Aztec Land, Maturin Murray Ballou [always you kirsty moseley .TXT] 📗

in the aggregate, at the very lowest reasonable estimate, about one million dollars. Undoubtedly high rates were sometimes paid to get a very "hard case" out of purgatory. Sinners who dreaded a future state of punishment, as a just reward for their evil deeds on earth, were accustomed to leave Father Concha a good round sum of money, to pray them out of the uncomfortable quarters to which they expected to be consigned after departing from this life. Like a certain shrewd Irishman, they "accepted" purgatory, fearing they might go further and fare worse.


CHAPTER VIII.


An Extinct Volcano.--Mexican Mountains.--The Public Institutions of the Capital.--The Government Palace.--The Museum.--Maximilian's State Carriage.--A Peculiar Plant.--The Academy of Fine Arts.-- Choice Paintings.--Art School.--Picture Writing.--Native Artists. --Exquisite Pottery.--Cortez's Presents to Charles V.--A Special Aztec Art.--The Sacrificial Stone.--Spanish Historical Authorities. --Public Library.--The Plaza.--Flower Market.--A Morning Visit.-- Public Market.--Concealed Weapons.


The crater of Popocatepetl--being an extinct volcano--is now a valuable sulphur mine. To obtain this product, it is necessary to descend into the crater by means of a rope, one of great length being required for the purpose; and when a certain quantity is secured, it is packed in mats before being hoisted to the mouth of the crater. The Indians tie these packages together; then, making a cushion of their serapes, they slide down the mountain as far as the snow extends, dragging the mats after them. On the north side of the volcano, near the limit of tree growth, the sulphur is distilled in iron retorts, and is then ready for the market. The crater's mouth is huge in dimensions, being half a mile in diameter, and the amount of native sulphur deposited there is enormous,--practically inexhaustible. This profitable sulphur mine is owned, or was, a few months since, by General Ochoa, a resident of the capital. It is said that when Cortez had expended his supply of gunpowder, he resorted to the crater of Popocatepetl for sulphur to make a fresh supply, and that the natives had never ascended the mountain until the Spaniards showed them the way. Earthquakes are not uncommon, even to-day, near the base of this monarch mountain; but no eruption has taken place since 1692. Earthquakes have always been more or less common in Mexico, but never very serious in the capital; otherwise, with its insecure foundations, it must have suffered seriously. Smoke is reported to have been seen bursting forth from the crater of Popocatepetl several times at long intervals, but no positive volcanic action has taken place since the date named. Its actual height is given by the best authorities as being but about two hundred feet less than eighteen thousand.

One is apt to speculate mentally, while gazing upon it, as to the possibility of this sleeping volcano one day awaking to destructive action. That it still lives is clearly seen by the smoke and sulphurous breath which it exhales, and the occasional significant earthquakes which occur about its widespread base. There are seventeen or eighteen mountains in the republic which rise more than ten thousand feet above the level of the sea, four of which are over fifteen thousand feet in height, Popocatepetl being the loftiest of them all. Parties ascend on horseback to the snow line, and from thence the distance to the summit is accomplished on foot. Some adventurous people make the descent into the crater by means of the bucket and windlass used by the sulphur-gatherers, but the most inquisitive can see all that they desire from the northerly edge of the cone. The expeditions for the ascent are made up at Amecameca. The time necessarily occupied is about three days, and the cost is twenty-five dollars for each person. It is a very exhausting excursion, and few persons undertake it.

The city of Mexico is famous for its large numbers of scientific, literary, and charitable institutions, its many schools, primary and advanced, and its several well-appointed hospitals. The national palace covers the whole eastern side of the Plaza Mayor, having a frontage of nearly seven hundred feet, and occupies the site of the royal residence of the Montezumas, if we may credit tradition. The present edifice was erected in 1693, in place of one which Cortez and the Spanish viceroys had occupied until it was destroyed by fire in 1692. Though the palace is only two stories in height, yet the central tower over the main entrance and the finish on each side of it give it all necessary prominence. It contains the President's suite of rooms, and those devoted to the various departments of the state officials. The hall of ambassadors, a very long, narrow apartment, is interesting on account of its life-size portraits of Mexican rulers from the period of independence, a majority of whom either endured exile or public execution! At the extreme end of this hall is a very good full-length portrait of our Washington. Here, also, is a pretentious battle-piece by a native artist, representing the battle of Puebla, when the French were so completely defeated. The picture is entitled "Cinco de Mayo," the date of the conflict. It is not a fine specimen of art, but it is certainly a very effective picture. This battle of the 5th of May was another Waterloo for the French. An apartment known as Maximilian's room is shown to the visitor, situated in the corner of the palace, having two windows at right angles and thus commanding a view in two directions, one window overlooking the plaza, the other the business streets leading to the market. A room called the hall of Iturbide is hung in rich crimson damask, displaying the eagle and serpent, which form the arms of Mexico. The edifice contains also the General Post-office and the National Museum. In the armory of the palace there was pointed out to us the stand of arms with which the Archduke Maximilian and his two faithful officers were shot at Queretaro. In the grounds which form the patio of the palace, a small botanical garden is maintained, containing many exotics, choice trees and plants, besides a collection of those indigenous to the country. The curiosities in the department of antiquity of the museum are of intense interest. In an historical point of view they are invaluable. A great amount of money and intelligent labor has been expended upon the collection with highly satisfactory results. It is of engaging interest to the merest museum frequenter, but to the archaeologist it is valuable beyond expression. Here are also deposited the extensive solid silver table-service imported for his own use by Maximilian, and also the ridiculously gilded and bedizened state carriage brought hither from Europe, built after the English style of the seventeenth century. The body of the vehicle is painted red, the wheels are gilded, and the interior is lined with white silk brocade, heavily trimmed with silver and gold thread. It surpasses in elegance and cost any royal vehicle to be seen in Europe, not excepting the magnificent carriages in the royal stables of Vienna and St. Petersburg. Among the personal relics seen in the museum is the coat of mail worn by Cortez during his battles from Vera Cruz to the capital, also the silk banner which was borne in all his fights. This small flag bears a remarkably lovely face of the Madonna, which must have been the work of a master hand. The shield of Montezuma is also exhibited, with many arms, jewels, and picture writings, these last relating to historic matters, both Toltec and Aztec. The great sacrificial stone of the aborigines, placed on the ground floor of the museum, is, in all its detail, a study to occupy one for days. It is of basalt, elaborately chiseled, measuring nine feet in diameter and three feet in height. On this stone the lives of thousands of human beings, we are told, were offered up annually. The municipal palace is on the south side of the plaza, nearly opposite to which is a block of buildings resting upon arcades like those of the Rue Rivoli in Paris. Let us not forget to mention that in the garden of the national palace the visitor is shown a remarkable floral curiosity called the hand-tree, covered with bright scarlet flowers, almost exactly in the shape of the human hand. This is the _Cheirostemon platanifolium_ of the botanists, an extremely rare plant, three specimens of which only are known to exist in Mexico.

In the rear of the national palace is the Academy of Fine Arts, generally spoken of as the Academy of San Carlos,--named in honor of Carlos III. of Spain,--which contains three or four well-filled apartments of paintings, with one and, in some instances, two pictures each of such masters as Leonardo da Vinci, Velasquez, Titian, Van Dyck, Rubens, Perugino, and others. There is also a large hall of sculpture attached, which presents casts of many well-known and classic originals. This department, however, does not compare well with the rest of the institution. The art gallery will be sure to greatly interest the stranger, as being the foundation of an institution evidently destined in time to reach a high degree of excellence. Besides possessing several priceless examples by the old masters, there are many admirable pictures, the result of native talent, which are remarkable for their conception and execution. Two large canvases by Jose Maria Velasco, representing the Valley of Mexico, form fine and striking landscapes which few modern painters can equal. These two paintings were exhibited at the Philadelphia Exposition, and won high encomiums. In our estimation, the gem of the galleries is, unquestionably, the large canvas by Felix Parra, a native artist. It is entitled "Las Casas protecting the Aztecs from slaughter by the Spaniards." This young artist, not yet much over thirty years of age, has given us in this picture an original conception most perfectly carried out, which has already made him famous. It was painted before Parra had ever seen any other country except Mexico, but it won for him the first prize at the Academy of Rome. The original painting was exhibited at the New Orleans Exposition not long since, eliciting the highest praise from art critics. It is worthy of being placed in the Louvre or the Uffizi. One canvas, entitled "The Dead Monk," attracted us as being singularly effective. The scene represents several monks, with tapers in their hands, surrounding the dead body of a brother of their order. The dim light illumines the scared faces of the group, as it falls upon the calm, white features of the dead. The masterly handling of color in this picture has rarely been excelled.

The Academy of San Carlos contains an art school free to the youth of the city, and is subsidized by government to the amount of thirty-five thousand dollars per annum. As we passed through the galleries, a large class of intelligent-looking boys, whose age might have ranged from twelve to fifteen years, were busily engaged with their pencils and drawing-paper in copying models placed before them, under the supervision of a competent instructor. It was pleasant to see the democratic character of this assemblage of pupils. All classes were represented. The school is as free to the son of a peon as to him with the richest of parents. Prizes are given for meritorious work by the students; one annual prize is especially sought for, namely, an allowance of six hundred dollars a year for six years, to enable the recipient to study art abroad. The institution is in a reasonably flourishing condition, but it lacks the stimulus of an appreciative community to foster its growth and to incite emulation among its pupils. Strangers visit, admire, and applaud, but native residents exhibit little or no enthusiasm for this nucleus of the fine arts in the national capital. The encouragement offered to artists in any line in Mexico is extremely small.