Court Life in China, Isaac Taylor Headland [an ebook reader .txt] 📗

of the court painters and knew the character of their work. The head of this group was Mr. Kuan. I called on him one day, knowing that he was not well enough to be on duty in the palace, and I found him hard at work. Like the small boy who told his mother that he was too sick to go to school but not sick enough to go to bed, so he assured me that his troubles were not such as to prevent his working, but only such as make it impossible for him to appear at court. Incidentally I learned that the drain on his purse from the squeezes to the eunuchs aggravated his disease.

“When Her Majesty excused me from appearing at the palace,” he explained, “she required that I paint for her a minimum of sixty pictures a year, to be sent in about the time of the leading feasts. These she decorates with her seals, and with appropriate sentiments written by members of the College of Inscriptions, and she gives them, as she gives her own, as presents during the feasts.” Mr. Kuan and I became intimate friends and he painted three pictures which he presented to me for my collection.

One day another of the court painters came to call on me and during the conversation told me that he was painting a picture of the Empress Dowager as the goddess of mercy. Up to that time I had not been accustomed to think of her as a goddess of mercy, but he told me that she not infrequently copied the gospel of that goddess with her own pen, had her portrait painted in the form of the goddess which she used as a frontispiece, bound the whole up in yellow silk or satin and gave it as a present to her favourite officials. Of course I thought at once of my collection of paintings, and said:

“How much I should like to have a picture of the Empress Dowager as the goddess of mercy!”

“I’ll paint one for you,” said he.

All this conversation I soon discovered was only a diplomatic preliminary to what he had really come to tell me, which was that he had been eating fish in the palace a few days before, and had swallowed a fish-bone which had unfortunately stuck in his throat. He said that the court physicians had given him medicine to dissolve the fish-bone, but it had not been effective; he therefore wondered whether one of the physicians of my honourable country could remove it. I took him to my friend Dr. Hopkins who lived near by, and told him of the dilemma. The doctor set him down in front of the window, had him open his mouth, looked into his throat where he saw a small red spot, and with a pair of tweezers removed the offending fish-bone. And had it not been for this service on the part of Dr. Hopkins, I am afraid I should never have received the promised picture, for he hesitated as to the propriety of him, a court painter, doing pictures of Her Majesty for his friends. However as he often thereafter found it necessary to call Mrs. Headland to minister to his wife and children he came to the conclusion that it was proper for him to do so, and one day he brought me the picture.

The Empress Dowager not only loved to be painted as the goddess of mercy, but she clothed herself in the garments suitable to that deity, dressed certain ladies of the court as her attendants, with the head eunuch Li Lien-ying as their protector, ordered the court artists to paint appropriate foreground and background and then called young Yu, her court photographer, to snap his camera and allow Old Sol the great artist of the universe with a pencil of his light to paint her as she was.

One day while visiting a curio store on Liu Li Chang, the great book street of Peking, my attention was called by the dealer to four small paintings of peach blossoms in black and white, from the brush of the Empress Dowager. These pictures had been in the panels of the partition between two of the rooms of Her Majesty’s apartments in the Summer Palace, and so I considered myself fortunate in securing them.

“You notice,” said he, “that each section of these branches must be drawn by a single stroke of the brush. This is no easy task. She must be able to ink her brush in such a way as to give a clear outline of the limb, and at the same time to produce such shading as she may desire. Should her outline be defective, she dare not retouch it; should her shading be too heavy or insufficient, she cannot take from it and she may not add to it, as this would make it defective in the matter of calligraphy. A stroke once placed upon her paper, for they are done on paper, is there forever. This style of work is among the most difficult in Chinese art.”

After securing these paintings, I showed them to a number of the best artists of the present day in Peking, and they all pronounced them good specimens of plum blossom work in monochrome, and they agreed with Lady Miao, that if the Empress Dowager had given her whole time to painting she would have passed into history as one of the great artists of the present dynasty.

One day when one of her court painters called I showed him these pictures. He agreed with all the others as to the quality of her brush work, but called my attention to a diamond shaped twining of the branches in one of them.

“That,” said he, “is proof positive that it is her work.”

“Why?” I inquired.

“Because a professional artist would never twine the twigs in that fashion.”

“And why not?”

“They would not do it,” he replied. “It is not artistic.”

“And why do not her friends call her attention to this fact?” I inquired.

“Who would do it?” was his counter question.

VII

The Empress Dowager—As a Woman

The first audience given by Her Imperial Majesty to the seven ladies of the Diplomatic Corps was sought and urged by the foreign ministers. After the troubles of 1900 and the return of the court, Her Majesty assumed a different attitude, and, of her own accord, issued many invitations for audiences, and these invitations were accepted. Then followed my tiffin to the court princesses and their tiffin in return. This opened the way for other princesses and wives of high officials to call, receive calls, to entertain and be entertained. In many cases arrangements were made through our mutual friend Mrs. Headland, an accepted physician and beloved friend of many of the higher Chinese families; and through her innate tact, broad thought, and great love for the good she may do, I have been able to come into personal touch with many of these Chinese ladies. —Mrs. E. H. Conger in “Letters from China.

VII

THE EMPRESS DOWAGER-AS A WOMAN

Although the great Dowager has passed away, it may be interesting to know something about her life and character as a woman as those saw her who came in contact with her in public and private audiences. In order to appreciate how quick she was to adopt foreign customs, let me give in some detail the difference in her table decorations at the earlier and later audiences as they have been related by my wife.

“At the close of the formalities of our introduction to the Empress Dowager and the Emperor at one of the first audiences, we, with the ladies of the court, repaired to the banqueting hall. After we were seated, each with a princess beside her, the great Dowager appeared. We rose and remained standing while she took her place at the head of the table, with the Emperor standing at her left a little distance behind her. As she sat down she requested us to be seated, though the princesses and the Emperor all remained standing, it being improper for them to sit in the presence of Her Majesty. Long-robed eunuchs then appeared with an elaborate Chinese banquet, and the one who served the Empress Dowager always knelt when presenting her with a dish.

“After we had eaten for some little time, the doyen asked if the princesses might not be seated. The Empress Dowager first turned to the Emperor, and said, ‘Your Majesty, please be seated’; then turning to the princesses and waving her hand, she told them to sit down. They sat down in a timid, rather uncomfortable way on the edge of the chair, but did not presume to touch any of the food.

“The conversation ran upon various topics, and, among others, the Boxer troubles. One of the ladies wore a badge. The Empress Dowager noticing it, asked what it meant.

” ‘Your Majesty,’ was the reply, ‘this was presented to me by my Emperor because I was wounded in the Boxer insurrection.’

“The Empress Dowager took the hands of this lady in both her own, and as the tears stood in her eyes, she said:

” ‘I deeply regret all that occurred during those troublous times. The Boxers for a time overpowered the government, and even brought their guns in and placed them on the walls of the palace. Such a thing shall never occur again.’

“The table was covered with brilliantly coloured oilcloth, and was without tablecloth or napkins properly so called, but we used as napkins square, coloured bits of calico about the size of a large bandana handkerchief. There were no flowers, the table decorations consisting of large stands of cakes and fruit. I speak of this because it was all changed at future audiences, when the table was spread with snow-white cloths, and smiled with its load of most gorgeous flowers. Especially was this true after the luncheons given to the princesses and ladies of the court by Mrs. Conger at the American legation, showing that the eyes of these ladies were open to receive whatever suggestions might come to them even in so small a matter as the spreading and decoration of a table. The banquets thereafter were made up of alternating courses of Chinese and foreign food.

“With but one exception, the Empress Dowager thereafter never appeared at table with her guests. But at the close of the formal audiences, after descending from the throne, and speaking to those whom she had formerly met, she requested her guests to enter the banquet hall and enjoy the feast with the princesses, saying that the customs of her country forbade their being seated or partaking of food if she were present. After the banquet, however, the Empress Dowager always appeared and conversed cordially with her guests.

“Her failure to appear at table may have been influenced by the following incident: One of the leading lady guests, anxious, no doubt, to obtain a unique curio, requested the Empress Dowager to present her with the bowl from which Her Majesty was eating—a bowl which was different from those used by her guests, as the dishes from which her food was served were never the same as those used by others at the table!

“After an instant’s hesitation she turned to a eunuch and said:

” ‘We cannot give her one bowl [the Chinese custom being always to give things in pairs]; go and prepare her two.’

“Then, turning to her guests, she continued apologetically:

” ‘I should be glad to give bowls to each of you, but the Foreign Office has requested me not to give presents at this audience.’ It had been her custom to give each of her guests some small gift with her own hands and afterwards to send presents by her eunuchs to their homes.