The Republic, Plato [simple e reader txt] 📗

dream, and hardly allows the reader to suppose that the writer believes in his own creation. Whether his dialogues were framed on the model of the lost dialogues of Aristotle, as he himself tells us, or of Plato, to which they bear many superficial resemblances, he is still the Roman orator; he is not conversing, but making speeches, and is never able to mould the intractable Latin to the grace and ease of the Greek Platonic dialogue. But if he is defective in form, much more is he inferior to the Greek in matter; he nowhere in his philosophical writings leaves upon our minds the impression of an original thinker.

Plato’s Republic has been said to be a church and not a state; and such an ideal of a city in the heavens has always hovered over the Christian world, and is embodied in St. Augustine’s ‘De Civitate Dei,’ which is suggested by the decay and fall of the Roman Empire, much in the same manner in which we may imagine the Republic of Plato to have been influenced by the decline of Greek politics in the writer’s own age. The difference is that in the time of Plato the degeneracy, though certain, was gradual and insensible: whereas the taking of Rome by the Goths stirred like an earthquake the age of St. Augustine. Men were inclined to believe that the overthrow of the city was to be ascribed to the anger felt by the old Roman deities at the neglect of their worship. St. Augustine maintains the opposite thesis; he argues that the destruction of the Roman Empire is due, not to the rise of Christianity, but to the vices of Paganism. He wanders over Roman history, and over Greek philosophy and mythology, and finds everywhere crime, impiety and falsehood. He compares the worst parts of the Gentile religions with the best elements of the faith of Christ. He shows nothing of the spirit which led others of the early Christian Fathers to recognize in the writings of the Greek philosophers the power of the divine truth. He traces the parallel of the kingdom of God, that is, the history of the Jews, contained in their scriptures, and of the kingdoms of the world, which are found in gentile writers, and pursues them both into an ideal future. It need hardly be remarked that his use both of Greek and of Roman historians and of the sacred writings of the Jews is wholly uncritical. The heathen mythology, the Sybilline oracles, the myths of Plato, the dreams of Neo-Platonists are equally regarded by him as matter of fact. He must be acknowledged to be a strictly polemical or controversial writer who makes the best of everything on one side and the worst of everything on the other. He has no sympathy with the old Roman life as Plato has with Greek life, nor has he any idea of the ecclesiastical kingdom which was to arise out of the ruins of the Roman empire. He is not blind to the defects of the Christian Church, and looks forward to a time when Christian and Pagan shall be alike brought before the judgment-seat, and the true City of God shall appear…The work of St. Augustine is a curious repertory of antiquarian learning and quotations, deeply penetrated with Christian ethics, but showing little power of reasoning, and a slender knowledge of the Greek literature and language. He was a great genius, and a noble character, yet hardly capable of feeling or understanding anything external to his own theology. Of all the ancient philosophers he is most attracted by Plato, though he is very slightly acquainted with his writings. He is inclined to believe that the idea of creation in the Timaeus is derived from the narrative in Genesis; and he is strangely taken with the coincidence (?) of Plato’s saying that ‘the philosopher is the lover of God,’ and the words of the Book of Exodus in which God reveals himself to Moses (Exod.) He dwells at length on miracles performed in his own day, of which the evidence is regarded by him as irresistible. He speaks in a very interesting manner of the beauty and utility of nature and of the human frame, which he conceives to afford a foretaste of the heavenly state and of the resurrection of the body. The book is not really what to most persons the title of it would imply, and belongs to an age which has passed away. But it contains many fine passages and thoughts which are for all time.

The short treatise de Monarchia of Dante is by far the most remarkable of mediaeval ideals, and bears the impress of the great genius in whom Italy and the Middle Ages are so vividly reflected. It is the vision of an Universal Empire, which is supposed to be the natural and necessary government of the world, having a divine authority distinct from the Papacy, yet coextensive with it. It is not ‘the ghost of the dead Roman Empire sitting crowned upon the grave thereof,’ but the legitimate heir and successor of it, justified by the ancient virtues of the Romans and the beneficence of their rule. Their right to be the governors of the world is also confirmed by the testimony of miracles, and acknowledged by St. Paul when he appealed to Caesar, and even more emphatically by Christ Himself, Who could not have made atonement for the sins of men if He had not been condemned by a divinely authorized tribunal. The necessity for the establishment of an Universal Empire is proved partly by a priori arguments such as the unity of God and the unity of the family or nation; partly by perversions of Scripture and history, by false analogies of nature, by misapplied quotations from the classics, and by odd scraps and commonplaces of logic, showing a familiar but by no means exact knowledge of Aristotle (of Plato there is none). But a more convincing argument still is the miserable state of the world, which he touchingly describes. He sees no hope of happiness or peace for mankind until all nations of the earth are comprehended in a single empire. The whole treatise shows how deeply the idea of the Roman Empire was fixed in the minds of his contemporaries. Not much argument was needed to maintain the truth of a theory which to his own contemporaries seemed so natural and congenial. He speaks, or rather preaches, from the point of view, not of the ecclesiastic, but of the layman, although, as a good Catholic, he is willing to acknowledge that in certain respects the Empire must submit to the Church. The beginning and end of all his noble reflections and of his arguments, good and bad, is the aspiration ‘that in this little plot of earth belonging to mortal man life may pass in freedom and peace.’ So inextricably is his vision of the future bound up with the beliefs and circumstances of his own age.

The ‘Utopia’ of Sir Thomas More is a surprising monument of his genius, and shows a reach of thought far beyond his contemporaries. The book was written by him at the age of about 34 or 35, and is full of the generous sentiments of youth. He brings the light of Plato to bear upon the miserable state of his own country. Living not long after the Wars of the Roses, and in the dregs of the Catholic Church in England, he is indignant at the corruption of the clergy, at the luxury of the nobility and gentry, at the sufferings of the poor, at the calamities caused by war. To the eye of More the whole world was in dissolution and decay; and side by side with the misery and oppression which he has described in the First Book of the Utopia, he places in the Second Book the ideal state which by the help of Plato he had constructed. The times were full of stir and intellectual interest. The distant murmur of the Reformation was beginning to be heard. To minds like More’s, Greek literature was a revelation: there had arisen an art of interpretation, and the New Testament was beginning to be understood as it had never been before, and has not often been since, in its natural sense. The life there depicted appeared to him wholly unlike that of Christian commonwealths, in which ‘he saw nothing but a certain conspiracy of rich men procuring their own commodities under the name and title of the Commonwealth.’ He thought that Christ, like Plato, ‘instituted all things common,’ for which reason, he tells us, the citizens of Utopia were the more willing to receive his doctrines (‘Howbeit, I think this was no small help and furtherance in the matter, that they heard us say that Christ instituted among his, all things common, and that the same community doth yet remain in the rightest Christian communities’ (Utopia).). The community of property is a fixed idea with him, though he is aware of the arguments which may be urged on the other side (‘These things (I say), when I consider with myself, I hold well with Plato, and do nothing marvel that he would make no laws for them that refused those laws, whereby all men should have and enjoy equal portions of riches and commodities. For the wise men did easily foresee this to be the one and only way to the wealth of a community, if equality of all things should be brought in and established’ (Utopia).). We wonder how in the reign of Henry VIII, though veiled in another language and published in a foreign country, such speculations could have been endured.

He is gifted with far greater dramatic invention than any one who succeeded him, with the exception of Swift. In the art of feigning he is a worthy disciple of Plato. Like him, starting from a small portion of fact, he founds his tale with admirable skill on a few lines in the Latin narrative of the voyages of Amerigo Vespucci. He is very precise about dates and facts, and has the power of making us believe that the narrator of the tale must have been an eyewitness. We are fairly puzzled by his manner of mixing up real and imaginary persons; his boy John Clement and Peter Giles, citizen of Antwerp, with whom he disputes about the precise words which are supposed to have been used by the (imaginary) Portuguese traveller, Raphael Hythloday. ‘I have the more cause,’ says Hythloday, ‘to fear that my words shall not be believed, for that I know how difficultly and hardly I myself would have believed another man telling the same, if I had not myself seen it with mine own eyes.’ Or again: ‘If you had been with me in Utopia, and had presently seen their fashions and laws as I did which lived there five years and more, and would never have come thence, but only to make the new land known here,’ etc. More greatly regrets that he forgot to ask Hythloday in what part of the world Utopia is situated; he ‘would have spent no small sum of money rather than it should have escaped him,’ and he begs Peter Giles to see Hythloday or write to him and obtain an answer to the question. After this we are not surprised to hear that a Professor of Divinity (perhaps ‘a late famous vicar of Croydon in Surrey,’ as the translator thinks) is desirous of being sent thither as a missionary by the High Bishop, ‘yea, and that he may himself be made Bishop of Utopia, nothing doubting that he must obtain this Bishopric with suit; and he counteth that a godly suit which proceedeth not of the desire of honour or lucre, but only of a godly zeal.’ The design may have failed through the disappearance of Hythloday,