The Count of Monte Cristo, Alexandre Dumas [some good books to read TXT] 📗

“Ah, my dear fellow,” said he to Franz; “you did not see?”

“What?”

“There,—that calash filled with Roman peasants.”

“No.”

“Well, I am convinced they are all charming women.”

“How unfortunate that you were masked, Albert,” said Franz; “here was an opportunity of making up for past disappointments.”

“Oh,” replied he, half laughing, half serious; “I hope the Carnival will not pass without some amends in one shape or the other.”

But, in spite of Albert’s hope, the day passed unmarked by any incident, excepting two or three encounters with the carriage full of Roman peasants. At one of these encounters, accidentally or purposely, Albert’s mask fell off. He instantly rose and cast the remainder of the bouquets into the carriage. Doubtless one of the charming females Albert had detected beneath their coquettish disguise was touched by his gallantry; for, as the carriage of the two friends passed her, she threw a bunch of violets. Albert seized it, and as Franz had no reason to suppose it was meant for him, he suffered Albert to retain it. Albert placed it in his button-hole, and the carriage went triumphantly on.

“Well,” said Franz to him; “there is the beginning of an adventure.”

“Laugh if you please—I really think so. So I will not abandon this bouquet.”

“Pardieu,” returned Franz, laughing, “in token of your ingratitude.”

The jest, however, soon appeared to become earnest; for when Albert and Franz again encountered the carriage with the contadini, the one who had thrown the violets to Albert, clapped her hands when she beheld them in his button-hole.

“Bravo, bravo,” said Franz; “things go wonderfully. Shall I leave you? Perhaps you would prefer being alone?”

“No,” replied he; “I will not be caught like a fool at a first disclosure by a rendezvous under the clock, as they say at the opera-balls. If the fair peasant wishes to carry matters any further, we shall find her, or rather, she will find us tomorrow; then she will give me some sign or other, and I shall know what I have to do.”

“On my word,” said Franz, “you are as wise as Nestor and prudent as Ulysses, and your fair Circe must be very skilful or very powerful if she succeed in changing you into a beast of any kind.”

Albert was right; the fair unknown had resolved, doubtless, to carry the intrigue no farther; for although the young men made several more turns, they did not again see the calash, which had turned up one of the neighboring streets. Then they returned to the Rospoli Palace; but the count and the blue domino had also disappeared; the two windows, hung with yellow damask, were still occupied by the persons whom the count had invited.

At this moment the same bell that had proclaimed the beginning of the mascherata sounded the retreat. The file on the Corso broke the line, and in a second all the carriages had disappeared. Franz and Albert were opposite the Via delle Muratte; the coachman, without saying a word, drove up it, passed along the Piazza di Spagna and the Rospoli Palace and stopped at the door of the hotel. Signor Pastrini came to the door to receive his guests.

Franz hastened to inquire after the count, and to express regret that he had not returned in sufficient time; but Pastrini reassured him by saying that the Count of Monte Cristo had ordered a second carriage for himself, and that it had gone at four o’clock to fetch him from the Rospoli Palace.

The count had, moreover, charged him to offer the two friends the key of his box at the Argentina. Franz questioned Albert as to his intentions; but Albert had great projects to put into execution before going to the theatre; and instead of making any answer, he inquired if Signor Pastrini could procure him a tailor.

“A tailor,” said the host; “and for what?”

“To make us between now and tomorrow two Roman peasant costumes,” returned Albert.

The host shook his head.

“To make you two costumes between now and tomorrow? I ask your excellencies’ pardon, but this is quite a French demand; for the next week you will not find a single tailor who would consent to sew six buttons on a waistcoat if you paid him a crown a piece for each button.”

“Then I must give up the idea?”

“No; we have them ready-made. Leave all to me; and tomorrow, when you awake, you shall find a collection of costumes with which you will be satisfied.”

“My dear Albert,” said Franz, “leave all to our host; he has already proved himself full of resources; let us dine quietly, and afterwards go and see l’Italienne à Alger!

“Agreed,” returned Albert; “but remember, Signor Pastrini, that both my friend and myself attach the greatest importance to having tomorrow the costumes we have asked for.”

The host again assured them they might rely on him, and that their wishes should be attended to; upon which Franz and Albert mounted to their apartments, and proceeded to disencumber themselves of their costumes. Albert, as he took off his dress, carefully preserved the bunch of violets; it was his token reserved for the morrow.

The two friends sat down to table; but they could not refrain from remarking the difference between the Count of Monte Cristo’s table and that of Signor Pastrini. Truth compelled Franz, in spite of the dislike he seemed to have taken to the count, to confess that the advantage was not on Pastrini’s side. During dessert, the servant inquired at what time they wished for the carriage. Albert and Franz looked at each other, fearing really to abuse the count’s kindness. The servant understood them.

“His excellency the Count of Monte Cristo had,” he said, “given positive orders that the carriage was to remain at their lordships’ orders all day, and they could therefore dispose of it without fear of indiscretion.”

They resolved to profit by the count’s courtesy, and ordered the horses to be harnessed, while they substituted evening dress for that which they had on, and which was somewhat the worse for the numerous combats they had sustained.

This precaution taken, they went to the theatre, and installed themselves in the count’s box. During the first act, the Countess G—— entered. Her first look was at the box where she had seen the count the previous evening, so that she perceived Franz and Albert in the place of the very person concerning whom she had expressed so strange an opinion to Franz. Her opera-glass was so fixedly directed towards them, that Franz saw it would be cruel not to satisfy her curiosity; and, availing himself of one of the privileges of the spectators of the Italian theatres, who use their boxes to hold receptions, the two friends went to pay their respects to the countess. Scarcely had they entered, when she motioned to Franz to assume the seat of honor. Albert, in his turn, sat behind.

“Well,” said she, hardly giving Franz time to sit down, “it seems you have nothing better to do than to make the acquaintance of this new Lord Ruthven, and you are already the best friends in the world.”

“Without being so far advanced as that, my dear countess,” returned Franz, “I cannot deny that we have abused his good nature all day.”

“All day?”

“Yes; this morning we breakfasted with him; we rode in his carriage all day, and now we have taken possession of his box.”

“You know him, then?”

“Yes, and no.”

“How so?”

“It is a long story.”

“Tell it to me.”

“It would frighten you too much.”

“So much the more reason.”

“At least wait until the story has a conclusion.”

“Very well; I prefer complete histories; but tell me how you made his acquaintance? Did anyone introduce you to him?”

“No; it was he who introduced himself to us.”

“When?”

“Last night, after we left you.”

“Through what medium?”

“The very prosaic one of our landlord.”

“He is staying, then, at the Hôtel de Londres with you?”

“Not only in the same hotel, but on the same floor.”

“What is his name; for, of course, you know?”

“The Count of Monte Cristo.”

“That is not a family name?”

“No, it is the name of the island he has purchased.”

“And he is a count?”

“A Tuscan count.”

“Well, we must put up with that,” said the countess, who was herself from one of the oldest Venetian families. “What sort of a man is he?”

“Ask the Vicomte de Morcerf.”

“You hear, M. de Morcerf, I am referred to you,” said the countess.

“We should be very hard to please, madam,” returned Albert, “did we not think him delightful. A friend of ten years’ standing could not have done more for us, or with a more perfect courtesy.”

“Come,” observed the countess, smiling, “I see my vampire is only some millionaire, who has taken the appearance of Lara in order to avoid being confounded with M. de Rothschild; and you have seen her?”

“Her?”

“The beautiful Greek of yesterday.”

“No; we heard, I think, the sound of her guzla, but she remained perfectly invisible.”

“When you say invisible,” interrupted Albert, “it is only to keep up the mystery; for whom do you take the blue domino at the window with the white curtains?”

“Where was this window with white hangings?” asked the countess.

“At the Rospoli Palace.”

“The count had three windows at the Rospoli Palace?”

“Yes. Did you pass through the Corso?”

“Yes.”

“Well, did you notice two windows hung with yellow damask, and one with white damask with a red cross? Those were the count’s windows.”

“Why, he must be a nabob. Do you know what those three windows were worth?”

“Two or three hundred Roman crowns?”

“Two or three thousand.”

“The deuce!”

“Does his island produce him such a revenue?”

“It does not bring him a bajocco.”

“Then why did he purchase it?”

“For a whim.”

“He is an original, then?”

“In reality,” observed Albert, “he seemed to me somewhat eccentric; were he at Paris, and a frequenter of the theatres, I should say he was a poor devil literally mad. This morning he made two or three exits worthy of Didier or Anthony.”

At this moment a fresh visitor entered, and, according to custom, Franz gave up his seat to him. This circumstance had, moreover, the effect of changing the conversation; an hour afterwards the two friends returned to their hotel.

Signor Pastrini had already set about procuring their disguises for the morrow; and he assured them that they would be perfectly satisfied. The next morning, at nine o’clock, he entered Franz’s room, followed by a tailor, who had eight or ten Roman peasant costumes on his arm; they selected two exactly alike, and charged the tailor to sew on each of their hats about twenty yards of ribbon, and to procure them two of the long silk sashes of different colors with which the lower orders decorate themselves on fête days.

Albert was impatient to see how he looked in his new dress—a jacket and breeches of blue velvet, silk stockings with clocks, shoes with buckles, and a silk waistcoat. This picturesque attire set him off to great advantage; and when he had bound the scarf around his waist, and when his hat, placed coquettishly on one side, let fall on his shoulder a stream of ribbons, Franz was forced to confess that costume has much to do with the physical superiority we accord to certain nations. The Turks used to be so picturesque with their long and flowing robes, but are they not now hideous with their blue frocks buttoned up to the chin, and their red caps, which make them look like a bottle of wine with a red seal? Franz complimented Albert, who looked at himself in the glass with an unequivocal smile of satisfaction. They were thus engaged when the Count of Monte Cristo entered.

“Gentlemen,” said he, “although a companion is agreeable, perfect freedom is sometimes still more agreeable. I come to say that today, and for the remainder of the Carnival, I leave the carriage entirely at your disposal.