The Heritage of the Sioux, B. M. Bower [feel good fiction books TXT] 📗

Luck, in the course of his enthusiastic picture making, reached the point where he must find a bank that was willing to be robbed—in broad daylight and for screen purposes only. If you know anything at all about our financial storehouses, you know that they are sensitive about being robbed, or even having it appear that they are being subjected to so humiliating a procedure. What Luck needed was a bank that was not only willing, but one that faced the sun as well. He was lucky, as usual. The Bernalillo County Bank stands on a corner facing east and south. It is an unpretentious little bank of the older style of architecture, and might well be located in the centre of any small range town and hold the shipping receipts of a cattleman who was growing rich as he grew old.

Luck stopped across the street and looked the bank over, and saw how the sun would shine in at the door and through the wide windows during the greater part of the afternoon, and hoped that the cashier was a human being and would not object to a fake robbery. Not liking suspense, he stepped off the pavement and dodged a jitney, and hurried over to interview the cashier.

You never know what secret ambitions hide behind the impassive courtesy of the average business man. This cashier, for instance, wore a green eyeshade whenever his hat was not on his, head. His hair was thin and his complexion pasty and his shoulders were too stooped for a man of his age. You never would have suspected, just to look at him through the fancy grating of his window, how he thirsted for that kind of adventure which fiction writers call red-blooded. He had never had an adventure in his life; but at night, after he had gone to bed and adjusted the electric light at his head, and his green eyeshade, and had put two pillows under the back of his neck, he read—you will scarcely believe it, but it is true—he read about the James boys and Kit. Carson and Pawnee Bill, and he could tell you—only he wouldn't mention it, of course—just how many Texans were killed in the Alamo. He loved gun catalogues, and he frequently went out of his way to pass a store that displayed real, business-looking stock-saddles and quirts and spurs and things. He longed to be down in Mexico in the thick of the scrap there, and he knew every prominent Federal leader and every revolutionist that got into the papers; knew them by spelling at least, even if he couldn't pronounce the names correctly.

He had come to Albuquerque for his lungs' sake a few years ago, and he still thrilled at the sight of bright-shawled Pueblo Indians padding along the pavements in their moccasins and queer leggings that looked like joints of whitewashed stove-pipe; while to ride in an automobile out to Isleta, which is a terribly realistic Indian village of adobe huts, made the blood beat in his temples and his fingers tremble upon his knees. Even Martinez Town with its squatty houses and narrow streets held for him a peculiar fascination.

You can imagine, maybe, how his weak eyes snapped with excitement under that misleading green shade when Luck Lindsay walked in and smiled at him through the wicket, and explained who he was and what was the favor he had come to ask of the bank. You can, perhaps, imagine how he stood and made little marks on a blotter with his pencil while Luck explained just what he would want; and how he clung to the noncommittal manner which is a cashier's professional shield, while Luck smiled his smile to cover his own feeling of doubt and stated that he merely wanted two Mexicans to enter, presumably overpower the cashier, and depart with a bag or two of gold.

The cashier made a few more pencil marks and said that it might be arranged, if Luck could find it convenient to make the picture just after the bank's closing time. Obviously the cashier could not permit the bank's patrons to be disturbed in any way—but what he really wanted was to have the thrill of the adventure all to himself.

With the two of them anxious to have the pictured robbery take place, of course they arranged it after a polite sparring on the part of the cashier, whose craving for adventure was carefully guarded as a guilty secret.

At three o'clock the next day, then—although Luck would have greatly preferred an earlier hour—the cashier had the bank cleared of patrons and superfluous clerks, and was watching, with his nerves all atingle and the sun shining in upon him through a side window, while Pete Lowry and Bill Holmes fussed outside with the camera, getting ready for the arrival of those realistic bandits, Ramon Chavez and Luis Rojas. On the street corner opposite, the Happy Family foregathered clannishly, waiting until they were called into the street-fight scene which Luck meant to make later.

The cashier's cheeks were quite pink with excitement when finally Ramon and the Rojas villain walked past the window and looked in at him before going on to the door. He was disappointed because they were not masked, and because they did not wear bright sashes with fringe and striped serapes draped across their shoulders, and the hilts of wicked knives showing somewhere. They did not look like bandits at all—thanks to Luck's sure knowledge and fine sense of realism. Still, they answered the purpose, and when they opened the door and came in the cashier got quite a start from the greedy look in their eyes when they saw the gold he had stacked in profusion on the counter before him.

They made the scene twice—the walking past the window and coming in at the door; and the second time Luck swore at them because they stopped too abruptly at the window and lingered too long there, looking in at the cashier and his gold, and exchanging meaning glances before they went to the door.

Later, there was an interior scene with reflectors almost blinding the cashier while he struggled self-consciously and ineffectually with Ramon Chavez. The gold that Ramon scraped from the cashier's keeping into his own was not, of course, the real gold which the bandits had seen through the window. Luck, careful of his responsibilities, had waited while the cashier locked the bank's money in the vault, and had replaced it with brass coins that looked real—to the camera.

The cashier lived then the biggest moments of his life. He was forced upon his back across a desk that had been carefully cleared of the bank's papers and as carefully strewn with worthless ones which Luck had brought. A realistically uncomfortable gag had been forced into the mouth of the cashier—where it brought twinges from some fresh dental work, by the way—and the bandits had taken everything in sight that they fancied.

Ramon and Luis Rojas had proven themselves artists in this particular line of work, and the cashier, when it was all over and the camera and company were busily at work elsewhere, lived it in his imagination and felt that he was at least tasting the full flavor of red-blooded adventure without having to pay the usual price of bitterness and bodily suffering. He was mistaken, of course—as I