My Life, Richard Wagner [little readers .txt] 📗

choice language to impress me as a man of culture. I was much struck to find that his dignified bearing was not in the least disturbed when Herr von Beaulieu, with the object of amusing us, made some rather clumsy remarks which were meant to be witty. After the Grand Duke had asked me in the most guarded way my opinion of Liszt's compositions, I was surprised to notice by his general bearing that he was not at all uncomfortable when the chamberlain expressed the most contemptuous opinions about the Grand Duke's famous friend, saying that Liszt's composing was a mere mania on his part. This gave me a strange insight into this royal friendship, and I had some difficulty in keeping serious during the interview. I had to pay the Grand Duke another visit on the following morning, but on that occasion I saw him without his chamberlain, whose absence certainly had a favourable effect on the Prince's remarks about his friend.

Liszt, whose inspiring conversation and advice he loudly asserted that he could not praise enough. I was surprised to see the Grand Duchess walk in upon us, and was received by her with a most condescending bow, the formality of which I have never forgotten. I looked upon my meeting with these exalted personages as an exceedingly amusing adventure in my travels. I have never heard from them since. [Footnote: This was dictated in 1869] Later on, when I called on Liszt at Weimar, just before he left there, he could not even induce the Grand Duke to receive me!

A short time after my return from that expedition Karl Tausig called with a letter of introduction from Liszt; he was then sixteen years of age, and astonished everybody by his dainty appearance and his unusual precocity of understanding and demeanour. He had already been greeted in Vienna, on his public appearance as a pianist, as a future Liszt. He gave himself all the airs of a Liszt, and already smoked the strongest cigars to such an extent that I felt a perfect horror of them. Otherwise I was very glad he had made up his mind to spend some time in the neighbourhood, all the more so as I could appreciate to the utmost his amusing, half-childish, though very intelligent and knowing personality, and, above all, his exceptionally finished piano-playing and quick musical faculty. He played the most complicated pieces at sight, and knew how to use his astonishing facility in the most extravagant tricks for my entertainment. He afterwards came to live quite near us; he was my daily guest at all meals, and accompanied me on my usual walks to the Sihlthal. He soon tried to wriggle out of these, however. He also went with me on a visit to Minna at Brestenberg. As I had to repeat these expeditions regularly every week, being anxious to watch the result of the treatment, Tausig endeavoured to escape from these also, as neither Brestenberg nor Minna's conversation seemed to appeal to him. However, he could not avoid meeting her when, feeling obliged to interrupt her cure for a few days to look after her household affairs, she returned at the end of May. I noticed by her manner that she no longer attached any importance to the recent domestic upheaval; the view she took of the matter was that there had been a little 'love affair' which she had put straight. As she referred to this with a certain amount of unpleasant levity, I was obliged, though I would willingly have spared her on account of the state of her health, to explain clearly and firmly, that in consequence of her disobedience and her foolish conduct towards our neighbour, the possibility of our remaining on the estate, where we had only just settled with so much difficulty, was a matter of the most serious doubt, and I felt bound to warn her that we must be prepared for the necessity of a separation, as I was fully determined that if this dreaded event took place, I would not agree to live under similar domestic conditions elsewhere. The earnestness with which I dwelt on the character of our past life together, on that occasion, so impressed and shocked her that, fully realising it was through her fault that the home it had cost us so much pain to build up had been destroyed, she broke into a low wail of lamentation for the first time in our lives. This was the first and only occasion on which she gave me any token of loving humility, when late at night she kissed my hand as I withdrew. I was deeply touched at this, and the idea flashed across my mind that possibly a great and decided change might take place in the character of the poor woman, and this determined me to renew my hope of the possibility of continuing the life we had resumed.

Everything contributed to the maintenance of this hope: my wife returned to Brestenberg to complete the second part of her cure; the most glorious summer weather favoured my disposition to work at the second act of Tristan; the evenings with Tausig cheered me up, and my relations with my neighbours, who had never borne me any ill-will, seemed to me to favour the possibility of a dignified and desirable understanding in the future. It was quite probable that if my wife went on a visit to her friends in Saxony after her cure, time would eventually cover the past with oblivion, and her own future conduct as well as the changed attitude of our deeply offended neighbour, would make it possible to renew our mutual intercourse in a dignified way.

I was still further cheered by the prospect of the arrival of an agreeable visitor, as well as by some satisfactory negotiations with two of the most important German theatres.

In June the Berlin manager approached me about Lohengrin, and we soon came to an agreement. In Vienna, too, the forced intrusion of Tannhauser had produced its effect on the attitude of the management of the court theatre. Just recently the well-known conductor, Karl Eckert, had been entrusted with the technical management of the Opera. He seized the happy opportunity afforded by the possession of a very good company of singers, and by the closing of the theatre for much needed restoration, to give the company time to study Lohengrin, with the object of securing the acceptance of this new and difficult work by the court authorities. He thereupon made me his offers. I wanted to insist on the author's rights on the same terms as those granted in Berlin, but he would not agree to this, because the takings of the house were very small, owing to the lack of space in the old theatre. On the other hand, Conductor Esser called on me one day; he had come from Vienna to make all arrangements, and in the name of the management he offered me about two thousand marks, cash down, for the first twenty performances of Lohengrin, and promised me a further sum of two thousand marks on their completion. The frank and genial manner of the worthy musician won me over, and I closed with him at once. The result was that Esser went through the score of Lohengrin with me there and then, with great conscientiousness and zeal, and paid special attention to all my wishes. With every confidence in a favourable result I bid him farewell, and he hurried back to Vienna to set to work at once.

I then completed the composition sketches for the second act of Tristan in excellent spirits, and began the more detailed execution of it, but I did not get quite through the first scene, as I was exposed to continual interruptions. Tichatschek came to pay me another visit, and took up his abode in my little spare room, to recover, as he said, from the effects of his recent exertions. He boasted that he had again introduced my operas, which had been repeatedly forbidden, into the repertoire of the Dresden theatre, and had also taken part in them himself with great success.

Lohengrin was also to be produced there. Although this was very gratifying, I did not in the least know what to do with the good man at such close quarters. Fortunately I was able to hand him over to Tausig, who understood my embarrassment, and kept Tichatschek to himself pretty well the whole day, by playing cards with him. The young tenor Niemann, of whose great talent I had heard so much, soon arrived with his bride, the famous actress Seebach, and owing to his almost gigantic frame, he struck me as being just the man for Siegfried. The fact of having two famous tenors with me at the same time gave rise to the annoyance that neither of them would sing anything to me, as they were ill at ease in each other's presence. I quite believed, however, that Niemann's voice must be on a par with his imposing personality. About that time (15th July) I fetched my wife from Brestenberg. During my absence my servant, who was a cunning Saxon, had thought fit to erect a kind of triumphal arch to celebrate the return of the mistress of the house. This led to great complications, as, much to her delight, Minna was convinced that this flower-bedecked triumphal arch would greatly attract the attention of our neighbours, and thought this would be sufficient to prevent them from regarding her return home as a humiliating one. She insisted with triumphant joy upon the decorations remaining up for several days. About the same time the Bulows, true to their promise, paid another visit. The unfortunate Tichatschek again put off his departure, and consequently continued to occupy our one small spare room, so I was obliged to let my friends stay at the hotel several days longer. However, the visits they paid to the Wesendoncks as well as to me soon afforded me an opportunity of hearing, much to my surprise, of the effect the triumphal arch had produced on our neighbour's young wife, who was still nursing her injured feelings. When I heard of her passionate protests I realised to what a pass things had come, and immediately gave up all hope of putting a peaceful end to the discordant situation. Those were days of terrible anxiety. I wished myself in the most distant desert, and yet was in the awkward position of having to keep my house open to a succession of visitors. At last Tichatschek took his departure, and I could at least devote the remainder of my stay to the pleasant duty of entertaining favourite guests. The Bulows really seemed to me to have been providentially sent for the purpose of quelling the horrible excitement that prevailed in the house. Hans made the best of things when, on the day of his arrival, he caught me in the midst of a terrific scene with Minna, as I had just told her plainly that from what I could see of the present position of affairs, our stay here was no longer possible, and that I was only deferring my departure until after the visit of our young friends. This time, however, I had to admit that she was not altogether to blame.

We spent another whole month together in the cottage, which, by the way, I had unconsciously christened Asyl. It was an extremely trying period, and the experiences I went through every day only confirmed me in my decision to give up the house. Under the circumstances my young guests also had to suffer, as my worry communicated itself to all who were in sympathy with me. Klindworth, who was coming on a visit from London, to add to the gloom of this extraordinary menage, soon joined us. So