Trailin'!, Max Brand [best way to read an ebook TXT] 📗

id="id00342">As the picture drew out more clearly in the mind of Anthony, he turned from the lighted room, threw open a window, and leaned out to breathe the calm, damp air of night.

It was infinitely cool, infinitely fresh. To his left a row of young trees darted their slender tops at the sky like shadowy spearheads. The smell of wet leaves and the wet grass beneath rose up to him. To the right, for his own room stood in a wing of the mansion, the house shouldered its way into the gloom, a solemn, grey shadow, netted in a black tracery of climbing vine. In all the stretch of wall only two windows were lighted, and those yellow squares, he knew, belonged to his father. He had left the secret room, therefore.

As he watched, a shadow brushed slowly across one of the drawn shades, swept the second, and returned at once in the opposite direction. Back and forth, back and forth, that shadow moved, and as his eye grew accustomed to watching, he caught quite clearly the curve of the shoulders and the forward droop of the head.

It was not until then that the first alarm came to Anthony, for he knew that the footsteps of the big grey man were dogged by fear. He could no more conceive it than he could imagine noon and midnight in conjunction, and feeling as guilty as if he had played the part of an eavesdropper he turned away, snapped off the lights, and slipped into bed.

The pleasant warmth of sleep would not come. In its place the images of the day filed past him like the dance of figures on a motion picture screen, and always, like the repeated entrance of the hero, the other images grew small and dim. He saw again the burly stranger wading through the crowd in the arena, shaking off the packed mob as the prow of a stately ship shakes off the water, to either side.

At length he started out of bed and glanced through the window. The moving shadow still swept across the lighted shades of his father's room; so he donned bathrobe and slippers and went down the long hall. At the door he did not stop to knock, for he was too deeply concerned by this time to pay any heed to convention. He grasped the knob and threw the door wide open. What happened then was so sudden that he could not be sure afterward what he had seen. He was certain that the door opened on a lighted room, yet before he could step in the lights were snapped out.

He was staring into a deep void of night; and a silence came about him like a whisper. Out of that silence he thought after a second that he caught the sound of a hurried breathing, louder and louder, as though someone were creeping upon him. He glanced over his shoulder in a slight panic, but down the grey hall on either side there was nothing to be seen. Once more he looked back into the solemn room, opened his lips to speak, changed his mind, and closed the door again.

Yet when he looked down again from his own room the lights shone once more on the shades of his father's windows. Past them brushed the shadow of the pacing man, up and down, up and down. He turned his eyes away to the jagged tops of the young trees, to the glimpses of dark fields beyond them, and inhaled the scent of the wet, green things. It seemed to Anthony as if it all were hostile—as though the whole outdoors were besieging this house.

He caught the sway of the pacing figure whose shadow moved in regular rhythm across the yellow shades. It entered his mind, clung there, and finally he began to pace in the same cadence, up and down the room. With every step he felt that he was entering deeper into the danger which threatened John Woodbury. What danger? For answer to himself he stepped to the windows and pulled down the shades. At least he could be alone.

CHAPTER VI JOHN BARD

There is no cleanser of the mind like a morning bath. The same cold, whipping spray which calls up the pink blood, glowing through the marble of the skin, drives the ache of sleep from the brain, and washes away at once all the recorded thoughts of yesterday. So in place of a crowded slate of wonders and doubts, Anthony bore down to the breakfast table a willingness to take what the morning might bring and forget the night before.

John Woodbury was already there, helping himself from the covered dishes, for the meal was served in the English style. There was the usual "Good-morning, sir," "Good-morning, Anthony," and then they took their places at the table. A cautious survey of the craglike face of his father showed no traces of a sleepless night; but then, what could a single night of unrest mean to that body of iron?

He ventured, remembering the implied command to remain within the house until further orders: "You asked me to speak to you, sir, before I left the house. I'd rather like to take a ride this morning."

And the imperturbable voice replied: "You've worn your horses out lately. Better give them a day of rest."

That was all, but it brought back to Anthony the thought of the shadow which had swept ceaselessly across the yellow shades of his father's room; and he settled down to a day of reading. The misty rain of the night before had cleared the sky of its vapours, so he chose a nook in the library where the bright spring sun shone full and the open fire supplied the warmth. At lunch his father did not appear, and Peters announced that the master was busy in his room with papers. The afternoon repeated the morning, but with less unrest on the part of Anthony. He was busy with L'Assommoir, and lost himself in the story of downfall, surrounding himself with each unbeautiful detail.

Lunch was repeated at dinner, for still John Woodbury seemed to be "busy with papers in his room." A fear came to Anthony that he was to be dodged indefinitely in this manner, deceived like a child, and kept in the house until the silent drama was played out. But when he sat in the library that evening his father came in and quietly drew up a chair by the fire. The stage was ideally set for a confidence, but none was forthcoming. The fire shook long, sleepy shadows through the room, the glow of the two floor-lamps picked out two circles of light, and still the elder man sat over his paper and would not speak.

L'Assommoir ended, and to rid himself of the grey tragedy, Anthony looked up and through the windows toward the bright night which lay over the gardens and terraces outside, for a full moon silvered all with a flood of light. It was a waiting time, and into it the old-fashioned Dutch clock in the corner sent its voice with a monotonous, softly clanging toll of seconds, until Anthony forgot the moonlight over the outside terraces to watch the gradual sway of the pendulum. A minute, spent in this manner, was equal to an hour of ordinary time. Fascinated by the sway of the pendulum he became conscious of the passage of existence like a river broad and wide and shining which flowed on into an eternity of chance and left him stationary on the banks.

The voice which sounded at length was as dim and visionary as a part of his waking dream. It was like one of those imagined calls from the world of action to him who stood there, watching reality run past and never stirring himself to take advantage of the thousand opportunities for action. He would have discarded it for a part of his dream, had not he seen John Woodbury raise his head sharply, heard the paper fall with a dry crackling to the floor, and watched the square jaw of his father jut out in that familiar way which meant danger.

Once more, and this time it was unmistakably clear: "John Bard,—John
Bard, come out to me!"

The big, grey man rose with widely staring eyes as if the name belonged to him, and strode with a thumping step into the secret room. Hardly had the clang of the closing door died out when he reappeared, fumbling at his throat. Straight to Anthony he came and extended a key from which dangled a piece of thin silver chain. It was the key to the secret room.

He took it in both hands, like a young knight receiving the pommel of his sword from him who has just given the accolade, and stared down at it until the creaking of the opened French windows startled him to his feet.

"Wait!" he called, "I will go also!"

The big man at the open window turned.

"You will sit where you are now," said his harsh voice, "but if I don't return you have the key to the room."

His burly shoulders disappeared down the steps toward the garden, and Anthony slipped back into his chair; yet for the first time in his life he was dreaming of disobeying the command of John Woodbury. Woodbury—yet the big man had risen automatically in answer to the name of Bard. John Bard! It struck on his consciousness like two hammer blows wrecking some fragile fabric; it jarred home like the timed blow of a pugilist. Woodbury? There might be a thousand men capable of that name, but there could only be one John Bard, and that was he who had disappeared down the steps leading to the garden. Anthony swerved in his chair and fastened his eyes on the Dutch clock. He gave himself five minutes before he should move.

The watched pot will never boil, and the minute hand of the big clock dragged forward with deadly pauses from one black mark to the next. Whispers rose in the room. Something fluttered the fallen newspaper as if a ghost-hand grasped it but had not the strength to raise; and the window rattled, with a sharp gust of wind. The last minute Anthony spent at the open French window with a backward eye on the clock; then he raced down the steps as though in his turn he answered a call out of the night.

The placid coolness of the open and the touch of moist, fresh air against his forehead mocked him as he reached the garden, and there were reassuring whispers from the trees he passed; yet he went on with a long, easy stride like a runner starting a distance race. First he skirted the row of poplars on the drive; then doubled back across the meadow to his right and ran in a sharp-angling course across an orchard of apple trees. Diverging from this direction, he circled at a quicker pace toward the rear of the grounds and coursed like a wild deer over a stretch of terraced lawns. On one of these low crests he stopped short under the black shadow of an elm.

In the smooth-shaven centre of the hollow before him, the same ground over which he had run and played a thousand times in his childhood, he saw two tall men standing back to back, like fighters come to a last stand and facing a crowd of foes. They separated at once, striding out with a measured step, and it was not until they moved that he caught the glint of metal at the side of one of them and knew that one was the man who had answered to the name of John Bard and the other was the grey man who had spoken to him at the Garden the night before. He knew it not so much by the testimony of his eyes at that dim distance as by a queer, inner feeling that this must be so. There was also a sense of familiarity about the whole thing, as if he were looking on something which he had seen rehearsed a thousand times.

As if they reached the end of an agreed course, the two whirled at the same instant, the metal in their hands glinted in an upward semicircle, and two guns barked hoarsely across the lawns.

One of them stood with his gun still poised; the other leaned gradually forward and toppled at full length on the grass. The victor strode out toward the fallen, but hearing the wild yell of Anthony he stopped, turned his head, and then fled into the