The Altar Fire, Arthur Christopher Benson [book recommendations for young adults txt] 📗

their energy for the ordinary pursuits of life; all creative work is the result of a certain superabundance of mental force. If this force is used up in social duties, in professional business, even in the pursuit of a high degree of mental cultivation, originality must suffer; and therefore a man whose aim is to write, ought resolutely to limit his activities. What would be idleness in another is for him a storing of forces; what in an ordinary man would be malingering and procrastination, is for the writer the repose necessary to allow his energies to concentrate themselves upon his chosen work.


June 8, 1889.


I have been looking at a catalogue, this morning, of the publications of a firm that is always bringing out new editions of old writers. I suppose they find a certain sale for these books, or they would not issue them; and yet I cannot conceive who buys them in their thousands, and still less who reads them. Teachers, perhaps, of literature; or people who are inspired by local lectures to go in search of culture? It is a great problem, this accumulation of literature; and it seems to me a very irrational thing to do to republish the complete works of old authors, who perhaps, in the midst of a large mass of essentially second-rate work, added half-a-dozen lyrics to the literature of the world. But surely it is time that we began to select? Whatever else there is time for in this world, there certainly is not time to read old half-forgotten second-rate work. Of course people who are making a special study of an age, a period, a school of writers, have to plough through a good deal that is not intrinsically worth reading; but, as a rule, when a man has done this, instead of saying boldly that the greater part of an author's writings may be wisely neglected and left alone, he loses himself in the critical discrimination and the chronological arrangement of inferior compositions; perhaps he rescues a few lines of merit out of a mass of writing; but there is hardly time now to read long ponderous poems for the sake of a few fine flashes of emotion and expression. What, as a rule, distinguishes the work of the amateur from the work of the great writer is that an amateur will retain a poem for the sake of a few good lines, whereas a great writer will relentlessly sacrifice a few fine phrases, if the whole structure and texture of the poem is loose and unsatisfactory. The only chance of writing something that will live is to be sure that the whole thing--book, essay, poem--is perfectly proportioned, firm, hammered, definite. The sign and seal of a great writer is that he has either the patience to improve loose work, or the courage to sacrifice it.

But most readers are so irrational, so submissive, so deferential, that they will swallow an author whole. They think dimly that they can arrive at a certain kind of culture by knowledge; but knowledge has nothing to do with it. The point is to have perception, emotion, discrimination. This is where education fails so grievously, that teachers of this independent and perceptive process are so rare, and that teaching too often falls into the hands of conscientious people, with good memories, who think that it benefits the mind to load it with facts and dates, and forget, or do not know, that what is needed is a sort of ardent inner fire, that consumes the debris and fuses the ore.

In that dry, ugly, depressing book, Harry and Lucy, which I used to read in my youth, there is a terrible father, kind, virtuous, conscientious, whose one idea seems to be to encourage the children to amass correct information. The party is driving in a chaise together, and Lucy begins to tell a story of a little girl, Kitty Maples by name, whom she has met at her Aunt Pierrepoint's; it seems as if the conversation is for once to be enlightened by a ray of human interest, but the name is hardly out of her lips, when the father directs her attention to a building beside the road, and adds, "Let us talk of things rather than of people." The building turns out to be a sugar-refinery, or some equally depressing place, and the unhappy children are initiated into its mysteries. What could be more cheerless and dispiriting? Lucy is represented as a high-spirited and somewhat giddy child, who is always being made aware of her moral deficiencies.

One looks forward sadly to the time when nature has been resolutely expelled by a knowledge of dynamics and statics, and when Lucy, with children of her own, will be directing their attention away from childish fancies, to the fact that the poker is a lever, and that curly hair is a good hygrometer.

Plenty of homely and simple virtues are inculcated in Harry and Lucy; but the attitude of mind that must inevitably result from such an education is hard, complacent, and superior. The children are scolded out of superficial vanities, and their place is occupied by a satanical sort of pride--the pride of possessing correct information.

What does one want to make of one's own children? One wants them to be generous, affectionate, simple-minded, just, temperate in the moral region. In the intellectual region, one desires them to be alert, eager, independent, perceptive, interested. I like them to ask a hundred questions about what they see and hear. I want them to be tender and compassionate to animals and insects. As for books, I want them to follow their own taste, but I surround them only with the best; but even so I wish them to have minds of their own, to have preferences, and reasons for their preferences. I do not want them to follow my taste, but to trust their own. I do not in the least care about their amassing correct information. It is much better that they should learn how to use books. It is very strange how theories of education remain impervious to development. In the days when books were scarce and expensive, when knowledge was not formulated and summarised, men had to depend largely on their own stores. But now, what is the use of books, if one is still to load one's memory with details? The training of memory is a very unimportant part of education nowadays; people with accurate memories are far too apt to trust them, and to despise verification. Indeed, a well-filled memory is a great snare, because it leads the possessor of it to believe, as I have said, that knowledge is culture. A good digestion is more important to a man than the possession of many sacks of corn; and what one ought rather to cultivate nowadays is mental digestion.


June 14, 1889.


It is comforting to reflect how easy it is to abandon habits, and how soon a new habit takes the place of the old. Some months ago I put writing aside in despair, feeling that I was turning away from the most stable thing in life; yet even now I have learned largely to acquiesce in silence; the dreary and objectless mood visits me less and less frequently. What have I found to fill the place of the old habit? I have begun to read much more widely, and recognise how very ill-educated I am. In my writing days, I used to read mainly for the purposes of my books, or, if I turned aside to general reading at all, it was to personal, intime, subjective books that I turned, books in which one could see the development of character, analyse emotion, acquire psychological experience; but now I find a growing interest in sociological and historical ideas; a mist begins to roll away from my mental horizon, and I realise how small was the circle in which I was walking. I sometimes find myself hoping that this may mean the possibility of a wider flight; but I do not, strange to say, care very much about the prospect. Just at present, I appear to myself to have been like a botanist walking in a great forest, looking out only for small typical specimens of certain classes of ground-plants, without any eyes for the luxurious vegetation, the beauty of the rich opening glade, the fallen day of the dense underwood.

Then too I have begun to read regularly with the children; I did it formerly, but only fitfully, and I am sorry to say grudgingly. But now it has become a matter of intense interest to me, to see how thoughts strike on eager and ingenuous minds. I find my trained imagination a great help here, because it gives me the power of clothing a bare scene with detail, and of giving vitality to an austere figure. I have made all sorts of discoveries, to me astonishing and delightful, about my children. I recognise some of their qualities and modes of thought; but there are whole ranges of qualities apparent, of which I cannot even guess the origin. One thinks of a child as deriving its nature from its parents, and its experience from its surroundings; but there is much beside that, original views, unexpected curiosities, and, strangest of all, things that seem almost like dim reminiscences floated out of other far-off lives. They seem to infer so much that they have never heard, to perceive so much that they have never seen, to know so much that they have never been told. Bewildering as this is in the intellectual region, it is still more marvellous in the moral region. They scorn, they shudder at, they approve, they love, as by some generous instinct, qualities of which they have had no experience. "I don't know what it is, but there is something wrong about Cromwell," said Maggie gravely, when we had been reading the history of the Commonwealth. Now Cromwell is just one of those characters which, as a rule, a child accepts as a model of rigid virtue and public spirit. Alec, whose taste is all for soldiers and sailors just now, and who might, one would have thought, have been dazzled by military glory, pronounced Napoleon "rather a common man." This arose purely in the boy's own mind, because I am very careful not to anticipate any judgments; I think it of the highest importance that they should learn to form their own opinions, so that we never attempt to criticise a character until we have mastered the facts of his life.

Another thing I am doing with them, which seems to me to develop intelligence pleasurably and rapidly, is to read them a passage or an episode, and then to require them to relate it or write it in their own words. I don't remember that this was ever done for me in the whole course of my elaborate education; and the speed with which they have acquired the art of seizing on salient points is to me simply marvellous. I have my reward in such remarks as these which Maud repeated to me yesterday. "Lessons," said Alec gravely, "have become ever so much more fun since we began to do them with father." "Fun!" said Maggie, with indignant emotion; "they are not lessons at all now!" I certainly do not observe any reluctance on their part to set to work, and I do see a considerable reluctance to stop; yet I don't think there is the least strain about it. But it is true that I save them all the stupid and irksome work that made my own acquisition of knowledge so bitter a thing. We read French together; my own early French lessons were positively disgusting, partly from the abominable little books on dirty paper and