The Jimmyjohn Boss, and Other Stories, Owen Wister [easy novels to read txt] 📗
- Author: Owen Wister
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But the thought of Willomene lying in Pitchstone Canyon had kept sleep from me through that whole night, nor did I wish to attend Hank's burial. I rose very early, while the sunshine had still a long way to come down to us from the mountain-tops, and I walked back along the cut-off trail. I was moved to look once more upon that frightful place. And as I came to the edge of the timber, there was the Virginian. He did not expect any one. He had set up the crucifix as near the dead tree as it could be firmly planted.
“It belongs to her, anyway,” he explained.
Some lines of verse came into my memory, and with a change or two I wrote them as deep as I could with my pencil upon a small board that he smoothed for me.
“Call for the robin redbreast and the wren, Since o'er shady groves they hover, And with flowers and leaves do cover The friendless bodies of unburied men. Call to this funeral dole The ant, the field-mouse, and the mole To rear her hillocks that shall keep her warm.
“That kind o' quaint language reminds me of a play I seen onced in Saynt Paul,” said the Virginian. “About young Prince Henry.”
I told him that another poet was the author.
“They are both good writers,” said the Virginian. And as he was finishing the monument that we had made, young Lin McLean joined us. He was a little ashamed of the feelings that he had shown yesterday, a little anxious to cover those feelings with brass.
“Well,” he said, taking an offish, man-of-the-world tone, “all this fuss just because a woman believed in God.”
“You have put it down wrong,” said the Virginian; “it's just because a man didn't.”
Padre Ignazio
At Santa Ysabel del Mar the season was at one of its moments when the air hangs quiet over land and sea. The old breezes had gone; the new ones were not yet risen. The flowers in the mission garden opened wide, for no wind came by day or night to shake the loose petals from their stems. Along the basking, silent, many-colored shore gathered and lingered the crisp odors of the mountains. The dust floated golden and motionless long after the rider was behind the hill, and the Pacific lay like a floor of sapphire, on which to walk beyond the setting sun into the East. One white sail shone there. Instead of an hour, it had been from dawn till afternoon in sight between the short headlands; and the padre had hoped that it might be his ship. But it had slowly passed. Now from an arch in his garden cloisters he was watching the last of it. Presently it was gone, and the great ocean lay empty. The padre put his glasses in his lap. For a short while he read in his breviary, but soon forgot it again. He looked at the flowers and sunny ridges, then at the huge blue triangle of sea which the opening of the hills let into sight. “Paradise,” he murmured, “need not hold more beauty and peace. But I think I would exchange all my remaining years of this for one sight again of Paris or Seville. May God forgive me such a thought!”
Across the unstirred fragrance of oleanders the bell for vespers began to ring. Its tones passed over the padre as he watched the sea in his garden. They reached his parishioners in their adobe dwellings near by. The gentle circles of sound floated outward upon the smooth immense silence—over the vines and pear-trees; down the avenues of the olives; into the planted fields, whence women and children began to return; then out of the lap of the valley along the yellow uplands, where the men that rode among the cattle paused, looking down like birds at the map of their home. Then the sound widened, faint, unbroken, until it met Temptation riding towards the padre from the south, and cheered the steps of Temptation's jaded horse.
“For a day, one single day of Paris!” repeated the padre, gazing through his cloisters at the empty sea.
Once in the year the mother-world remembered him. Once in the year a barkentine came sailing with news and tokens from Spain. It was in 1685 that a galleon had begun such voyages up to the lower country from Acapulco, where she loaded the cargo that had come across Tehuantepec on mules from Vera Cruz. By 1768 she had added the new mission of San Diego to her ports. In the year that we, a thin strip of colonists away over on the Atlantic edge of the continent, declared ourselves an independent nation, that Spanish ship, in the name of Saint Francis, was unloading the centuries of her own civilization at the Golden Gate. Then, slowly, as mission after mission was planted along the soft coast wilderness, she made new stops—at Santa Barbara, for instance; and by Point San Luis for San Luis Obispo, that lay inland a little way up the gorge where it opened among the hills. Thus the world reached these places by water; while on land, through the mountains, a road came to lead to them, and also to many more that were too distant behind the hills for ships to serve—a long, lonely, rough road, punctuated with church towers and gardens. For the fathers gradually so stationed their settlements that the traveller might each morning ride out from one mission and by evening of a day's fair journey ride into the next. A long, rough road; and in its way pretty to think of now.
So there, by-and-by, was our continent, with the locomotive whistling from Savannah to Boston along its eastern edge, and on the other the scattered chimes of Spain ringing among the unpeopled mountains. Thus grew the two sorts of civilization—not equally. We know what has happened since. To-day the locomotive is whistling also from the Golden Gate to San Diego; but the old mission road goes through the mountains still, and on it the steps of vanished Spain are marked with roses, and white cloisters, and the crucifix.
But this was 1855. Only the barkentine brought the world that he loved to the padre. As for the new world which was making a rude noise to the northward, he trusted that it might keep away from Santa Ysabel, and he waited for the vessel that was overdue with its package containing his single worldly indulgence.
As the little, ancient bronze bell continued its swinging in the tower, its plaintive call reached something in the padre's memory. Without knowing, he began to sing. He took up the slow strain not quite correctly, and dropped it, and took it up again, always in cadence with the bell:
[Musical Score Appears Here]
At length he heard himself, and glancing at the belfry, smiled a little. “It is a pretty tune,” he said, “and it always made me sorry for poor Fra Diavolo. Auber himself confessed to me that he had made it sad and put the hermitage bell to go with it because he too was grieved at having to kill his villain, and wanted him to die, if possible, in a religious frame of mind. And Auber touched glasses with me and said—how well I remember
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