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href="@public@vhost@g@gutenberg@html@files@23042@23042-h@23042-h-5.htm.html#lineV_1_9" id="appV_1_9" tag="{http://www.w3.org/1999/xhtml}a">9. all] all your Pope.

10. line-grove] lime-grove Rowe.

11. your] F1 F2. you F3 F4.

15. sir] om. Pope.

16. run] runs F1.

winter’s] winter F4.

23. F1 F2 put a comma after sharply. F3 F4 omit it.

24. Passion] Passion’d Pope.

26. ’gainst] Pope. gainst F1 F2. against F3 F4.

33. Scene ii. Pope.

37. green sour] green-sward Douce conj.

46. strong-based] Rowe. strong-bass’d Ff.

58. Scene iii. Pope.

and] om. Capell.

60. boil’d] Pope. boile F1 F2. boil F3 F4.

62. Holy] Noble Collier MS.

63. show] shew Ff. flow Collier MS.

64. fellowly] fellow Pope.

68. O] O my Pope. O thou S. Walker conj.

69. sir] servant Collier MS.

72. Didst] F3 F4. Did F1 F2.

74. Sebastian. Flesh and blood,] Sebastian, flesh and blood. Theobald.

75. entertain’d] entertaine F1.

76. who] Rowe. whom Ff.

82. lies] F3 F4. ly F1 F2.

83. or] e’er Collier MS.

84. Theobald gives as stage direction “Exit Ariel and returns immediately.”

88. suck] lurk Theobald.

90. couch] crowch F3 F4.

Capell punctuates There I couch: when owls do cry,

92. summer] sun-set Theobald.

106. Behold,] lo! Pope.

111. Whether thou be’st] Where thou beest Ff. Be’st thou Pope. Whe’r thou be’st Capell.

112. trifle] devil Collier MS.

119. my] thy Collier MS.

124. not] F3 F4. nor F1 F2.

132. fault] faults F4.

136. who] F2 F3 F4. whom F1.

145. and,] sir, and Capell.

supportable] F1 F2. insupportable F3 F4. portable Steevens.

148. my] my only Hanmer.

A daughter] Only daughter Hanmer. Daughter Capell.

156. eyes] F1. eye F2 F3 F4.

their] these Capell.

172. Scene iv. Pope.

Here Prospero discovers...] Ff. Scene opens to the entrance of the cell. Here Prospero discovers ... Theobald. Cell opens and discovers ... Capell.

172. dear’st] dearest Ff.

179. [Kneels] Theobald.

191. advice] F4. advise F1 F2 F3.

199, 200. remembrances with] remembrance with Pope. remembrances With Malone.

213. When] Where Johnson conj.

216. Scene v. Pope.

sir, look, sir] sir, look F3 F4.

is] are Pope.

221. safely] safe F3 F4.

230. of sleep] a-sleep Pope.

234. more] Rowe. mo F1 F2. moe F3 F4.

236. her] Theobald (Thirlby conj.). our Ff.

242-245. Given to Ariel in F2 F3 F4.

247. leisure] F1. seisure F2. seizure F3 F4.

248. Which shall be shortly, single] Pope. (which shall be shortly single) Ff.

253. [Exit Ariel] Capell.

256. Scene vi. Pope.

258. Coragio] corasio F1.

268. mis-shapen] mis-shap’d Pope.

271. command, without her power.] command. Without her power, anon. conj.

without] with all Collier MS.

280. liquor] ’lixir Theobald.

282-284. Printed as verse in Ff.

289. This is] F1 F2. ’Tis F3 F4.

a strange] as strange a Capell.

e’er I] I ever Hanmer.

[Pointing to Caliban.] Steevens.

299. [Exeunt... Trin.] Capell.

308. nuptial] nuptiall F1. nuptials F2 F3 F4.

309. See note (XVIII).

Epilogue

Epilogue ... Prospero.] advancing, Capell.

1. Now] Now, now F3 F4.

3. now] and now Pope.

13. Now] For now Pope.

Sources

The editors’ Preface (e-text 23041) discusses the 17th- and 18th-century editions in detail; the newer (19th-century) editions are simply listed by name. The following editions may appear in the Notes. All inset text is quoted from the Preface.

Folios:
F1 1623; F2 (no date given); F3 1663; F4 1685.

“The five plays contained in this volume occur in the first Folio in the same order, and ... were there printed for the first time.”

Early editions:
Rowe 1709
Pope 1715

“Pope was the first to indicate the place of each new scene; as, for instance, Tempest, I. 1. ‘On a ship at sea.’ He also subdivided the scenes as given by the Folios and Rowe, making a fresh scene whenever a new character entered—an arrangement followed by Hanmer, Warburton, and Johnson. For convenience of reference to these editions, we have always recorded the commencement of Pope’s scenes.”

Theobald 1733
Hanmer (“Oxford edition”) 1744
Warburton 1747
Johnson 1765
Capell 1768; also Capell’s annotated copy of F2
Steevens 1773
Malone 1790
Reed 1803

Later editions:
Singer, Knight, Cornwall, Collier, Phelps, Halliwell, Dyce, Staunton

Dryden:

The Tempest was altered by Dryden and D’Avenant, and published as The Tempest; or the Enchanted Island, in 1669. We mark the emendations derived from it: ‘Dryden’s version.’”






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