Beethoven's Letters 1790-1826, Volume 2, Ludwig van Beethoven [motivational books for students txt] 📗

of his life; called also "The Fast-sailing Frigate" and "The Old Goose."

French language, Beethoven's correspondence in the.

Fries, Count, in Vienna, an admirer of Beethoven's works.

Fux, the well-known old theorist and composer, in Vienna, author of the "Gradus ad Parnassum."

Gallizin, Prince Nikolaus Boris, at St. Petersburg, a zealous friend of art, from whom Beethoven received an order for his last quartet.

Gebauer, Franz Xaver, founder of the "Concerts Spirituels" at Vienna.

Gerardi, Mdlle.

Girowetz, Court musical director at the "Burgtheater."

Giuliani, a celebrated guitar player at Vienna.

Gläser, Beethoven's copyist from the year 1823.

Gleichenstein, Baron, of Rothweil, near Freiburg in Breisgau, a friend of Beethoven at Vienna. He left Vienna about the year 1815, and only revisited that city once afterwards, in 1824.

Gneixendorf, the estate of Beethoven's brother Johann, near Krems, on the Danube, which Beethoven visited, accompanied by his nephew, in the autumn of 1826.

Goethe.

Gratz, in Styria.

Grillparzer.

Guicciardi, Countess Giulietta, Beethoven's "immortal beloved."

Hammer-Purgstall, the distinguished Orientalist in Vienna.

Handel.

Haslinger, Tobias, music publisher at Vienna.

Hauschka, Vincenz, Government auditor, a friend of Beethoven.

Heiligenstadt, near Vienna, a favorite summer residence of Beethoven, where, among other works, the "Pastoral Symphony" was written by him.

Hetzendorf, a favorite suburban residence near Vienna.

Hoffmann, Th. Amadeus.

Hofmeister, Kapellmeister and music publisher, first in Vienna, and afterwards in company with Kühnel in Leipzig (now Peters's Bureau de Musique). See also Peters.

Holz, Carl, Government official at Vienna, an accomplished violinist, born in 1798; became a member of the Schuppanzigh Quartets in 1824, and afterwards director of the Concerts Spirituels in that capital; a Viennese of somewhat dissolute habits, by whom even the grave master himself was at times unfavorably influenced.

Homer, especially the Odyssey, a favorite study of Beethoven.

Hönigstein, a banker in Vienna.

Hummel, Johann Nepomuk, the celebrated composer and pianist, a pupil of Mozart, and for some time Beethoven's rival in love matters, having married the sister of the singer Röckel, to whom Beethoven also was much attached (see also Schindler's "Biography," i. 189).

Hungary, Beethoven there.

Imperial Court at Vienna.

Imperial High Court of Appeal, letter from Beethoven to the.

Jenger, Chancery officer in the Imperial War Office at Vienna, a passionate lover of music.

Kalkbrenner.

Kandeler, testimonial from Beethoven in favor of.

Kanne, F.A., at Vienna, highly appreciated in his day as a poet, composer, and critic, an intimate friend of Beethoven, and occasionally his guest (see also Schindler's "Biography," i. 228).

Kauka, Dr., Beethoven's advocate in Prague.

Kiesewetter, Councillor von, in Vienna, the popular writer on the science of music, one of the subscribers to the great address presented to Beethoven in February, 1824.

Kinsky, Prince Ferdinand, of Bohemia, one of Beethoven's most devoted patrons in Vienna.

Kinsky, Princess.

Kirnberger, of Berlin, the well-known theorist.

Koch, Barbara, of Bonn, daughter of the landlord of the "Zehrgaden," the friend of Eleonore von Breuning, an amiable and intelligent lady, at whose house the leading persons of the town were accustomed to assemble; she afterwards became governess to the children of Count Belderbusch, whom she married in 1802.

Könneritz, Von, principal director of the Court band and Opera in Dresden.

Kraft, Anton, a celebrated violoncello-player in Vienna.

Kuhlau, Friedrich, the distinguished flute-player, a great admirer of Beethoven's music.

Kühnel, in Leipzig. See Hofmeister.

Laibach, the Philharmonic Society of.

Landrecht, Beethoven's address to the honorable members of the.

Leidesdorf, M.J., composer and music publisher in Vienna, a subscriber to the great address presented to Beethoven in 1824.

Leipzig "Allgemeine Zeitung," established in 1798; its remarks at first unfavorable towards Beethoven.

Lichnowsky, Count Moritz, brother of Prince Carl Lichnowsky, and, like him, the friend and patron of Beethoven. Schindler, in his "Biography," i. 241, n., relates as follows:-- "The acute perception of the Count led him, on a nearer acquaintance with the work, to surmise that it had been written with some special intentions. On being questioned on this matter, the author replied that he had intended to set the Count's love-story to music, and that if he needed titles for it, he might write over the first piece, 'Fight between Head and Heart,' and over the second, 'Conversation with the Loved One.' After the death of his first wife, the Count had fallen deeply in love with a distinguished opera singer, but his friends protested against such an alliance. After a contest of many years' duration, however, he at last succeeded, in 1816, in removing all hindrances to their union."

Lichnowsky, Prince Carl, a friend and pupil of Mozart, and afterwards a most zealous patron of Beethoven in Vienna (died April 15, 1814).

Liechtenstein, Princess, in Vienna, Beethoven's patroness.

Linke, born 1783, a distinguished violoncello player, member of the Rasumowsky Quartets.

Lobkowitz, Prince, one of Beethoven's most zealous patrons in Vienna.

London, England, and the English.

Luther.

Maelzel, mechanician to the Imperial Court of Vienna, the well-known inventor of the metronome.

Malchus, a youthful friend of Beethoven in Bonn, in later years Minister of Finance of the kingdom of Westphalia, and afterwards of that of Wirtemberg (died at Stuttgart in 1840).

Malfatti, Dr., a celebrated surgeon in Vienna; Beethoven under his treatment in 1814.

Marconi, contralto singer in Vienna.

Marx, A.B., music director and professor at the University of Berlin; edited, when in his twentieth year, the "Berliner Musikzeitung," a journal whose publication, unfortunately, lasted but a few years only. Next to T.A. Hofmann, he was the first who fully and thoroughly appreciated Beethoven's music in all its depth and grandeur, and who manfully and intelligently defended the lofty genius of the master against the base attacks to which it was at times exposed; he has remained until the present day the most efficient representative of the progress of musical art.

Matthisson, the poet.

Maximilian Franz, youngest brother of the Emperor Joseph II., Elector of Cologne from the year 1785, and one of the noblest and most zealous patrons of the young Beethoven, on whom, in 1785, he conferred the appointment of Court organist, and in 1787, with a view to the further cultivation of his talents, sent him to Vienna, assisting him in every way until the year 1794, at which period his country fell entirely under the dominion of France (died in 1801).

Maximilian, Friedrich, Elector of Cologne until the year 1784; the first noble patron of Beethoven, whom he placed under the instruction of the Court organist Von der Eeden, and afterwards, on the death of that musician, under Neefe; as an acknowledgment for which kindness, and in proof of the success which had attended his studies, the young composer, then only eleven years of age, dedicated his first sonatas to his benefactor.

Mayseder, the celebrated violinist (died at Vienna in 1863).

Meyer, Friedrich Sebastian, a singer (born 1773, died 1835), the husband of Mozart's eldest sister-in-law, who frequently, even in Beethoven's presence, made some boastful remark in praise of his deceased relative; such as "My brother-in-law would not have written that!."

Metronome, an instrument for measuring tune in music, invented about the year 1815 by Maelzel, of Vienna, and often employed and spoken of by Beethoven.

Milder-Hauptmann, Mdlle., the celebrated singer, first in Vienna and afterwards in Berlin.

Mödling, a village near Vienna, and Beethoven's favorite summer residence.

Mollo, music publisher in Vienna, afterwards the firm of Steiner & Co., and at a later period that of Haslinger.

Mölk, the celebrated abbey on the Danube.

Mölker Bastei, the, at Vienna, on several occasions Beethoven's residence in the house of Baron von Pasqualati (see also Schindler's "Biography," i. 187).

Moscheles.

Mosel, Hofrath Ignaz von, in Vienna, a well-known music writer, and the founder of the Conservatory of Music in that capital.

Mozart.

Munich.

Mythological subjects, reference made to, by Beethoven, who, as it is well known, possessed a considerable acquaintance with ancient history.

Nägeli, Hans Georg, the distinguished founder of men's vocal unions in Switzerland, also a popular composer of vocal music, a music publisher, and, at a later period, educational inspector in Zurich.

Napoleon, when General Bonaparte, so greatly admired by Beethoven, that on the occasion of that General's appearance, the master was incited to compose the "Eroica," which he dedicated to him ("Napoleon Buonaparte--Luigi van Beethoven"). On hearing, however, of the coronation of his hero as Emperor, he angrily cast aside the intended presentation copy of his work, and refused to send it to him.

Neate, Charles, a London artist, and a great admirer of Beethoven, with whom he became acquainted in Vienna in the year 1816.

Nussböck, town sequestrator at Vienna, for some time the guardian of Beethoven's nephew.

Nussdorf, a favorite summer residence on the Danube, near Vienna.

Oliva, a philologist and friend of Beethoven. According to Schindler ("Biography," i. 228), he repaired to St. Petersburg in 1817, in which city he settled as professor of German literature; Schindler is, however, mistaken in the date which he has given.

Oppersdorf, Count Franz von, Beethoven's friend and patron.

Pachler-Koschak, Marie, of Gratz, to whom Beethoven was warmly attached.

Papageno.

Paris.

Parry, Captain, wrote on the music of the Esquimaux.

Pasqualati, Baron von, merchant in Vienna, an ardent admirer of Beethoven, and his constant benefactor. In 1813 Beethoven again occupied apartments appropriated to his use by the Baron at his residence on the Mölker Bastei, and remained there until 1816.

Penzing, a village near Vienna, a favorite summer residence.

Peters, C.F., "Bureau de Musique" in Leipzig (see also Hofmeister).

Peters, councillor of Prince Lobkowitz at Vienna, a friend of Beethoven.

Philharmonic Society in London. In Laibach.

Pianoforte, Beethoven's remarks concerning the.

Pilat, editor of the "Austrian Observer."

Plutarch.

Portraits of Beethoven.

Potter, Cipriani, pianist in London.

Prague.

Prince Regent, the, afterwards George IV. of England.

Probst, music publisher in Leipzig.

Prussia.

Punto (alias Stich) a celebrated horn player, to whom Beethoven was mainly indebted for his knowledge of that instrument (died 1804).

"Queen of the Night." See Beethoven's sister-in-law.

Radziwill, Prince, at Berlin, a devoted patron of music and the composer of music to "Faust."

Rampel, Beethoven's copyist about the year 1824.

Rasumowsky, Count, afterwards Prince, Russian ambassador at Vienna, an ardent lover of music.

Recke, Elise von der, the well-known poetess.

Reisser, vice-director of the Polytechnic Institution at Vienna, co-guardian of Beethoven's nephew in the year 1825.

Religious and moral sentiments on particular subjects.

Rellstab, Ludwig, a writer and poet, for many years editor of the "Vossische Zeitung," in Berlin.

Ries, Ferdinand, son of the preceding, a pupil of Beethoven and a distinguished composer. Quitted Vienna in 1805, and, with the exception of a short residence there, on his return from Russia in the autumn of 1808, never again returned to that capital (Schindler, i. 227).

Ries, Franz, Court musician to the Elector of Cologne, a helpful friend to Beethoven (born 1755).

Rochlitz, Friedrich, the well-known writer on the science of music, and for nearly twenty-five years editor of the Leipzig "Allgemeine Musikzeitung," a man who, notwithstanding his entire lack of historical acumen and his limited acquaintance with the technicalities of music, did very much towards liberating the art from its mechanical condition, and promoting its intellectual appreciation by the public. He was in Vienna in the year 1822, where he became personally acquainted with Beethoven, but never fully appreciated the genius of the master,--a circumstance which Beethoven himself most deeply felt, even after the retirement of Rochlitz from the editorship of that journal, and which formed the subject of many ironical remarks on the part of Beethoven respecting these representatives of the so-called Old-German national composers.

Röckel, singer of the part of Florestan in Vienna in 1806, still living at Bath, in England.

Rode, the celebrated violinist; came to Vienna in the winter of 1812-13, where he became acquainted with Beethoven.

Rudolph, Archduke, youngest brother of the Emperor Franz, born 1788, died 1831, a passionate lover of music, and himself a composer; he became Beethoven's pupil in 1808, and in 1819 Cardinal-Archbishop of Olmütz.

Russia.

Rzehatschek, in Vienna.

Salieri, Kapellmeister at Vienna, a contemporary and rival of Haydn and Mozart, for some time Beethoven's instructor in the dramatic style.

Salomon, J.P., of Bonn, the celebrated violinist, until the year 1782 director of the concerts of Prince Heinrich of Prussia; he afterwards came to London, where he became chiefly instrumental in the introduction of German music into that capital; as is well known, it was owing to him also that J. Haydn was induced to visit England.

Sarastro.

Sartorius, royal censor at Vienna (see also Schindler's "Biography," ii. 69).

Saxony. See also Dresden.

Schade, Dr., advocate at Augsburg, a helpful friend of the young Beethoven.

Schenk, the well-known composer of the "Village Barber," for some time Beethoven's instructor in Vienna (died 1836).

Schiller.

Schindler, Anton, of Moravia, Beethoven's sincere friend and biographer (born 1790,