author - "Victor Hugo"
th his mother's death all that had vanished. His tragedyof "Cromwell" broke lances upon Royalists and upholders of the stillreigning style of tragedy. The second collection of "Odes" preluding it,showed the spirit of the son of Napoleon's general, rather than of theBourbonist field-marshal. On the occasion, too, of the Duke of Tarentobeing announced at the Austrian Ambassador's ball, February, 1827, asplain "Marshal Macdonald," Victor became the mouthpiece of
--are depicted with kindlinessbut sincerity.The horizon, however, grows dark, and from 1846 the new peer ofFrance notes the gradual tottering of the edifice of royalty.The revolution of 1848 bursts out. Nothing could be morethrilling than the account, hour by hour, of the events of thethree days of February. VICTOR HUGO is not merely a spectatorof this great drama, he is an actor in it. He is in thestreets, he makes speeches to the people, he seeks to restrainthem; he believes, with too good
that Christmas morning, the road which skirts the seashore from St. Peter's Port to the Vale was clothed in white. From midnight till the break of day the snow had been falling. Towards nine o'clock, a little after the rising of the wintry sun, as it was too early yet for the Church of England folks to go to St. Sampson's, or for the Wesleyans to repair to Eldad Chapel, the road was almost deserted. Throughout that portion of the highway which separates the first from the second tower, only
e the bronze lion of St. Mark, which had been brought from Venice; under the Restoration a white marble statue of Louis XVIII.; and under Louis Philippe a plaster bust of Lafayette. Owing to the Palace of the Constituent Assembly having been nearly seized by a crowd of insurgents on the 22d of June, 1848, and there being no barracks in the neighborhood, General Cavaignac had constructed at three hundred paces from the Legislative Palace, on the grass plots of the Invalides, several rows of long
did not know. Besides, it is assertedthat Syriac is the language spoken in the midnight meetings at whichuncanny people worship the devil. In medicine he justly preferred Galento Cardan; Cardan, although a learned man, being but an earthworm toGalen.To sum up, Ursus was not one of those persons who live in fear of thepolice. His van was long enough and wide enough to allow of his lyingdown in it on a box containing his not very sumptuous apparel. He owneda lantern, several wigs, and some
ancy of art and contrivances!Four of the bailiff of the palace's sergeants, perfunctory guardians of all the pleasures of the people, on days of festival as well as on days of execution, stood at the four corners of the marble table. The piece was only to begin with the twelfth stroke of the great palace clock sounding midday. It was very late, no doubt, for a theatrical representation, but they had been obliged to fix the hour to suit the convenience of the ambassadors. Now, this whole
lhouettes of this DarknessVIII. Post Corda LapidesIX. A Century under a GuimpeX. Origin of the Perpetual AdorationXI. End of the Petit-PicpusBOOK SEVENTH.--PARENTHESIS I. The Convent as an Abstract IdeaII. The Convent as an Historical FactIII. On What Conditions One can respect the PastIV. The Convent from the Point of View of PrinciplesV. PrayerVI. The Absolute Goodness of PrayerVII. Precautions to be observed in BlameVIII. Faith, Law BOOK EIGHTH.--CEMETERIES TAKE THAT WHICH IS COMMITTED THEM
th his mother's death all that had vanished. His tragedyof "Cromwell" broke lances upon Royalists and upholders of the stillreigning style of tragedy. The second collection of "Odes" preluding it,showed the spirit of the son of Napoleon's general, rather than of theBourbonist field-marshal. On the occasion, too, of the Duke of Tarentobeing announced at the Austrian Ambassador's ball, February, 1827, asplain "Marshal Macdonald," Victor became the mouthpiece of
--are depicted with kindlinessbut sincerity.The horizon, however, grows dark, and from 1846 the new peer ofFrance notes the gradual tottering of the edifice of royalty.The revolution of 1848 bursts out. Nothing could be morethrilling than the account, hour by hour, of the events of thethree days of February. VICTOR HUGO is not merely a spectatorof this great drama, he is an actor in it. He is in thestreets, he makes speeches to the people, he seeks to restrainthem; he believes, with too good
that Christmas morning, the road which skirts the seashore from St. Peter's Port to the Vale was clothed in white. From midnight till the break of day the snow had been falling. Towards nine o'clock, a little after the rising of the wintry sun, as it was too early yet for the Church of England folks to go to St. Sampson's, or for the Wesleyans to repair to Eldad Chapel, the road was almost deserted. Throughout that portion of the highway which separates the first from the second tower, only
e the bronze lion of St. Mark, which had been brought from Venice; under the Restoration a white marble statue of Louis XVIII.; and under Louis Philippe a plaster bust of Lafayette. Owing to the Palace of the Constituent Assembly having been nearly seized by a crowd of insurgents on the 22d of June, 1848, and there being no barracks in the neighborhood, General Cavaignac had constructed at three hundred paces from the Legislative Palace, on the grass plots of the Invalides, several rows of long
did not know. Besides, it is assertedthat Syriac is the language spoken in the midnight meetings at whichuncanny people worship the devil. In medicine he justly preferred Galento Cardan; Cardan, although a learned man, being but an earthworm toGalen.To sum up, Ursus was not one of those persons who live in fear of thepolice. His van was long enough and wide enough to allow of his lyingdown in it on a box containing his not very sumptuous apparel. He owneda lantern, several wigs, and some
ancy of art and contrivances!Four of the bailiff of the palace's sergeants, perfunctory guardians of all the pleasures of the people, on days of festival as well as on days of execution, stood at the four corners of the marble table. The piece was only to begin with the twelfth stroke of the great palace clock sounding midday. It was very late, no doubt, for a theatrical representation, but they had been obliged to fix the hour to suit the convenience of the ambassadors. Now, this whole
lhouettes of this DarknessVIII. Post Corda LapidesIX. A Century under a GuimpeX. Origin of the Perpetual AdorationXI. End of the Petit-PicpusBOOK SEVENTH.--PARENTHESIS I. The Convent as an Abstract IdeaII. The Convent as an Historical FactIII. On What Conditions One can respect the PastIV. The Convent from the Point of View of PrinciplesV. PrayerVI. The Absolute Goodness of PrayerVII. Precautions to be observed in BlameVIII. Faith, Law BOOK EIGHTH.--CEMETERIES TAKE THAT WHICH IS COMMITTED THEM