Highways & Byways in Sussex, E. V. Lucas [good books to read for beginners .txt] 📗
- Author: E. V. Lucas
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The glory of the Montagus has utterly passed. The present Earl of Egmont is either an absentee or he lives in a cottage near the gates; and the new house, which is hidden in trees, is of no interest. The park, however, is still ranged by its beautiful deer, and still possesses an avenue of chestnut trees and rolling wastes of turf. It is everywhere as free as a heath.
CHAPTER II MIDHURST'S VILLAGESHanging in chains—A wooded paradise—Fernhurst—Shulbrede Priory—Blackdown—Tennyson's Sussex home—Thomas Otway—Kate Hotspur's Grave—A Sussex ornithologist—The friend of owls—William Cobbett looks at the Squire—The charms of South Harting—Lady Mary Caryll's little difficulties—Gilbert White in Sussex—The old field routine—Witchcraft at South Harting—The Rother—Easebourne—West Lavington and Cardinal Manning.
The road from Midhurst to Blackdown ascends steadily to Henley, threading vast woods and preserves. On the left is a great common, on the right North Heath, where the two Drewitts were hanged in chains after being executed at Horsham, in 1799, for the robbery of the Portsmouth mail—probably the last instance of hanging in chains in this country. For those that like wild forest country there was once no better ramble than might be enjoyed here; but now (1903) that the King's new sanatorium is being built in the midst of Great Common, some of the wildness must necessarily be lost. A finer site could not have been found. Above Great Common is a superb open space nearly six hundred feet high, with gorse bushes advantageously placed to give shelter while one studies the Fernhurst valley, the Haslemere heights and, blue in the distance, the North Downs. Sussex has nothing wilder or richer than the country we are now in.
A few minutes' walk to the east from this lofty common, and we are immediately above Henley, clinging to the hill side, an almost Alpine hamlet. Henley, however, no longer sees the travellers that once it did, for the coach road, which of old climbed perilously through it, has been diverted in a curve through the hanger, and now sweeps into Fernhurst by way of Henley Common.
Blackdown
Blackdown.Fernhurst, beautifully named, is in an exquisite situation among the minor eminences of the Haslemere range, but the builder has been busy here, and the village is not what it was.
Two miles to the north-west, on the way to Linchmere, immediately under the green heights of Marley, is the old house which once was Shulbrede Priory. As it is now in private occupation and is not shown to strangers, I have not seen it; but of old many persons journeyed thither, attracted by the quaint mural paintings, in the Prior's room, of domestic animals uttering speech. "Christus natus est," crows the cock. "Quando? Quando?" the duck inquires. "In hac nocte," says the raven. "Ubi? Ubi?" asks the cow, and the lamb satisfies her: "Bethlehem, Bethlehem."
One may return deviously from Shulbrede to Midhurst (passing in the heart of an unpopulated country a hamlet called Milland, where is an old curiosity shop of varied resources) by way of one of the pleasantest and narrowest lanes that I know, rising and falling for miles through silent woods, coming at last to Chithurst church, one of the smallest and simplest and least accessible in the county, and reaching Midhurst again by the hard, dry and irreproachable road that runs between the heather of Trotton Common.
On the eastern side of Fernhurst, to which we may now return, a mile on the way to Lurgashall, was once Verdley Castle; but it is now a castle no more, merely a ruined heap. Utilitarianism was too much for it, and its stones fell to Macadam. After all, if an old castle has to go, there are few better forms of reincarnation for it than a good hard road. While at Fernhurst it is well to walk on to Blackdown, the best way, perhaps, being to take the lane to the right about half a mile beyond the village, and make for the hill across country. Blackdown, whose blackness is from its heather and its firs, frowns before one all the while. The climb to the summit is toilsome, over nine hundred feet, but well worth the effort, for the hill overlooks hundreds of square miles of Sussex and Surrey, between Leith Hill in the north and Chanctonbury in the south.
Aldworth, Tennyson's house, is on the north-east slope, facing Surrey. The poet laid the foundation stone on April 23 (Shakespeare's birthday), 1868: the inscription on the stone running "Prosper thou the work of our hands, O prosper thou our handiwork." Of the site Aubrey de Vere wrote:—"It lifted England's great poet to a height from which he could gaze on a large portion of that English land which he loved so well, see it basking in its most affluent summer beauty, and only bounded by 'the inviolate sea.' Year after year he trod its two stately terraces with men the most noted of their time." Pilgrims from all parts journeyed thither—not too welcome; among them that devout American who had worked his way across the Atlantic in order to recite Maud to its author: a recitation from which, says the present Lord Tennyson, his father "suffered." Tennyson has, I think, no poems upon his Sussex home, but I always imagine that the dedication of The Death of Œnone and other Poems, in 1894, must belong to Blackdown:—
The most interesting village between Midhurst and the western boundary, due west, is Trotton, three miles distant on the superb road to Petersfield, of which I have spoken above. There is no better road in England. Trotton is quiet and modest, but it has two great claims on lovers of the English drama. In the "Ode to Pity" of one of our Sussex poets we read thus of another:—
So wrote William Collins, adding in a note that the Arun (more properly the Rother, a tributary of the Arun) runs by the village of Trotton, in Sussex, where Thomas Otway had his birth. The unhappy author of Venice Preserv'd and The Orphan was born at Trotton in 1652, the son of Humphrey Otway, the curate, who afterwards became rector of Woolbeding close by. Otway died miserably when only thirty-three, partly of starvation, partly of a broken heart at the unresponsiveness of Mrs. Barry, the actress, whom he loved, but who preferred the Earl of Rochester. His two best plays, although they are no longer acted, lived for many years, providing in Belvidera, in Venice Preserv'd and Monimia, in The Orphan (in which he "sung the female heart") congenial rôles for tragic actresses—Mrs. Barry, Mrs. Oldfield, Mrs. Cibber, Mrs. Siddons and Miss O'Neill. Otway was buried in the churchyard of St. Clement Danes, but a tablet to his fame is in Trotton church, which is of unusual plainness, not unlike an ecclesiastical barn. Here also is the earliest known brass to a woman—Margaret de Camoys, who lived about 1300.
The transition is easy (at Trotton) from Otway to Shakespeare, from Venice Preserv'd to Henry IV.
Hotspur (to Lady Percy). Come, Kate, thou art perfect in lying down: come quick, quick; that I may lay my head in thy lap.
Lady P. Go, ye giddy goose.
[The music plays.
Lady P. Then should you be nothing but musical; for you are altogether governed by humours. Lie still, ye thief, and hear the lady sing in Welsh.
Hot. I had rather hear Lady, my brach, howl in Irish.
Lady P. Wouldst have thy head broken?
Hot. No.
Lady P. Then be still.
Hot. Neither: 'tis a woman's fault.
Lady P. Now God help thee!
Hot. To the Welsh lady's bed.
Lady P. What's that?
Hot. Peace! she sings.
[A Welsh song sung by Lady Mortimer.
Hot. Come, Kate, I'll have your song too.
Lady P. Not mine, in good sooth.
Hot. Not yours, in good sooth! 'Heart, you swear like a comfit-maker's wife. 'Not you, in good sooth'; and, 'As true as I live'; and,
Lady P. I will not sing.
Hot. 'Tis the next way to turn tailor, or be redbreast teacher. An the indentures be drawn, I'll away within these two hours; and so come in when ye will.
[Exit.
My excuse for introducing this little scene is that Kate, whose real name was Elizabeth, lies here. Her tomb is in the chancel, where she reposes beside her second husband Thomas, Lord Camoys, beneath a slab on which are presentments in brass of herself and her lord. It was this Lord Camoys who rebuilt Trotton's church, about 1400, and who also gave the village its beautiful bridge over the Rother at a cost, it used to be said, of only a few pence less than that of the church.
Trotton has still other literary claims. At Trotton Place lived Arthur Edward Knox, whose Ornithological Rambles in Sussex, published in 1849, is one of the few books worthy to stand beside White's Natural History of Selborne. In Sussex, as elsewhere, the fowler has prevailed, and although rare birds are still occasionally to be seen, they now visit the country only by accident, and leave it as soon as may be, thankful to have a whole skin. Guns were active enough in Knox's time, but to read his book to-day is to be translated to a new land. From time to time I shall borrow from Mr. Knox's pages: here I may quote a short passage which refers at once to his home and to his attitude to those creatures whom he loved to study and studied to love:—"I have the satisfaction of exercising the rites of hospitality towards a pair of barn owls, which have for some time taken up their quarters in one of the attic roofs of the ancient, ivy-covered house in which I reside. I delight in listening to the prolonged snoring of the young when I ascend the old oak stairs to the neighbourhood of their nursery, and in hearing the shriek of the parent birds on the calm summer nights as they pass to and fro near my window; for it assures me that they are still safe; and as I know that at least a qualified protection is afforded them elsewhere, and that even their arch-enemy the gamekeeper is beginning reluctantly, but gradually, to acquiesce in the general belief of their innocence and utility, I
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