''And they thought we wouldn't fight'', Floyd Phillips Gibbons [hot novels to read .TXT] 📗

A nerve centre in his back was severed by the slash of the steel that extended almost from one shoulder to the other, and Big Boy had fallen to the ground, his arms and legs powerless. Then the German with the bayonet robbed him. Big Boy enumerated the loss to me,—fifty-three dollars and his girl's picture.

Although paralysed and helpless, there was nothing down in the mouth about Big Boy—indeed, he provided most of the fun in the ward. He had an idea all of his own about what he was going to do after the war and he let us know about it that night.

"All of you guys have told what you're going to do," he said, "now I'm going to tell you the truth. I'm going back to that little town of mine in Ohio and go down to the grocery store and sit there on a soap box on the porch.

"Then I'm going to gather all the little boys in the neighbourhood round about me and then I'm going to outlie the G. A. R."

There was one thing in that ward that nobody could lie about and that was the twitches of pain we suffered in the mornings when the old dressings of the day before were changed and new ones applied.

The doctor and his woman assistant who had charge of the surgical dressings on that corridor would arrive in the ward shortly after breakfast. They would be wheeling in front of them a rubber-tired, white-enamelled vehicle on which were piled the jars of antiseptic gauze and trays of nickel-plated instruments, which both the doctor and his assistant would handle with rubber-gloved hands. In our ward that vehicle was known as the "Agony Cart," and every time it stopped at the foot of a bed you would be pretty sure to hear a groan or a stifled wail in a few minutes.

We had various ways of expressing or suppressing the pain. You who have had a particularly vicious mustard plaster jerked off that tender spot in the back, right between the shoulders, have some small conception of the delicate sensation that accompanies the removal of old gauze from a healing wound.

Some of the men would grit their teeth and grunt, others would put their wrists in their mouths and bite themselves during the operation. Some others would try to keep talking to the doctor or the nurse while the ordeal was in progress and others would just simply shout. There was little satisfaction to be gained from these expressions of pain because while one man was yelling the other thirteen in the ward were shouting with glee and chaffing him, and as soon as his wounds had been redressed he would join in the laughs at the expense of those who followed him.

There was a Jewish boy in the ward and he had a particularly painful shell wound in his right leg. He was plucky about the painful treatment and used to say to the doctor, "Don't mind me yelling, doc. I can't help it, but you just keep right on."

The Jew boy's cry of pain as near as I can reproduce it went something like this, "Oy! Oy!! Oy!!! YOY!!! Doctor!"

The Jew boy's clear-toned enunciation of this Yiddish lullaby, as the rest of the ward called it, brought many a heartless, fiendish laugh from the occupants of the other beds. We almost lost one of our patients on account of that laugh. He nearly laughed himself to death—in fact.

This near victim of uncontrollable risibilities was an Italian boy from the East Side of New York. A piece of shrapnel had penetrated one of his lungs and pleurisy had developed in the other one. It had become necessary to operate on one of the lungs and tape it down. The boy had to do his best to breathe with one lung that was affected by pleurisy. Every breath was like the stab of a knife and it was quite natural that the patient would be peevish and garrulous. The whole ward called him the "dying Wop." But his name was Frank.

When the Jew boy would run the scale with his torture cry, the "dying Wop" would be forced to forget his laboured breathing and give vent to laughter. These almost fatal laughs sounded something like this:

"He! Hee!! Hee!!! (on a rising inflection and then much softer) Oh, Oh, Oh! Stop him, stop him, stop him!" The "He-Hee's" were laughs, but the "Oh-oh's" were excruciating pain.

Frank grew steadily worse and had to be removed from the ward. Weeks afterward I went back to see him and found him much thinner and considerably weaker. He occupied a bed on one of the pavilions in the garden. He was still breathing out of that one lung and between gasps he told me that six men had died in the bed next to him. Then he smiled up at me with a look in his eyes that seemed to say, "But they haven't croaked the 'dying Wop' yet."

"This here—hospital stuff——" Frank told me slowly, and between gasps, "is the big fight after all. I know—I am fighting here—against death—and am going to win out, too.

"I'm going to win out even though it is harder to fight—than fighting—the Germans—up front. We Italians licked Hell out of them—a million years ago. Old General Cæsar did it and he used to bring them back to Rome and put 'em in white-wing suits on the streets."

For all his quaint knowledge of Cæsar's successes against the progenitors of Kulturland of to-day, Frank was all American. Here was a rough-cut young American from the streets of New York's Little Italy. Here was a man who had almost made the supreme sacrifice. Here was a man who, if he did escape death, faced long weakened years ahead. It occurred to me that I would like to know, that it would be interesting to know, in what opinion this wounded American soldier, the son of uneducated immigrant parents, would hold the Chief Executive of the United States, the man he would most likely personify as responsible for the events that led up to his being wounded on the battlefield.

"Frank," I asked, "what do you think about the President of the United States?"

He seemed to be considering for a minute, or maybe he was only waiting to gather sufficient breath to make an answer. He had been lying with his eyes directed steadfastly toward the ceiling. Now he turned his face slowly toward me. His eyes, sunken slightly in their sockets, shone feverishly. His pinched, hollow cheeks were still swarthy, but the background of the white pillow made them look wan. Slowly he moistened his lips, and then he said:

"Say—say—that guy—that guy's—got hair—on his chest."

That was the opinion of the "dying Wop."

After Frank's removal from our ward, the rest of us frequently sent messages of cheer down to him. These messages were usually carried by a young American woman who had a particular interest in our ward. Not strange to say, she had donned a Red Cross nursing uniform on the same day that most of us arrived in that ward. She was one of the American women who brought us fruit, ice cream, candy and cigarettes. She wrote letters for us to our mothers. She worked long hours, night and day, for us. In her absence, one day, the ward went into session and voted her its guardian angel. Out of modesty, I was forced to answer "Present" instead of "Aye" to the roll-call. The Angel was and is my wife.

As Official Ward Angel it was among the wife's duties to handle the matter of visitors, of which there were many. It seemed, during those early days in June, that every American woman in France dropped whatever war work she was doing and rushed to the American hospitals to be of whatever service she could. And it was not easy work these women accomplished. There was very little "forehead-rubbing" or "moving picture nursing." Much of it was tile corridor scrubbing and pan cleaning. They stopped at no tasks they were called upon to perform. Many of them worked themselves sick during the long hours of that rush period.

Sometimes the willingness, eagerness and sympathy of some of the visitors produced humourous little incidents in our hospital life. Nearly all of the women entering our ward would stop at the foot of "Big Boy's" bed. They would learn of his paralysed condition from the chart attached to the foot of the bed. Then they would mournfully shake their heads and slowly pronounce the words "Poor boy."

And above all things in the world distasteful to Big Boy was that one expression "Poor boy" because as soon as the kindly intentioned women would leave the room, the rest of the ward would take up the "Poor boy" chorus until Big Boy got sick of it. Usually, however, before leaving the ward the woman visitor would take from a cluster of flowers on her arm, one large red rose and this she would solemnly deposit on Big Boy's defenceless chest.

Big Boy would smile up to her a look which she would accept and interpret as one of deep, undying gratitude. The kindly-intentioned one surrounding herself with that benediction that is derived from a sacred duty well performed, would walk slowly from the room and as the door would close behind her, Big Boy's gruff drawling voice would sing out in a call for the orderly.

"Dan, remove the funeral decorations," he would order.

Dan Sullivan, our orderly, was the busiest man in the hospital. Big Boy liked to smoke, but, being paralysed, he required assistance. At regular intervals during the day the ward room door, which was close to Big Boy's bed, would open slowly and through the gap four or six inches wide the rest of the ward would get a glimpse of Dan standing in the opening with his arms piled high with pots and utensils, and a cigarette hanging from the corner of his mouth.