Lonesome Land, B. M. Bower [motivational books for students .TXT] 📗

the empty street. The snow was whitening their rumps and clinging, in tiny drifts, upon the saddle skirts behind the cantles.

All the little hollows of the rough, frozen ground were filling slowly, making white patches against the brown of the earth—patches which widened and widened until they met, and the whole street was blanketed with fresh, untrodden snow. Val shivered suddenly, and hurried down-stairs where the air was warm and all a-steam with cooking, and the odor of frying onions smote the nostrils like a blow in the face.

“I suppose we must stay here, now, till the storm is over,” she sighed, when she met Manley at dinner. “But as soon as it clears we must go back to the ranch. I simply cannot endure another week of it.”

“You're gitting uneasy—I seen that, two or three days ago,” said Arline, who had come into the dining room with a tray of meat and vegetables, and overheard her. “You want to stay, now, till after the dance. There's going to be a dance Friday night, you know—everybody's coming. You got to wait for that.”

“I don't attend public dances,” Val stated calmly. “I am going home as soon as the storm clears—if Manley can buy a little hay, and find our horses, and get some sort of a driving vehicle.”

“Well, if he can't, maybe he can round up a ridin'' vee-hicle,” Arline remarked dryly, placing the meat before Manley, the potatoes before Val, and the gravy exactly between the two, with mathematical precision. “I'm givin' that dance myself. You'll have to go—I'm givin' it in your honor.”

“In—my—why, the idea! It's good of you, but—”

“And you're goin', and you're goin' to take your vi'lin over and play us some pieces. I tucked it into the rig and brought it in, on purpose. I planned out the hull thing, driving out to your place. In case you wasn't all burned up, I made up my mind I was going to give you a dance, and git you acquainted with folks. You needn't to hang back—I've told everybody it was in your honor, and that you played the vi'lin swell, and we'd have some real music. And I've sent to Chinook for the dance music—harp, two fiddles, and a coronet—and you ain't going to stall the hull thing now. I didn't mean to tell you till the last minute, but you've got to have time to mate up your mind you'll go to a public dance for oncet in your life. It ain't going to hurt you none. I've went, ever sence I was big enough to reach up and grab holt of my pardner—and I'm every bit as virtuous as you be. You're going, and you'n Man are going to head the grand march.”

Val's face was flushed, her lips pursed, and her eyes wide. Plainly she was not quite sure whether she was angry, amused, or insulted. She descended straight to a purely feminine objection.

“But I haven't a thing to wear, and—”

“Oh, yes, you have. While you was dillydallying out in the front room, that night, wondering whether you'd have hysterics, or faint, or what all, I dug deep in that biggest trunk of yourn, and fished up one of your party dresses—white satin, it is, with embroid'ry all up 'n' down the front, and slimpsy lace; it's kinda low-'n'-behold—one of them—”

“My white satin—why, Mrs. Hawley! That—you must have brought the gown I wore to my farewell club reception. It has a train, and—why, the idea!”

“You can cut off the trail—you got plenty of time—or you can pin it up. I didn't have time that night to see how the thing was made, and I took it because I found white skirts and stockin's, and white satin slippers to go with it, right handy. You're a bride, and white'll be suitable, and the dance is in your honor. Wear it just as it is, fer all me. Show the folks what real clothes look like. I never seen a woman dressed up that way in my hull life. You wear it, Val, trail 'n' all. I'll back you up in it, and tell folks it's my idee, and not yourn.”

“I'm not in the habit of apologizing to people for the clothes I wear.” Val lifted her chin haughtily. “I am not at all sure that I shall go. In fact, I—”

“Oh, you'll go!” Arline rested her arms upon her bony hips and snapped her meager jaws together. “You'll go, if I have to carry you over. I've sent for fifteen yards of buntin' to decorate the hall with. I ain't going to all that trouble for nothing. I ain't giving a dance in honor of a certain person, and then let that person stay away. You—why, you'd queer yourself with the hull country, Val Fleetwood! You ain't got the least sign of an excuse You got the clothes, and you ain't sick. There's a reason why you got to show up. I ain't going into no details at present, but under the circumstances, it's advisable.” She smelled something burning then, and bolted for the kitchen, where her sharp, rather nasal voice was heard upbraiding Minnie for some neglect.

Polycarp Jenks came in, eyed Val and Manley from under one lifted, eyebrow, smiled skinnily, and pulled out a chair with a rasping noise, and sat down facing them. Instinctively Val refrained from speaking her mind about Arline and her dance before Polycarp, but afterward, in their own room, she grew rather eloquent upon the subject. She would not go. She would not permit that woman to browbeat her into doing what she did not want to do, she said. In her honor, indeed! The impertinence of going to the bottom of her trunk, and meddling with her clothes—with that reception gown, of all others! The idea of wearing that gown to a frontier dance—even if she consented to go to such a dance! And expecting her to amuse the company by playing “pieces” on the violin!

“Well, why not?” Manley was sitting rather apathetically upon the edge of the bed, his arms resting upon his knees, his eyes moodily studying the intricate rose pattern in the faded Brussels carpet. They were the first words he had spoken; one might easily have doubted whether he had heard all Val said.

“Why not? Manley Fleetwood, do you mean to tell me—”

“Why not go, and get acquainted, and quit feeling that you're a pearl cast among swine? It strikes me the Hawley person is pretty level-headed on the subject. If you're going to live in this country, why not quit thinking how out of place you are, and how superior, and meet us all on a level? It won't hurt you to go to that dance, and it won't hurt you to play for them, if they want you to. You can play, you know; you used to play at all the musical doings in Fern Hill, and even in the city sometimes. And, let me tell you, Val, we aren't quite savages, out here. I've even suspected, sometimes, that we're just as good as Fern Hill.”

“We?” Val looked at him steadily. “So you wish to identify yourself with these people—with Polycarp Jenks, and Arline Hawley, and—”

“Why not? They're shaky on grammar, and their manners could stand a little polish, but aside from that they're exactly like the people you've lived among all your life. Sure, I wish to identify myself with them. I'm just a rancher—pretty small punkins, too, among all these big outfits, and you're a rancher's wife. The Hawley person could buy us out for cash to-morrow, if she wanted to, and