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to fall under the ‘tyranny’ of idolatry.

Many details are given about their customs of eating and drinking, about their mode of dressing, their employments, their wars. Campanella looks forward to a new mode of education, which is to be a study of nature, and not of Aristotle. He would not have his citizens waste their time in the consideration of what he calls ‘the dead signs of things.’ He remarks that he who knows one science only, does not really know that one any more than the rest, and insists strongly on the necessity of a variety of knowledge. More scholars are turned out in the City of the Sun in one year than by contemporary methods in ten or fifteen. He evidently believes, like Bacon, that henceforward natural science will play a great part in education, a hope which seems hardly to have been realized, either in our own or in any former age; at any rate the fulfilment of it has been long deferred.

There is a good deal of ingenuity and even originality in this work, and a most enlightened spirit pervades it. But it has little or no charm of style, and falls very far short of the ‘New Atlantis’ of Bacon, and still more of the ‘Utopia’ of Sir Thomas More. It is full of inconsistencies, and though borrowed from Plato, shows but a superficial acquaintance with his writings. It is a work such as one might expect to have been written by a philosopher and man of genius who was also a friar, and who had spent twenty-seven years of his life in a prison of the Inquisition. The most interesting feature of the book, common to Plato and Sir Thomas More, is the deep feeling which is shown by the writer, of the misery and ignorance prevailing among the lower classes in his own time. Campanella takes note of Aristotle’s answer to Plato’s community of property, that in a society where all things are common, no individual would have any motive to work (Arist. Pol.): he replies, that his citizens being happy and contented in themselves (they are required to work only four hours a day), will have greater regard for their fellows than exists among men at present. He thinks, like Plato, that if he abolishes private feelings and interests, a great public feeling will take their place.

Other writings on ideal states, such as the ‘Oceana’ of Harrington, in which the Lord Archon, meaning Cromwell, is described, not as he was, but as he ought to have been; or the ‘Argenis’ of Barclay, which is an historical allegory of his own time, are too unlike Plato to be worth mentioning. More interesting than either of these, and far more Platonic in style and thought, is Sir John Eliot’s ‘Monarchy of Man,’ in which the prisoner of the Tower, no longer able ‘to be a politician in the land of his birth,’ turns away from politics to view ‘that other city which is within him,’ and finds on the very threshold of the grave that the secret of human happiness is the mastery of self. The change of government in the time of the English Commonwealth set men thinking about first principles, and gave rise to many works of this class…The great original genius of Swift owes nothing to Plato; nor is there any trace in the conversation or in the works of Dr. Johnson of any acquaintance with his writings. He probably would have refuted Plato without reading him, in the same fashion in which he supposed himself to have refuted Bishop Berkeley’s theory of the non-existence of matter. If we except the so-called English Platonists, or rather Neo-Platonists, who never understood their master, and the writings of Coleridge, who was to some extent a kindred spirit, Plato has left no permanent impression on English literature.

7. Human life and conduct are affected by ideals in the same way that they are affected by the examples of eminent men. Neither the one nor the other are immediately applicable to practice, but there is a virtue flowing from them which tends to raise individuals above the common routine of society or trade, and to elevate States above the mere interests of commerce or the necessities of self-defence. Like the ideals of art they are partly framed by the omission of particulars; they require to be viewed at a certain distance, and are apt to fade away if we attempt to approach them. They gain an imaginary distinctness when embodied in a State or in a system of philosophy, but they still remain the visions of ‘a world unrealized.’ More striking and obvious to the ordinary mind are the examples of great men, who have served their own generation and are remembered in another. Even in our own family circle there may have been some one, a woman, or even a child, in whose face has shone forth a goodness more than human. The ideal then approaches nearer to us, and we fondly cling to it. The ideal of the past, whether of our own past lives or of former states of society, has a singular fascination for the minds of many. Too late we learn that such ideals cannot be recalled, though the recollection of them may have a humanizing influence on other times. But the abstractions of philosophy are to most persons cold and vacant; they give light without warmth; they are like the full moon in the heavens when there are no stars appearing. Men cannot live by thought alone; the world of sense is always breaking in upon them. They are for the most part confined to a corner of earth, and see but a little way beyond their own home or place of abode; they ‘do not lift up their eyes to the hills’; they are not awake when the dawn appears. But in Plato we have reached a height from which a man may look into the distance and behold the future of the world and of philosophy. The ideal of the State and of the life of the philosopher; the ideal of an education continuing through life and extending equally to both sexes; the ideal of the unity and correlation of knowledge; the faith in good and immortality—are the vacant forms of light on which Plato is seeking to fix the eye of mankind.

8. Two other ideals, which never appeared above the horizon in Greek Philosophy, float before the minds of men in our own day: one seen more clearly than formerly, as though each year and each generation brought us nearer to some great change; the other almost in the same degree retiring from view behind the laws of nature, as if oppressed by them, but still remaining a silent hope of we know not what hidden in the heart of man. The first ideal is the future of the human race in this world; the second the future of the individual in another. The first is the more perfect realization of our own present life; the second, the abnegation of it: the one, limited by experience, the other, transcending it. Both of them have been and are powerful motives of action; there are a few in whom they have taken the place of all earthly interests. The hope of a future for the human race at first sight seems to be the more disinterested, the hope of individual existence the more egotistical, of the two motives. But when men have learned to resolve their hope of a future either for themselves or for the world into the will of God—‘not my will but Thine,’ the difference between them falls away; and they may be allowed to make either of them the basis of their lives, according to their own individual character or temperament. There is as much faith in the willingness to work for an unseen future in this world as in another. Neither is it inconceivable that some rare nature may feel his duty to another generation, or to another century, almost as strongly as to his own, or that living always in the presence of God, he may realize another world as vividly as he does this.

The greatest of all ideals may, or rather must be conceived by us under similitudes derived from human qualities; although sometimes, like the Jewish prophets, we may dash away these figures of speech and describe the nature of God only in negatives. These again by degrees acquire a positive meaning. It would be well, if when meditating on the higher truths either of philosophy or religion, we sometimes substituted one form of expression for another, lest through the necessities of language we should become the slaves of mere words.

There is a third ideal, not the same, but akin to these, which has a place in the home and heart of every believer in the religion of Christ, and in which men seem to find a nearer and more familiar truth, the Divine man, the Son of Man, the Saviour of mankind, Who is the first-born and head of the whole family in heaven and earth, in Whom the Divine and human, that which is without and that which is within the range of our earthly faculties, are indissolubly united. Neither is this divine form of goodness wholly separable from the ideal of the Christian Church, which is said in the New Testament to be ‘His body,’ or at variance with those other images of good which Plato sets before us. We see Him in a figure only, and of figures of speech we select but a few, and those the simplest, to be the expression of Him. We behold Him in a picture, but He is not there. We gather up the fragments of His discourses, but neither do they represent Him as He truly was. His dwelling is neither in heaven nor earth, but in the heart of man. This is that image which Plato saw dimly in the distance, which, when existing among men, he called, in the language of Homer, ‘the likeness of God,’ the likeness of a nature which in all ages men have felt to be greater and better than themselves, and which in endless forms, whether derived from Scripture or nature, from the witness of history or from the human heart, regarded as a person or not as a person, with or without parts or passions, existing in space or not in space, is and will always continue to be to mankind the Idea of Good.

 

THE REPUBLIC.

 

BOOK I.

PERSONS OF THE DIALOGUE.

Socrates, who is the narrator.

Glaucon.

Adeimantus.

Polemarchus.

Cephalus.

Thrasymachus.

Cleitophon.

And others who are mute auditors.

The scene is laid in the house of Cephalus at the Piraeus; and the whole dialogue is narrated by Socrates the day after it actually took place to Timaeus, Hermocrates, Critias, and a nameless person, who are introduced in the Timaeus.

 

I went down yesterday to the Piraeus with Glaucon the son of Ariston, that I might offer up my prayers to the goddess (Bendis, the Thracian Artemis.); and also because I wanted to see in what manner they would celebrate the festival, which was a new thing. I was delighted with the procession of the inhabitants; but that of the Thracians was equally, if not more, beautiful. When we had finished our prayers and viewed the spectacle, we turned in the direction of the city; and at that instant Polemarchus the son of Cephalus chanced to catch sight of us from a distance as we were starting on our way home, and told his servant to run and bid us wait for him. The servant took hold of me by the cloak behind, and said: Polemarchus desires you to wait.

I turned round, and asked him where his master was.

There he is, said the youth, coming after you, if you

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