Lonesome Land, B. M. Bower [motivational books for students .TXT] 📗

corral, and she had cynically hummed her way quite through the hymn which begins “Blest be the tie that binds.” She passed the white-hot iron deftly through the rails to him, and fixed the fire for another heating.

Really, she was not thinking of Manley at all, nor of his mood, nor of his brutal coarseness. She was thinking of the rebuilt typewriter, advertised as being exactly as good as a new one, and scandalously cheap, for which she had sold her watch to Arline Hawley to get money to buy. She was counting mentally the days since she had sent the money order, and was thinking it should come that week surely.

She was also planning to seize upon the opportunity afforded by Manley's next absence for a day from the ranch, and drive to Hope on the chance of getting the machine. Only—she wished she could be sure whether Kent would be coming soon. She did not want to miss seeing him; she decided to sound Polycarp Jenks the next time he came. Polycarp would know, of course, whether the Wishbone outfit was in from round-up. Polycarp always knew everything that had been done, or was intended, among the neighbors.

Manley passed the ill-smelling iron back to her, and she put it in the fire, quite mechanically. It was not the first time, nor the second, that she had been called upon to help brand. She could heat an iron as quickly and evenly as most men, though Manley had never troubled to tell her so.

Five times she heated the iron, and heard, with an inward quiver of pity and disgust, the spasmodic blat of the calf in the pen when the VP went searing into the hide on its ribs. She did not see why they must be branded that evening, in particular, but it was as well to have it done with. Also, if Manley meant to wean them, she would have to see that they were fed and watered, she supposed. That would make her trip to town a hurried one, if she went at all; she would have to go and come the same day, and Arline Hawley would scold and beg her to stay, and call her a fool.

“Now, how about that supper?” asked Manley, when they were through, and the air was clearing a little from the smoke and the smell of burned hair.

“I really don't know—I smelled the potatoes burning some time ago. I'll see, however.” She brushed her hands with her handkerchief, pushed back the lock of hair that was always falling across her temple, and, because she was really offended by Manley's attitude and tone, she sang softly all the way to the house, merely to conceal from him the fact that he could move her even to irritation. Her best weapon, she had discovered long ago, was absolute indifference—the indifference which overlooked his presence and was deaf to his recriminations.

She completed her preparations for his supper, made sure that nothing was lacking and that the tea was just right, placed his chair in position, filled the water glass beside his plate, set the tea-pot where he could reach it handily, and went into the living room and closed the door between. In the past year, filed as it had been with her literary ambitions and endeavors, she had neglected her music; but she took her violin from the box, hunted the cake of resin, tuned the strings, and, when she heard him come into the kitchen and sit down at the table, seated herself upon the front doorstep and began to play.

There was one bit of music which Manley thoroughly detested. That was the “Traumerei.” Therefore, she played the “Traumerei” slowly—as it should, of course, be played—with full value given to all the pensive, long-drawn notes, and with a finale positively creepy in its dreamy wistfulness. Val, as has been stated, could be very exasperating when she chose.

In the kitchen there was the subdued rattle of dishes, unbroken and unhurried. Val went on playing, but she forgot that she had begun in a half-conscious desire to annoy her husband. She stared dreamily at the hill which shut out the world to the east, and yielded to a mood of loneliness; of longing, in the abstract, for all the pleasant things she was missing in this life which she had chosen in her ignorance.

When Manley flung open the inner door, she gave a stifled exclamation; she had forgotten all about Manley.

“By all the big and little gods of Greece!” he swore angrily. “Calves bawling their heads off in the corral, and you squalling that whiny stuff you call music in the house—home's sure a hell of a happy place! I'm going to town. You don't want to leave the place till I come back—I want those calves looked after.” He seemed to consider something mentally, and then added:

“If I'm not back before they quit bawling, you can turn 'em down in the river field with the rest. You know when they're weaned and ready to settle down. Don't feed 'em too much hay, like you did that other bunch; just give 'em what they need; you don't have to pile the corral full. And don't keep 'em shut up an hour longer than necessary.”

Val nodded her head to show that she heard, and went on playing. There was seldom any pretense of good feeling between them now. She tuned the violin to minor, and poised the bow over the strings, in some doubt as to her memory of a serenade she wanted to try next.

“Shall I have Polycarp take the team and haul up some wood from the river?” she asked carelessly. “We're nearly out again.”

“Oh, I don't care—if he happens along.” He turned and went out, his mind turning eagerly to the town and what it could give him in the way of pleasure.

Val, still sitting in the doorway, saw him ride away up the grade and disappear over the brow of the hill. The dusk was settling softly upon the land, so that his figure was but a vague shape. She was alone again; she rather liked being alone, now that she had no longer a blind, unreasoning terror of the empty land. She had her thoughts and her work; the presence of Manley was merely an unpleasant interruption to both.

Some time in the night she heard the lowing of a cow somewhere near. She wondered dreamily what it could be doing in the coulee, and went to sleep again. The five calves were all bawling in a chorus of complaint against their forced separation from their mothers, and the deeper, throaty tones of the cow mingled not inharmoniously with the sound.

Range cattle were not permitted in the coulee, and when by chance they found a broken panel in the fence and strayed down there, Val drove them out; afoot, usually, with shouts and badly aimed stones to accelerate their lumbering pace.

After she had eaten her breakfast in the morning she went out to investigate. Beyond the corral, her nose thrust close against the rails, a cow was bawling dismally. Inside, in much the same position, its tail waving a violent signal of its owner's distress, a calf was clamoring hysterically for its mother and its mother's milk.

Val sympathized with them both; but the cow did not belong in the coulee, and she gathered two or three small stones and went around where she could frighten her away from the fence without, however, exposing herself too recklessly to her uncertain temper. Cows at weaning time did sometimes object to being driven from their calves.