is not a single one of his friends who would not have been thankful if he had died in the course of nature; and I for one am even more thankful as it is, because it seems to me that his act testifies to some tenderness, some consideration for others, as well as to a degree of resolution with which I had not credited him.

Of course such a thing deepens the mystery of the world; but such an act as this is not to me half as mysterious as the action of an omnipotent Power which allowed so bright and gracious a creature as Dick was long ago to drift into ugly, sordid, and irreparable misery. Yet it seems to me now that Dick has at last trusted God completely, made the last surrender, and put his miserable case in the Father's hands.


December 2, 1888.


As I came home to-night, moving slowly westward along deserted roads, among wide and solitary fields, in the frosty twilight, I passed a great pale fallow, in the far corner of which, beside a willow-shaded stream, a great heap of weeds was burning, tended by a single lonely figure raking in the smouldering pile. A dense column of thick smoke came volleying from the heap, that went softly and silently up into the orange-tinted sky; some forty feet higher the smoke was caught by a moving current of air; much of it ascended higher still, but the thin streak of moving wind caught and drew out upon itself a long weft of aerial vapour, that showed a delicate blue against the rose-flushed west. The long lines of leafless trees, the faint outlines of the low distant hills, seemed wrapped in meditative silence, dreaming wistfully, as the earth turned her broad shoulder to the night, and as the forlorn and chilly sunset faded by soft degrees on the horizon. As the day thus died, the frost made itself felt, touching the hedgerows with rime, and crisping the damp road beneath my feet. The end drew on with a mournful solemnity; but the death of the light seemed a perfectly natural and beautiful thing, not an event to be grieved over or regretted, but all part of a sweet and grave progress, in which silence and darkness seemed, not an interruption to the eager life of the world, but a happy suspension of activity and life. I was haunted, as I often am at sunset, by a sense that the dying light was trying to show me some august secret, some gracious mystery, which would silence and sustain the soul could it but capture it. Some great and wonderful presence seemed to hold up a hand, with a gesture half of invitation, half of compassion for my blindness. Down there, beyond the lines of motionless trees, where the water gleamed golden in the reaches of the stream, the secret brooded, withdrawing itself resistlessly into the glowing west. A wistful yearning filled my soul to enter into that incommunicable peace. Yet if one could take the wings of the morning, and follow that flying zone of light, as swiftly as the air, one could pursue the same sunset all the world over, and see the fiery face of the sun ever sinking to his setting, over the broad furrows of moving seas, over tangled tropic forests, out to the shapeless wintry land of the south. Day by day has the same pageant enacted itself, for who can tell what millions of years. And in that vast perspective of weltering aeons has come the day when God has set me here, a tiny sentient point, conscious, in a sense, of it all, and conscious too that, long after I sleep in the dust, the same strange and beautiful thing will be displayed age after age. And yet it is all outside of me, all without. I am a part of it, yet with no sense of my unity with it. That is the marvellous and bewildering thing, that each tiny being like myself has the same sense of isolation, of distinctness, of the perfectly rounded life, complete faculties, independent existence. Another day is done, and leaves me as bewildered, as ignorant as ever, as aware of my small limitations, as lonely and uncomforted.

Who shall show me why I love, with this deep and thirsty intensity, the array of gold and silver light, these mist-hung fields with their soft tints, the glow that flies and fades, the cold veils of frosty vapour? Thousands of men and women have seen the sunset pass, loving it even as I love it. They have gone into the silence as I too shall go, and no hint comes back as to whether they understand and are satisfied.

And now I turn in at the well-known gate, and see the dark gables of my house, with the high elms of the grove outlined against the pale sky. The cheerful windows sparkle with warmth and light, welcoming me, fresh from the chilly air, out of the homeless fields. With such array of cheerful usages I beguile my wondering heart, and chase away the wild insistent thoughts, the deep yearnings that thrill me. Thus am I bidden to desire and to be unsatisfied, to rest and marvel not, to stay, on this unsubstantial show of peace and security, the aching and wondering will.


December 4, 1888.


Writing, like music, ought to have two dimensions--a horizontal movement of melody, a perpendicular depth of tone. A person unskilled in music can only recognise a single horizontal movement, an air. One who is a little more skilled can recognise the composition of a chord. A real musician can read a score horizontally, with all its contrasting and combining melodies. Sometimes one gets, in writing, a piece of horizontal structure, a firm and majestic melody, with but little harmony. Such are the great spare, strong stories of the old world. Modern writing tends to lay much more emphasis upon depth of colour, and the danger there is that such writing may become a mere structureless modulation, The perfect combination is to get firm structure, sparingly and economically enriched by colour, but colour always subordinated to structure. When I was young I undervalued structure and overvalued colour; but it was a good training in a way, because I learned to appreciate the vital necessity of structure, and I learnt the command of harmony. What is it that gives structure? It is firm and clear intellectual conception, the grasp of form and proportion; while colour is given by depth and richness of personality, by power of perception, and still more by the power of fusing perception with personality. The important thing here is that the thing perceived and felt should not simply be registered and pigeon-holed, but that it should become a cell of the writer's soul, respond to his pulse, be animated by his vital forces.

Now, in my present state, I have lost my hold on melody in some way or other; my creative intellectual power has struck work; and when I try to exercise it, I can only produce vague textures of modulated thoughts--things melodious in themselves, but ineffective because they are isolated effects, instead of effects emphasising points, crises, climaxes. I have strained some mental muscle, I suppose; but the unhappy part of the situation is that I have not lost the desire to use it.

It would be a piece of good fortune for me now if I could fall in with some vigorous mind who could give me a lead, indicate a subject. But then the work that resulted would miss unity, I think. What I ought to be content to do is to garner more impressions; but I seem to be surfeited of impressions.


December 10, 1888.


To-day I stumbled upon one of my old childish books--Grimm's Household Stories. I am ashamed to say how long I read it. These old tales, which I used to read as transcripts of marvellous and ancient facts, have, many of them, gained for me, through experience of life, a beautiful and symbolical value; one in particular, the tale of Karl Katz.

Karl used to feed his goats in the ruins of an old castle, high up above the stream. Day after day one of his herd used to disappear, coming back in the evening to join the homeward procession, very fat and well-liking. So Karl set himself to watch, and saw that the goat slipped in at a hole in the masonry. He enlarged the hole, and presently was able to creep into a dark passage. He made his way along, and soon heard a sound like a falling hailstorm. He groped his way thither, and found the goat, in the dim light, feeding on grains of corn which came splashing down from above. He looked and listened, and, from the sounds of stamping and neighing overhead, he became aware that the grain was failing through the chinks of a paved floor from a stable inside the hill. I forget at this moment what happened next--the story is rich in inconsequent details--but Karl shortly heard a sound like thunder, which he discerned at last to be persons laughing and shouting and running in the vaulted passages. He stole on, and found, in an open, grassy place, great merry men playing at bowls. He was welcomed and set down in a chair, though he could not even lift one of the bowls when invited to join in the game. A dwarf brought him wine in a cup, which he drank, and presently he fell asleep.

When he woke, all was silent and still; he made his way back; the goats were gone, and it was the early morning, all misty and dewy among the ruins, when he squeezed out of the hole.

He felt strangely haggard and tired, and reached the village only to find that seventy years had elapsed, and that he was an old and forgotten man, with no place for him. He had lost his home,