Unbeaten Tracks in Japan, Isabella Lucy Bird [learn to read books TXT] 📗

They don't wear any clothing till they are seven or eight years old, and are then dressed like their elders. Their manners to their parents are very affectionate. Even to-day, in the chief's awe-inspiring presence, one dear little nude creature, who had been sitting quietly for two hours staring into the fire with her big brown eyes, rushed to meet her mother when she entered, and threw her arms round her, to which the woman responded by a look of true maternal tenderness and a kiss. These little creatures, in the absolute unconsciousness of innocence, with their beautiful faces, olive-tinted bodies,--all the darker, sad to say, from dirt,--their perfect docility, and absence of prying curiosity, are very bewitching. They all wear silver or pewter ornaments tied round their necks by a wisp of blue cotton.

Apparently the ordinary infantile maladies, such as whooping-cough and measles, do not afflict the Ainos fatally; but the children suffer from a cutaneous affection, which wears off as they reach the age of ten or eleven years, as well as from severe toothache with their first teeth.



LETTER XXXVII--(Continued)

Aino Clothing--Holiday Dress--Domestic Architecture--Household Gods--Japanese Curios--The Necessaries of Life--Clay Soup--Arrow Poison--Arrow-Traps--Female Occupations--Bark Cloth--The Art of Weaving.

Aino clothing, for savages, is exceptionally good. In the winter it consists of one, two, or more coats of skins, with hoods of the same, to which the men add rude moccasins when they go out hunting. In summer they wear kimonos, or loose coats, made of cloth woven from the split bark of a forest tree. This is a durable and beautiful fabric in various shades of natural buff, and somewhat resembles what is known to fancy workers as "Panama canvas." Under this a skin or bark-cloth vest may or may not be worn. The men wear these coats reaching a little below the knees, folded over from right to left, and confined at the waist by a narrow girdle of the same cloth, to which is attached a rude, dagger-shaped knife, with a carved and engraved wooden handle and sheath. Smoking is by no means a general practice; consequently the pipe and tobacco-box are not, as with the Japanese, a part of ordinary male attire. Tightly-fitting leggings, either of bark-cloth or skin, are worn by both sexes, but neither shoes nor sandals. The coat worn by the women reaches half-way between the knees and ankles, and is quite loose and without a girdle. It is fastened the whole way up to the collar-bone; and not only is the Aino woman completely covered, but she will not change one garment for another except alone or in the dark. Lately a Japanese woman at Sarufuto took an Aino woman into her house, and insisted on her taking a bath, which she absolutely refused to do till the bath-house had been made quite private by means of screens. On the Japanese woman going back a little later to see what had become of her, she found her sitting in the water in her clothes; and on being remonstrated with, she said that the gods would be angry if they saw her without clothes!

Many of the garments for holiday occasions are exceedingly handsome, being decorated with "geometrical" patterns, in which the "Greek fret" takes part, in coarse blue cotton, braided most dexterously with scarlet and white thread. Some of the handsomest take half a year to make. The masculine dress is completed by an apron of oblong shape decorated in the same elaborate manner. These handsome savages, with their powerful physique, look remarkably well in their best clothes. I have not seen a boy or girl above nine who is not thoroughly clothed. The "jewels" of the women are large, hoop earrings of silver or pewter, with attachments of a classical pattern, and silver neck ornaments, and a few have brass bracelets soldered upon their arms. The women have a perfect passion for every hue of red, and I have made friends with them by dividing among them a large turkey-red silk handkerchief, strips of which are already being utilised for the ornamenting of coats.

The houses in the five villages up here are very good. So they are at Horobets, but at Shiraoi, where the aborigines suffer from the close proximity of several grog shops, they are inferior. They differ in many ways from any that I have before seen, approaching most nearly to the grass houses of the natives of Hawaii. Custom does not appear to permit either of variety or innovations; in all the style is the same, and the difference consists in the size and plenishings. The dwellings seem ill-fitted for a rigorous climate, but the same thing may be said of those of the Japanese. In their houses, as in their faces, the Ainos are more European than their conquerors, as they possess doorways, windows, central fireplaces, like those of the Highlanders of Scotland, and raised sleeping- places.

The usual appearance is that of a small house built on at the end of a larger one. The small house is the vestibule or ante-room, and is entered by a low doorway screened by a heavy mat of reeds. It contains the large wooden mortar and pestle with two ends, used for pounding millet, a wooden receptacle for millet, nets or hunting gear, and some bundles of reeds for repairing roof or walls. This room never contains a window. From it the large room is entered by a doorway, over which a heavy reed-mat, bound with hide, invariably hangs. This room in Benri's case is 35 feet long by 25 feet broad, another is 45 feet square, the smallest measures 20 feet by 15. On entering, one is much impressed by the great height and steepness of the roof, altogether out of proportion to the height of the walls.

The frame of the house is of posts, 4 feet 10 inches high, placed 4 feet apart, and sloping slightly inwards. The height of the walls is apparently regulated by that of the reeds, of which only one length is used, and which never exceed 4 feet 10 inches. The posts are scooped at the top, and heavy poles, resting on the scoops, are laid along them to form the top of the wall. The posts are again connected twice by slighter poles tied on horizontally. The wall is double; the outer part being formed of reeds tied very neatly to the framework in small, regular bundles, the inner layer or wall being made of reeds attached singly. From the top of the pole, which is secured to the top of the posts, the framework of the roof rises to a height of twenty-two feet, made, like the rest, of poles tied to a heavy and roughly-hewn ridge-beam. At one end under the ridge-beam there is a large triangular aperture for the exit of smoke. Two very stout, roughly-hewn beams cross the width of the house, resting on the posts of the wall, and on props let into the floor, and a number of poles are laid at the same height, by means of which a secondary roof formed of mats can be at once extemporised, but this is only used for guests. These poles answer the same purpose as shelves. Very great care is bestowed upon the outside of the roof, which is a marvel of neatness and prettiness, and has the appearance of a series of frills being thatched in ridges. The ridge-pole is very thickly covered, and the thatch both there and at the corners is elaborately laced with a pattern in strong peeled twigs. The poles, which, for much of the room, run from wall to wall, compel one to stoop, to avoid fracturing one's skull, and bringing down spears, bows and arrows, arrow- traps, and other primitive property. The roof and rafters are black and shiny from wood smoke. Immediately under them, at one end and one side, are small, square windows, which are closed at night by wooden shutters, which during the day-time hang by ropes. Nothing is a greater insult to an Aino than to look in at his window.

On the left of the doorway is invariably a fixed wooden platform, eighteen inches high, and covered with a single mat, which is the sleeping-place. The pillows are small stiff bolsters, covered with ornamental matting. If the family be large there are several of these sleeping platforms. A pole runs horizontally at a fitting distance above the outside edge of each, over which mats are thrown to conceal the sleepers from the rest of the room. The inside half of these mats is plain, but the outside, which is seen from the room, has a diamond pattern woven into it in dull reds and browns. The whole floor is covered with a very coarse reed-mat, with interstices half an inch wide. The fireplace, which is six feet long, is oblong. Above it, on a very black and elaborate framework, hangs a very black and shiny mat, whose superfluous soot forms the basis of the stain used in tattooing, and whose apparent purpose is to prevent the smoke ascending, and to diffuse it equally throughout the room. From this framework depends the great cooking-pot, which plays a most important part in Aino economy.

Household gods form an essential part of the furnishing of every house. In this one, at the left of the entrance, there are ten white wands, with shavings depending from the upper end, stuck in the wall; another projects from the window which faces the sunrise, and the great god--a white post, two feet high, with spirals of shavings depending from the top--is always planted in the floor, near the wall, on the left side, opposite the fire, between the platform bed of the householder and the low, broad shelf placed invariably on the same side, and which is a singular feature of all Aino houses, coast and mountain, down to the poorest, containing, as it does, Japanese curios, many of them very valuable objects of antique art, though much destroyed by damp and dust. They are true curiosities in the dwellings of these northern aborigines, and look almost solemn ranged against the wall. In this house there are twenty-four lacquered urns, or tea-chests, or seats, each standing two feet high on four small legs, shod with engraved or filigree brass. Behind these are eight lacquered tubs, and a number of bowls and lacquer trays, and above are spears with inlaid handles, and fine Kaga and Awata bowls. The lacquer is good, and several of the urns have daimiyo's crests in gold upon them. One urn and a large covered bowl are beautifully inlaid with Venus' ear. The great urns are to be seen in every house, and in addition there are suits of inlaid armour, and swords with inlaid hilts, engraved blades, and repousse scabbards, for which a collector would give almost anything. No offers, however liberal, can tempt them to sell any of these antique possessions. "They were presents," they say in their low, musical voices; "they were presents from those who were kind to our fathers; no, we cannot sell them; they were presents." And so gold lacquer, and pearl inlaying, and gold niello-work, and daimiyo's crests in gold, continue to gleam in the smoky darkness of their huts. Some of these things were doubtless gifts to their fathers when they went to pay tribute to the representative of the Shogun and the Prince of Matsumae, soon after the conquest of Yezo.