The Untamed, Max Brand [electronic reader txt] 📗

track, and following the direction of his gaze she saw a tiny spot of haze on the horizon. The tiny puff of smoke developed to a deeper, louder note. The station-agent took his place on the track.

Now the train bulked big, the engine wavering slightly to the unevenness of the road bed. The flag of the station-agent moved. Kate closed her eyes and set her teeth. There was a rumbling and puffing and a mighty grinding—a shout somewhere—the rattle of a score of pistol shots—she opened her eyes to see the train rolling to a stop on the siding directly before her.

Kilduff and Shorty Rhinehart, crouching against the grade, were splintering the windows one by one with nicely placed shots. The baggage-cars were farther up the siding than Silent calculated. He and Haines now ran towards the head of the train.

The fireman and engineer jumped from their cab, holding their arms stiffly above their heads; and Haines approached with poised revolver to make them flood the fire box. In this way the train would be delayed for some time and before it could send out the alarm the bandits would be far from pursuit. Haines had already reached the locomotive and Silent was running towards the first baggage-car when the door of that car slid open and at the entrance appeared two men with rifles at their shoulders. As they opened fire Silent pitched to the ground. Kate set her teeth and forced her eyes to stay open.

Even as the outlaw fell his revolver spoke and one of the men threw up his hands with a yell and pitched out of the open door. His companion still kept his post, pumping shots at the prone figure. Twice more the muzzle of Silent's gun jerked up and the second man crumpled on the floor of the car.

A great hissing and a jetting cloud of steam announced that Haines had succeeded in flooding the fire box. Silent climbed into the first baggage-car, stepping, as he did so, on the limp body of the Wells Fargo agent, who lay on the road bed. A moment later he flung out the body of the second messenger. The man flopped on the ground heavily, face downwards, and then—greatest horror of all!—dragged himself to his hands and knees and began to crawl laboriously. Kate ran and dropped to her knees beside him.

"Are you hurt badly?" she pleaded. "Where? Where?"

He sagged to the ground and lay on his left side, breathing heavily.

"Where is the wound?" she repeated.

He attempted to speak, but only a bloody froth came to his lips. That was sufficient to tell her that he had been shot through the lungs.

She tore open his shirt and found two purple spots high on the chest, one to the right, and one to the left. From that on the left ran a tiny trickle of blood, but that on the right was only a small puncture in the midst of a bruise. He was far past all help.

"Speak to me!" she pleaded.

His eyes rolled and then checked on her face.

"Done for," he said in a horrible whisper, "that devil done me. Kid—cut out—this life. I've played this game—myself—an' now—I'm goin'—to hell for it!"

A great convulsion twisted his face.

"What can I do?" cried Kate.

"Tell the world—I died—game!"

His body writhed, and in the last agony his hand closed hard over hers. It was like a silent farewell, that strong clasp.

A great hand caught her by the shoulder and jerked her to her feet.

"The charge is goin' off! Jump for it!" shouted Silent in her ear.

She sprang up and at the same time there was a great boom from within the car. The side bulged out—a section of the top lifted and fell back with a crash—and Silent ran back into the smoke. Haines, Purvis, and Kilduff were instantly at the car, taking the ponderous little canvas sacks of coin as their chief handed them out.

Within two minutes after the explosion ten small sacks were deposited in the saddlebags on the horses which stood before the station-house. Silent's whistle called in Terry Jordan and Shorty Rhinehart—a sharp order forced Kate to climb into her saddle—and the train robbers struck up the hillside at a racing pace. A confused shouting rose behind them. Rifles commenced to crack where some of the passengers had taken up the weapons of the dead guards, but the bullets flew wide, and the little troop was soon safely out of range.

On the other side of the hill-top they changed their course to the right. For half an hour the killing pace continued, and then, as there was not a sign of immediate chase, the lone riders drew down to a soberer pace. Silent called: "Keep bunched behind me. We're headed for the old Salton place—an' a long rest."

CHAPTER XIX REAL MEN

Some people pointed out that Sheriff Gus Morris had never made a single important arrest in the ten years during which he had held office, and there were a few slanderers who spoke insinuatingly of the manner in which the lone riders flourished in Morris's domain. These "knockers," however, were voted down by the vast majority, who swore that the sheriff was the finest fellow who ever threw leg over saddle. They liked him for his inexhaustible good-nature, the mellow baritone in which he sang the range songs at any one's request, and perhaps more than all, for the very laxness with which he conducted his work. They had had enough of the old school of sheriffs who lived a few months gun in hand and died fighting from the saddle. The office had never seemed desirable until Gus Morris ran for it and smiled his way to a triumphant election.

Before his career as an office-holder began, he ran a combined general merchandise store, saloon, and hotel. That is to say, he ran the hostelry in name. The real executive head, general manager, clerk, bookkeeper, and cook, and sometimes even bartender was his daughter, Jacqueline. She found the place only a saloon, and a poorly patronized one at that. Her unaided energy gradually made it into a hotel, restaurant, and store. Even while her father was in office he spent most of his time around the hotel; but no matter how important he might be elsewhere, in his own house he had no voice. There the only law was the will of Jacqueline.

Out of the stable behind this hostelry Dan and Tex Calder walked on the evening of the train robbery. They had reached the place of the hold-up a full two hours after Silent's crew departed; and the fireman and engineer had been working frantically during the interim to clean out the soaked fire box and get up steam again. Tex looked at the two dead bodies, spoke to the conductor, and then cut short the voluble explanations of a score of passengers by turning his horse and riding away, followed by Dan. All that day he was gloomily silent. It was a shrewd blow at his reputation, for the outlaws had actually carried out the robbery while he was on their trail. Not till they came out of the horse-shed after stabling their horses did he speak freely.

"Dan," he said, "do you know anything about Sheriff Gus Morris?"

"No"

"Then listen to this and salt every word away. I'm an officer of the law, but I won't tell that to Morris. I hope he doesn't know me. If he does it will spoil our game. I am almost certain he is playing a close hand with the lone riders. I'll wager he'd rather see a stick of dynamite than a marshal. Remember when we get in that place that we're not after Jim Silent or any one else. We're simply travelling cowboys. No questions. I expect to learn something about the location of Silent's gang while we're here, but we'll never find out except by hints and chance remarks. We have to watch Morris like hawks. If he suspects us he'll find a way to let Silent know we're here and then the hunters will be hunted."

In the house they found a dozen cattlemen sitting down at the table in the dining-room. As they entered the room the sheriff, who sat at the head of the table, waved his hand to them.

"H'ware ye, boys?" he called. "You'll find a couple of chairs right in the next room. Got two extra plates, Jac?"

As Dan followed Tex after the chairs he noticed the sheriff beckon to one of the men who sat near him. As they returned with the chairs someone was leaving the room by another door.

"Tex," he said, as they sat down side by side, "when we left the dining-room for the chairs, the sheriff spoke to one of the boys and as we came back one of them was leavin' through another door. D'you think Morris knew you when you came in?"

Calder frowned thoughtfully and then shook his head.

"No," he said in a low voice. "I watched him like a hawk when we entered. He didn't bat an eye when he saw me. If he recognized me he's the greatest actor in the world, bar none! No, Dan, he doesn't know us from Adam and Abel."

"All right," said Dan, "but I don't like somethin' about this place—maybe it's the smell of the air. Tex, take my advice an' keep your gun ready for the fastest draw you ever made."

"Don't worry about me," smiled Calder. "How about yourself?"

"Hello," broke in Jacqueline from the end of the table. "Look who we've picked in the draw!"

Her voice was musical, but her accent and manner were those of a girl who has lived all her life among men and has caught their ways—with an exaggeration of that self-confidence which a woman always feels among Western men. Her blue eyes were upon Dan.

"Ain't you a long ways from home?" she went on.

The rest of the table, perceiving the drift of her badgering, broke into a rumbling bass chuckle.

"Quite a ways," said Dan, and his wide brown eyes looked seriously back at her.

A yell of delight came from the men at this naive rejoinder. Dan looked about him with a sort of childish wonder. Calder's anxious whisper came at his side: "Don't let them get you mad, Dan!" Jacqueline, having scored so heavily with her first shot, was by no means willing to give up her sport.

"With them big eyes, for a starter," she said, "all you need is long hair to be perfect. Do your folks generally let you run around like this?"

Every man canted his ear to get the answer and already they were grinning expectantly.

"I don't go out much," returned the soft voice of Dan, "an' when I do,
I go with my friend, here. He takes care of me."

Another thunder of laughter broke out. Jacqueline had apparently uncovered a tenderfoot, and a rare one even for that absurd species. A sandy-haired cattle puncher who sat close to Jacqueline now took the cue from the mistress of the house.

"Ain't you a bit scared when you get around among real men?" he asked, leering up the table towards Dan.

The latter smiled gently upon him.

"I reckon maybe I am," he said amiably.

"Then you must be shakin' in your boots right now," said the other over the sound of the laughter.

"No, said Dan," "I feel sort of comfortable."

The other replied with a frown that would have intimidated a balky horse.

"What d'you mean? Ain't you jest said men made you sort of—nervous?"

He imitated the soft drawl of Dan with his last words and raised another yell of delight from the crowd. Whistling Dan turned his gentle eyes upon Jacqueline.

"Pardon me, ma'am," he began.

An instant hush fell on the men. They would not miss one syllable of the delightful remarks of this rarest of all tenderfoots, and the prelude of this coming utterance promised something that would eclipse all that had gone before.

"Talk right out, Brown-eyes," said Jacqueline, wiping the tears of delight from her eyes. "Talk right out as if you was a man. I won't hurt you."

"I jest wanted to ask," said Dan, "if these are real men?"

The ready laughter started, checked, and died suddenly away. The cattlemen looked at each other in puzzled surprise.

"Don't they look like it to you, honey?" asked Jacqueline curiously.

Dan allowed his eyes to pass lingeringly around the table from face to face.

"I dunno,"