Travels in China, Sir John Barrow [phonics readers txt] 📗

with minute attention. He desired the Tartar prince to tell us, through Deodato, that the accounts he had received of our good conduct at Yuen-min-yuen gave him great pleasure, and that he had ordered a present to be made to each of us, as a proof of his entire satisfaction. This present was brought, after his departure from the hall, by the old eunuch, who took care to tell us that before we received it we must make nine prostrations according to the Chinese custom. I made him no answer, but requested Deodato to explain to the Tartar prince, who was still present, that being under the orders of the Embassador we did not think ourselves authorized to do what he had found good to refuse, but that we had not the least objection to go through the same ceremony that he had done at Gehol. The Tartar prince immediately answered that nothing further was required. We accordingly placed one knee on the lowest step leading to the throne. The present consisted of rolls of silk and several pieces of silver cast in the form of a Tartar shoe, without any mark or inscription on them, and each about the weight of an ounce.

The presents being now all delivered, and the Embassador informed by the missionaries that preparations were making for our departure, the usual time being nearly expired, his Excellency was desirous of having the day fixed, and for this purpose dispatched a note to the first minister, who sent an answer by the Tartar legate to inform him that, to prevent any likelihood of being surprized by the approaching bad weather, the Emperor had named the 7th instant for the beginning of our journey; and had given orders that every honour and distinction should be paid to the Embassy on the road.

But before I quit these renowned gardens of Yuen-min-yuen, it will naturally be expected I should say something on their subject. From all that I had heard and read of the grandeur and beauty of the scenery and the magnificence of the palaces, I had certainly expected to meet with a style of gardening and laying out of grounds superior, or at least equal, to any thing in the same line in Europe; and, perhaps indeed, I might have been fully gratified in all my expectation provided no restraint had been thrown upon our walks, which was far from being the case. All the little excursions I made were by stealth. Even in the short distance between the hall of audience and our lodgings, which might be about three hundred paces, we were continually watched. The idea of being stopped by an eunuch or some of the inferior officers belonging to the court, was sufficient to put us on our guard against meeting with any such mortification; pride, in such circumstances, generally gets the better of the desire, however strong, of gratifying curiosity. I sometimes, however, ventured to stroll from our lodging in the evening in order to take a stolen glance at these celebrated gardens.

The grounds of Yuen-min-yuen are calculated to comprehend an extent of at least ten English miles in diameter, or about sixty thousand acres, a great part of which, however, is wastes and woodland. The general appearance of those parts near where we lodged, as to the natural surface of the country, broken into hill and dale, and diversified with wood and lawn, may be compared with Richmond park, to which, however, they add the very great advantage of abundance of canals, rivers, and large sheets of water, whose banks, although artificial, are neither trimmed, nor shorn, nor sloped, like the glacis of a fortification, but have been thrown up with immense labour in an irregular, and, as it were, fortuitous manner, so as to represent the free hand of nature. Bold rocky promontories are seen jutting into a lake, and vallies retiring, some choaked with wood, others in a state of high cultivation. In particular spots where pleasure-houses, or places of rest or retirement, were erected, the views appeared to have been studied. The trees were not only placed according to their magnitudes, but the tints of their foliage seemed also to have been considered in the composition of the picture, which some of the landscapes might be called with great propriety. But, if an opinion may be formed from those parts of them which I have seen, and I understood there is a great similarity throughout the whole, they fall very short of the fanciful and extravagant descriptions that Sir William Chambers has given of Chinese gardening. Much, however, has been done, and nothing that I saw could be considered as an offence to nature.

Thirty distinct places of residence for the Emperor, with all the necessary appendages of building to each, for lodging the several officers of state, who are required to be present on court days and particular occasions, for the eunuchs, servants, and artificers, each composing a village of no inconsiderable magnitude, are said to be contained within the inclosure of these gardens. These assemblages of buildings, which they dignify with the name of palaces, are, however, of such a nature as to be more remarkable for their number than for their splendour or magnificence. A great proportion of the buildings consists in mean cottages. The very dwelling of the Emperor and the grand hall in which he gives audience, when divested of the gilding and the gaudy colours with which they are daubed, are little superior, and much less solid, than the barns of a substantial English farmer. Their apartments are as deficient in proportion, as their construction is void of every rule and principle which we are apt to consider as essential to architecture. The principal hall of audience at Yuen-min-yuen stood upon a platform of granite, raised about four feet above the level of the court. A row of large wooden columns surrounding the building supported the projecting roof; and a second row within the first, and corresponding with it (the interstices between the columns being filled up with brick-work to the height of about four feet) served for the walls of the room. The upper part of these walls was a kind of lattice-work, covered over with large sheets of oiled paper, and was capable of being thrown entirely open on public occasions. The wooden columns had no capitals, and the only architrave was the horizontal beam that supported the rafters of the roof. This, in direct contradiction to the established mode in European architecture, was the uppermost member of what might be called the entablature or frize, which was a broad skreen of wood, fastened between the upper part of the columns, painted with the most vivid colours of blue, red, and green, and interlarded with gilding; and the whole had net-work of wire stretched over it, to prevent its being defiled by swallows, and other birds frequenting human dwellings. The length of this room within was one hundred and ten feet, breadth forty-two, and height twenty feet: the ceiling painted with circles, squares, and polygons, whimsically disposed, and loaded with a great variety of colours. The floor was paved with grey marble flag stones laid chequer-wise. The throne, placed in a recess, was supported by rows of pillars painted red like those without. It consisted entirely of wood, not unlike mahogany, the carving of which was exquisitely fine. The only furniture was a pair of brass kettle-drums, two large paintings, two pair of ancient blue porcelain vases, a few volumes of manuscripts, and a table at one end of the room on which was placed an old English chiming clock, made in the seventeenth century by one Clarke of Leadenhall-street, and which our old friend the eunuch had the impudence to tell us was the workmanship of a Chinese. A pair of circular fans made of the wing feathers of the Argus pheasant, and mounted on long polished ebony poles stood, one on each side of the throne, over which was written in four characters, "true, great, refulgent, splendor;" and under these, in a lozenge, the character of Happiness. In the different courts were several miserable attempts at sculpture, and some bronze figures, but all the objects were fanciful, distorted, and entirely out of nature. The only specimen of workmanship about the palace, that would bear a close examination, besides the carving of the throne, was a brick wall enclosing the flower garden, which, perhaps, in no respect is exceeded by any thing of the sort in England.

With regard to the architecture and gardening of the Chinese, it may be expected that I should give a more detailed description, or offer some opinion on those subjects. The little I have to say on the former will be reserved for another place; and, with respect to the latter, I regret that I had not an opportunity of seeing so much as I could have wished, and particularly the Emperor's great park at Gehol, which, from the description of the Embassador, seemed to be almost unrivalled for its features of beauty, sublimity, and amenity. But my own deficiency will be amply filled up with an extract or two from the Journal of his Lordship, whose taste and skill in landscape gardening are so well known. I have indeed much to regret that I could not enrich the present work with more extracts from it, but as it makes a complete picture of itself the partial selection of detached parts might have been injurious to it, by conveying wrong impressions, when unconnected with the rest. I am, therefore, the more obliged (and gladly embrace this opportunity of expressing the obligations I feel) to his Lordship, for what little he has allowed me to transcribe.

Speaking of the route from Pekin to Gehol in Tartary, Lord Macartney observes: "Our journey, upon the whole, has been very pleasant and, being divided into seven days, not at all fatiguing. At the end of every stage we have been lodged and entertained in the wings or houses adjoining to the Emperor's palaces. These palaces, which occur at short distances from each other on the road, have been built for his reception, on his annual visit to Tartary. They are constructed upon nearly the same plan and in the same taste. They front the south, and are usually situated on irregular ground near the basis of gentle hills which, together with their adjoining vallies, are enclosed by high walls and laid out in parks and pleasure grounds, with every possible attention to picturesque beauty. Whenever water can be brought into the view it is not neglected; the distant hills are planted, cultivated, or left naked, according to their accompaniments in the prospect. The wall is often concealed in a sunk fence, in order to give an idea of greater extent. A Chinese gardener is the painter of nature, and though totally ignorant of perspective, as a science, produces the happiest effects by the management, or rather pencilling, of distances, if I may use the expression, by relieving or keeping down the features of the scene, by contrasting trees of a bright with those of a dusky foliage, by bringing them forward, or throwing them back, according to their bulk and their figure, and by introducing buildings of different dimensions, either heightened by strong colouring, or softened by simplicity and omission of ornament.

"The Emperor having been informed that, in the course of our travels in China we had shewn a strong desire of seeing every thing curious and interesting, was pleased to give directions to the first minister to shew us his park or garden at Gehol. It is called in Chinese Van-shoo-yuen, or Paradise of ten thousand (or innumerable) trees. In order to have this gratification (which is considered as an instance of uncommon favour) we rose this morning at three o'clock