author - "Henryk Sienkiewicz"
was turned to other objects; namely, to wonderful slave women who were waiting for the bathers. Two of them, Africans, resembling noble statues of ebony, began to anoint their bodies with delicate perfumes from Arabia; others, Phrygians, skilled in hairdressing, held in their hands, which were bending and flexible as serpents, combs and mirrors of polished steel; two Grecian maidens from Kos, who were simply like deities, waited as vestiplicæ, till the moment should come to put statuesque folds
Description Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including
was turned to other objects; namely, to wonderful slave women who were waiting for the bathers. Two of them, Africans, resembling noble statues of ebony, began to anoint their bodies with delicate perfumes from Arabia; others, Phrygians, skilled in hairdressing, held in their hands, which were bending and flexible as serpents, combs and mirrors of polished steel; two Grecian maidens from Kos, who were simply like deities, waited as vestiplicæ, till the moment should come to put statuesque folds
Description Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including